And if the Herald in that tapestry looked something like her misty memories of her father . . . well. That would not be bad, either.
For Want of a Nail
Rosemary Edghill has been a frequent contributor to the Valdemar anthologies since selling her first novel in 1987, writing everything from Regency romances to science fiction to alternate history to mysteries. Between writing gigs, she’s held the usual selection of weird writer jobs and can truthfully state that she once killed vampires for money. She has collaborated with Marion Zimmer Bradley (
), Andre Norton (
), and Mercedes Lackey (
and the forthcoming
). In the opinion of her dogs, she spends far too much time on Wikipedia. Her virtual home can be found at
(Her last name—despite the efforts of editors, reviewers, publishing houses, her webmaster, and occasionally her own fingers—is not spelled Edgehill.)
Denise McCune has been writing since she was eleven—which was (coincidentally?) right around the time she fell in love with Valdemar. She has worked in the social networking industry for nearly a decade, and not having enough to do writing novels and short stories, she decided to launch Dreamwidth, an open source social networking, content management, and personal publishing platform. Denise lives in Baltimore, Maryland, where her hobbies include knitting, writing, and staying up too late writing code.
Navar was an ordinary man. A soldier, and a good one, rising from common foot soldier in the Baron’s levy to sergeant of his company, but his true gift was to go from here to there unseen; and so Captain Harleth had used his talents for scouting, for the Barony of Valdemar was beset on every side by enemies. Not those that came by day, for all knew that the Eastern Empire was at peace, but those that came by night, for the Iron Throne ruled by fear and blood and dark magic, so that no man might call his soul his own.
In later years, many claimed to have known Baron Kordas Valdemar’s mind, to have plotted with him for their exodus into the unknown West. Navar was not one whose status gave him entry into the councils of the good and the great, but he thought that such words were no more than idle tavern talk, the speech of men who wished to be seen as greater than they were. True enough that Soferu, who wore the Wolf Crown and sat upon the Iron Throne, was but a man. True as well that he was not a man like any other, for lust for power ran as hot as magery in Soferu’s veins, and so the Iron Throne was an iron boot upon men’s necks, and an iron collar about men’s throats, and an iron chain about men’s minds, and only a fool would sow treason farther than he must.
And Baron Valdemar had been no fool.
Only he, and Juuso Beltran, whose line had served Valdemar’s as seneschal since the lands had first come into Valdemar’s hands, and Terilee, Valdemar’s lady, brave and bright as a swordblade, had known all Lord Valdemar’s heart and mind. The three of them had warded their plans with subtle spells (so Navar heard later, and this tale he was moved to credit)—not wards that would draw the attention of the Hellhound Mages of the Imperium, but layer upon layer of subtle shields of misdirection, a deception as artful as a swirl of autumn leaves concealing a doe from the hunter’s bow.
Of the journey to freedom itself, Navar knew as much as any man, for a scout’s skills were as vital as a mage’s when one must make one’s way through lands first hostile, then unknown. They brought with them not merely the household troops that a barony was permitted to arm and muster, but nearly all who dwelt within Valdemar’s bounds—all save for the baron’s eldest son. Lord Dethwyn, fostered as was the custom at Soferu’s court as hostage against his father’s obedience, would have willingly ascended to his father’s honors across his father’s grave were he granted the slightest chance. When Valdemar’s second son Restil came of age, he was meant to join his brother at the Wolf Court. It was not unknown for the sons of inconvenient nobles to perish at court so that their fathers’ lands might return to the emperor’s gift, and it was—perhaps—the thought of losing both his sons as much as anything else that caused the baron to move when he did.