Читаем Christine полностью

I told her to ask Milton Dodd, her dorky-looking boyfriend. Then Elaine really did get mad and tried to hit me and asked me why do you always have to be so awful, Dennis? So I told her yes, it was true you could light farts, and advised her not to try it, and then I gave her a hug (which I rarely did anymore—it made me uncomfortable since she started to get boobs, and so did the tickling, to tell the truth) and then I went to bed.

And undressing, I thought, The day didn’t end so bad, after all. There are people around here who think I’m a human being, and they think Arnie is, as well, I’ll get him to come over tomorrow or Sunday and we’ll just hang out, watch the Phillies on TV, maybe, or play some dumb board-game, Careers or Life or maybe that old standby, Clue, and get rid of the weirdness. Get feeling decent again.

So I went to bed with everything straight in my mind, and I should have gone right to sleep, but I didn’t. Because it wasn’t straight, and I knew it. Things get started, and sometimes you don’t know what the hell they are.

Engines. That’s something else about being a teenager. There are all these engines, and somehow you end up with the ignition keys to some of them and you start them up but you don’t know what the fuck they are or what they’re supposed to do. There are clues, but that’s all. The drug thing is like that, and the booze thing, and the sex thing, and sometimes other stuff too—a summer job that generates a new interest, a trip, a course in school. Engines. They give you the keys and some clues and they say, Start it up, see what it will do, and sometimes what it does is pull you along into a life that’s really good and fulfilling, and sometimes what it does is pull you right down the highway to hell and leave you all mangled and bleeding by the roadside.

Engines.

Big ones. Like the 382s they used to put in those old cars. Like Christine.

I lay there in the dark, twisting and turning until the sheet was pulled out and all balled up and messy, and I thought about LeBay saying, Her name is Christine. And somehow, Arnie had picked up on that. When we were little kids we had scooters and then bikes, and I named mine but Arnie never named his—he said names were for dogs and cats and guppies. But that was then and this was now. Now he was calling that Plymouth Christine, and, what was somehow worse, it was always “her” and “she” instead of “it”.

I didn’t like it, and I didn’t know why.

And even my own father had spoken of it as if, instead of buying an old junker, Arnie had gotten married. But it wasn’t like that. Not at all. Was it?

Stop the car, Dennis. Go back… I want to look at her again.

Simple as that.

No consideration at all, and that wasn’t like Arnie, who usually thought things out so carefully—his life had made him all too painfully aware of what happened to guys like him when they went off half-cocked and did something (gasp!) on impulse. But this time he had been like a man who meets a showgirl, indulges in a whirlwind courtship, and ends up with a hangover and a new wife on Monday morning.

It had been… well… like love at first sight.

Never mind, I thought. We’ll start over again. Tomorrow we’ll start over. We’ll get some perspective on this.

And so finally I went to sleep. And dreamed.

The whining spin of a starter in darkness.

Silence.

The starter, whining again.

The engineered, missed, then caught.

An engine running in darkness.

Then headlights came on, high beams, old-fashioned twin beams, spearing me like a bug on glass.

I was standing in the open doorway of Roland D. LeBay’s garage, and Christine sat inside—a new Christine with not a dent or a speck of rust on her. The clean, unblemished windscreen darkened to a polarized blue strip at the top. From the radio came the hard rhythmic sounds of Dale Hawkins doing “Susie-Q'—a voice from a dead age, full of a somehow frightening vitality.

The motor muttering words of power through dual glasspack silencers. And somehow I knew there was a Hurst gearbox inside, and Feully headers; the Quaker State oil had just been changed—it was a clean amber colour, automotive lifeblood.

The wipers suddenly start up, and that’s strange because there’s no one behind the wheel, the car is empty.

Come on, big guy. Let’s go for a ride. Let’s cruise.

I shake my head. I don’t want to get in there. I’m scared to get in there. I don’t want to cruise. And suddenly the engine begins to rev and fall off, rev and fall off; it’s a hungry sound, frightening, and each time the engine revs Christine seems to lunge forward a bit, like a mean dog on a weak leash… and I want to move… but my feet seem nailed to the cracked pavement of the driveway.

— Last chance, big guy.

And before I can answer—or even think of an answer—there is the terrible scream of rubber kissing off concrete and Christine lunges out at me, her grille snarling like an open mouth full of chrome teeth, her headlights glaring -

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Лихим 90-м посвящается...Фантастический роман-эпопея в пяти томах «Звёздная месть» (1990—1995), написанный в жанре «патриотической фантастики» — грандиозное эпическое полотно (полный текст 2500 страниц, общий тираж — свыше 10 миллионов экземпляров). События разворачиваются в ХХV-ХХХ веках будущего. Вместе с апогеем развития цивилизации наступает апогей её вырождения. Могущество Земной Цивилизации неизмеримо. Степень её духовной деградации ещё выше. Сверхкрутой сюжет, нетрадиционные повороты событий, десятки измерений, сотни пространств, три Вселенные, всепланетные и всепространственные войны. Герой романа, космодесантник, прошедший через все круги ада, после мучительных размышлений приходит к выводу – для спасения цивилизации необходимо свержение правящего на Земле режима. Он свергает его, захватывает власть во всей Звездной Федерации. А когда приходит победа в нашу Вселенную вторгаются полчища из иных миров (правители Земной Федерации готовили их вторжение). По необычности сюжета (фактически запретного для других авторов), накалу страстей, фантазии, философичности и психологизму "Звёздная Месть" не имеет ничего равного в отечественной и мировой литературе. Роман-эпопея состоит из пяти самостоятельных романов: "Ангел Возмездия", "Бунт Вурдалаков" ("вурдалаки" – биохимеры, которыми земляне населили "закрытые" миры), "Погружение во Мрак", "Вторжение из Ада" ("ад" – Иная Вселенная), "Меч Вседержителя". Также представлены популярные в среде читателей романы «Бойня» и «Сатанинское зелье».

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Фантастика / Боевая фантастика / Научная Фантастика / Ужасы / Ужасы и мистика