Clandestine

He talked without interruption for seven hours, his manner by turns plaintive, morose, but above all else tragically accepting. It was an intimate story, a panorama of small-town life, small-town talk, small-town hope, and small-town retribution. It was the story of Marcella DeVries.

They had been lovers from the very beginning, first in spirit, then in flesh.

The Berglund family had emigrated from Norway the same year as the DeVries family had left Holland. A network of Old Country friends and cousins secured work for the two families in the stockyards of Chicago.

It was 1906, and work was plentiful. The hardy Berglund men became foremen, the quicker-witted DeVries men became master bookkeepers. The three Berglund brothers and Piet and Karl DeVries shared a dream common to immigrants—the dream of Old Country power, the dream of land.

All five men, then in their thirties, were impatient. They knew that the feudal power they so desperately desired could not be achieved by the attrition of begging, borrowing, scrimping, and slaughtering cattle with ten-pound sledgehammers. Time was not on their side, and history was not on their side. But brains and ruthlessness were, compounded by their Calvinist religious fervor, and the five men embarked on a career of crime, with only one goal in mind: the acquisition of twenty-five thousand dollars.

It took three years, and cost two lives, one from each family. The Berglunds and DeVrieses became burglars and armed robbers. Piet DeVries was the acknowledged leader and treasurer, Willem Berglund his adjutant. They were the planners, the shrewd overseers of impetuous Karl DeVries and the outright violent Hasse and Lars Berglund.

Piet was a romantic intellectual, and an ardent lover of Beethoven. He loved jewelry, and converted the cash gleaned from the gang's burglaries into diamonds and rubies that he sold in turn for a small profit on the commodities exchange, always keeping a few small gems for himself. He longed to be a jewel thief—for the romance of it as well as for the profit—and he planned the strongarm theft of an elderly, jewel-bedecked Chicago matron known to attend the opera unescorted. His brother Karl and Lars Berglund were to do the job. It was 1909, and the money from the robbery would put them well over their twenty-five-thousand mark.

The woman traveled to and from her home on the near north side in a horse-drawn carriage. The men waited under the steps of her brownstone, armed with revolvers. When she pulled to the curb and her driver helped her up the stairs, Karl and Lars sprang from their hiding place, expecting to easily overpower their prey. The driver shot them both in the face at point-blank range with a custom-made six-shot Derringer.

The three surviving members of the Berglund-DeVries combine fled to St. Paul, Minnesota, with eighteen thousand dollars in cash and jewelry. Hasse Berglund wanted to kill Piet DeVries. One night, drunk, he tried. Willem Berglund interceded, beating Hasse senseless with a lead-filled cane. Hasse was irreparably brain damaged, and Willem was distraught with guilt. To assuage Willem's guilt, Piet placed the now childlike Hasse in an asylum, paying the director of the institution two thousand dollars to keep him there in perpetuity.

Where were two immigrants, one Norwegian, one Dutch, with sixteen thousand dollars, without wives or children, and above all else, without land, to go? Their dream was dairy farming, but now that was impossible. Sixteen thousand dollars would not purchase two dairy farms, and co-ownership was out of the question—the two men were bound by spilled blood, but hatred lay in abeyance beneath that bondage. So they traveled, living frugally, drifting through Minnesota and Wisconsin until they ended up, in 1910, thirty miles east of Lake Geneva in a little town in the middle of a giant cabbage field.

They married the first girls from their home countries who were nice to them: Willem Berglund wed Anna Nyborg, seventeen, Oslo-born, tall and blond, with a frail body and a face of cameolike loveliness. Piet DeVries wed Mai Hendenfelder, the daughter of a ruined Rotterdam shipping magnate, because she loved Brahms and Beethoven, had a beautiful thick body, and could cook.

Tunnel City in 1910 had cabbage, but it also had aspirations to the ultimate Wisconsin trade: cheese. Piet DeVries, thirty-seven-year-old Dutch dairy farmhand, and Willem Berglund, thirty-nine-year-old Norwegian bank teller and part-time milkman, wanted to settle for nothing less than a dairy dukedom, but with their depleted funds they found themselves reluctantly looking for other options.

The land had the last laugh—huge lots of it were bought by wealthy cheese farmers, acreage stretching all the way to Lake Geneva, acreage whose soil temperature and consistency soon proved to be almost totally unsuitable for grazing large numbers of milk cows. But it was wonderful soil for growing cabbage.