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“Kate, please. I’ve had the same lecture from everyone!” I snap back. She glares at me, and for one minute I think I’m going to be subjected to a Katherine Kavanagh how-not-to-succumb-to-kidnappers lecture, but instead she folds me in her arms.

“Jeez—sometimes you don’t have the brains you were born with, Steele,” she whispers. As she kisses my cheek, there are tears in her eyes . Kate! “I’ve been so worried about you.”

“Don’t cry. You’ll set me off.”

She stands back and wipes her eyes, embarrassed, then takes a deep breath and composes herself. “On a more positive note, we’ve set a date for our wedding.

We thought next May? And of course I want you to be my matron of honor.”

“Oh . . . Kate . . . Wow. Congratulations!” Crap—Little Blip . . . Junior!

“What is it?” she asks, misinterpreting my alarm.

“Um . . . I’m just so happy for you. Some good news for a change.” I wrap my arms around her and pull her into a hug. Shit, shit, shit. When is Blip due?

Mentally I calculate my due date. Dr. Greene said I was four or five weeks.

So—sometime in May? Shit.

Elliot hands me a glass of champagne.

476/551

Oh. Shit.

Christian emerges from his study, looking ashen, and follows his parents into the great room. His eyes widen when he sees the glass in my hand.

“Kate,” he greets her coolly.

“Christian.” She is equally cool. I sigh.

“Your meds, Mrs. Grey.” He eyes the glass in my hand.

I narrow my eyes. Dammit. I want a drink. Grace smiles as she joins me in the kitchen, collecting a glass from Elliot on the way.

“A sip will be fine,” she whispers with a conspiratorial wink at me, and lifts her glass to clink mine. Christian scowls at both of us, until Elliot distracts him with news of the latest match between the Mariners and the Rangers.

Carrick joins us, putting his arms around us both, and Grace kisses his cheek before joining Mia on the sofa.

“How is he?” I whisper to Carrick as he and I stand in the kitchen watching the family lounge on the sofa. I note with surprise that Mia and Ethan are holding hands.

“Shaken,” Carrick murmurs to me, his brow furrowing, his face serious. “He remembers so much of his life with his birth mother; many things I wish he didn’t. But this—” He stops. “I hope we’ve helped. I’m glad he called us. He said you told him to.” Carrick’s gaze softens. I shrug and take a hasty sip of champagne.

“You’re very good for him. He doesn’t listen to anyone else.” I frown. I don’t think that’s true. The unwelcome specter of the Bitch Troll looms large in my mind. I know Christian talks to Grace, too. I heard him. Again I feel a moment’s frustration as I try to fathom their conversation in the hospital, but it still eludes me.

“Come and sit down, Ana. You look tired. I’m sure you weren’t expecting all of us here this evening.”

“It’s great to see everyone.” I smile. Because it’s true, it is great. I’m an only child who has married into a large and gregarious family, and I love it. I snuggle up next to Christian.

“One sip,” he hisses at me and takes my glass from my hand.

“Yes, Sir.” I bat my lashes, disarming him completely. He puts his arm around my shoulders and returns to his baseball conversation with Elliot and Ethan.

477/551

“My parents think you walk on water,” Christian mutters as he drags off his Tshirt.

I’m curled up in bed watching the floorshow. “Good thing you know differently.” I snort.

“Oh, I don’t know.” He slips out of his jeans.

“Did they fill in the gaps for you?”

“Some. I lived with the Colliers for two months while Mom and Dad waited for the paperwork. They were already approved for adoption because of Elliot, but the wait’s required by law to see if I had any living relatives who wanted to claim me.”

“How do you feel about that?” I whisper.

He frowns. “About having no living relatives? Fuck that. If they were anything like the crack whore . . .” He shakes his head in disgust.

Oh, Christian! You were a child, and you loved your mom.

He slides on his pajamas, climbs into bed, and gently pulls me into his arms.

“It’s coming back to me. I remember the food. Mrs. Collier could cook. And at least we know now why that fucker is so hung up on my family.” He runs his free hand through his hair. “Fuck!” he says suddenly turning to gape at me.

“What?”

“It makes sense now!” His eyes are full of recognizance.

“What?”

“Baby Bird. Mrs. Collier used to call me Baby Bird.” I frown. “That makes sense?”

“The note,” he says gazing at me. “The ransom note that fucker left. It went something like ‘Do you know who I am? Because I know who you are, Baby Bird.’ ”

This makes no sense to me at all.

“It’s from a kid’s book. Christ. The Colliers had it. It was called . . . ‘Are You My Mother?’ Shit.” His eyes widen. “I loved that book.” Oh. I know that book. My heart lurches— Fifty!

“Mrs. Collier used to read it to me.”

I am at a loss what to say.

“Christ. He knew . . . that fucker knew.”

“Will you tell the police?”

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Джон Фаулз – один из наиболее выдающихся (и заслуженно популярных) британских писателей двадцатого века, современный классик главного калибра, автор всемирных бестселлеров «Коллекционер» и «Волхв», «Любовница французского лейтенанта» и «Башня из черного дерева».В каждом своем творении непохожий на себя прежнего, Фаулз тем не менее всегда остается самим собой – романтическим и загадочным, шокирующим и в то же время влекущим своей необузданной эротикой. «Мантисса» – это роман о романе, звучное эхо написанного и лишь едва угадываемые звуки того, что еще будет написано… И главный герой – писатель, творец, чья чувственная фантазия создает особый мир; в нем бушуют страсти, из плена которых не может вырваться и он сам.

Джон Роберт Фаулз , Джон Фаулз

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