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But he gazes down at me, implacable. He’s just going to continue. For how long? Can I play this game? No. No. No—I can’t do this. I know he’s not going to stop. He’s going to continue to torture me. His hand travels down my body once more. No . . . And the dam bursts—all the apprehension, the anxiety, and the fear from the last couple of days overwhelming me anew as tears spring to my eyes. I turn away from him. This is not love. It’s revenge.

“Red,” I whimper. “Red. Red.” The tears course down my face.

He stills. “No!” He gasps, stunned. “Jesus Christ, no.” He moves quickly, unclipping my hands, clasping me around my waist and leaning down to unclip my ankles, while I put my head in my hands and weep.

“No, no, no. Ana, please. No.”

Picking me up, he moves to the bed, sitting down and cradling me in his lap while I sob inconsolably. I’m overwhelmed . . . my body wound up to breaking point, my mind a blank, and my emotions scattered to the wind. He reaches behind him, drags the satin sheet off the four-poster bed, and drapes it around me.

The cool sheets feel alien and unwelcome against my sensitized skin. He wraps his arms around me, hugging me close, rocking me gently backward and forward.

“I’m sorry. I’m sorry,” Christian murmurs, his voice raw. He kisses my hair over and over again. “Ana, forgive me, please.” Turning my face into his neck, I continue to cry, and it’s a cathartic release.

So much has happened over the last few days—fires in computer rooms, car chases, careers planned out for me, slutty architects, armed lunatics in the apartment, arguments, his anger—and Christian has been away. I hate Christian going away . . . I use the corner of the sheet to wipe my nose and gradually become aware that the clinical tones of Bach are still echoing around the room.

“Please switch the music off.” I sniff.

“Yes, of course.” Christian shifts, not letting me go, and pulls the remote out of his back pocket. He presses a button and the piano music ceases, to be replaced by my shuddering breaths. “Better?” he asks.

I nod, my sobs easing. Christian wipes my tears away gently with his thumb.

“Not a fan of Bach’s Goldberg Variations?” he asks.

“Not that piece.”

He gazes down at me, trying and failing to hide the shame in his eyes.

“I’m sorry,” he says again.

241/551

“Why did you do that?” My voice is barely audible as I try to process my scrambled thoughts and feelings.

He shakes his head sadly and closes his eyes. “I got lost in the moment,” he says unconvincingly.

I frown at him, and he sighs. “Ana, orgasm denial is a standard tool in—You never—” He stops. I shift in his lap, and he winces.

Oh. I flush. “Sorry,” I mutter.

He rolls his eyes, then leans back suddenly, taking me with him, so that we’re both lying on the bed, me in his arms. My bra is uncomfortable, and I adjust it.

“Need a hand?” he asks quietly.

I shake my head. I don’t want him to touch my breasts. He shifts so he’s looking down at me, and tentatively raising his hand, he strokes his fingers gently down my face. Tears pool in my eyes again. How can he be so callous one minute and so tender the next?

“Please don’t cry,” he whispers.

I’m dazed and confused by this man. My anger has deserted me in my hour of need . . . I feel numb. I want to curl up in a ball and withdraw. I blink, trying to hold back my tears as I gaze into his harrowed eyes. I take a shuddering breath, my eyes not leaving his. What am I going to do with this controlling man? Learn to be controlled? I don’t think so . . .

“I never what?” I ask

“Do as you’re told. You changed your mind; you didn’t tell me where you were. Ana, I was in New York, powerless and livid. If I’d been in Seattle I’d have brought you home.”

“So you are punishing me?”

He swallows, then closes his eyes. He doesn’t have to answer, and I know that punishing me was his exact intention.

“You have to stop doing this,” I murmur.

His brow furrows.

“For a start, you only end up feeling shittier about yourself.” He snorts. “That’s true,” he mutters. “I don’t like to see you like this.”

“And I don’t like feeling like this. You said on the Fair Lady that you hadn’t married a submissive.”

“I know. I know.” His voice is soft and raw.

242/551

“Well stop treating me like one. I’m sorry I didn’t call you. I won’t be so selfish again. I know you worry about me.”

He gazes at me, scrutinizing me closely, his eyes bleak and anxious. “Okay.

Good,” he says eventually. He leans down, but pauses before his lips touch mine, silently asking if it’s allowed. I raise my face to his, and he kisses me tenderly.

“Your lips are always so soft when you’ve been crying,” he murmurs.

“I never promised to obey you, Christian,” I whisper.

“I know.”

“Deal with it, please. For both our sakes. And I will try and be more considerate of your . . . controlling tendencies.” He looks lost and vulnerable, completely at sea.

“I’ll try,” he murmurs, his voice burning with sincerity.

I sigh, a long shuddering sigh. “Please do. Besides, if I had been here . . .”

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Джон Фаулз – один из наиболее выдающихся (и заслуженно популярных) британских писателей двадцатого века, современный классик главного калибра, автор всемирных бестселлеров «Коллекционер» и «Волхв», «Любовница французского лейтенанта» и «Башня из черного дерева».В каждом своем творении непохожий на себя прежнего, Фаулз тем не менее всегда остается самим собой – романтическим и загадочным, шокирующим и в то же время влекущим своей необузданной эротикой. «Мантисса» – это роман о романе, звучное эхо написанного и лишь едва угадываемые звуки того, что еще будет написано… И главный герой – писатель, творец, чья чувственная фантазия создает особый мир; в нем бушуют страсти, из плена которых не может вырваться и он сам.

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