Читаем Crash полностью

Vaughan was standing with his back to me, broken eye-tooth gnawing away at the ulcer. My hands, apparently detached from the rest of my body and brain, hesitated in the air, wondering how to embrace his waist. Vaughan turned towards me, a reassuring smile on his scarred mouth, posed at its best diagonal profile as if I were auditioning him for his new television series. He spoke in an oblique and distracted voice, as if he had been clouded by the hash he was smoking. 'Ballard, she's central to the fantasies of all the subjects I've tested. There's a limited amount of time, though you're too obsessed with yourself to realize it. I need her responses.'

'Vaughan, the likelihood of her being killed in a car-crash is remote. You'll have to follow her around until doomsday.'

Standing behind Vaughan, I stared down at the cleft between his buttocks, wishing that these display photographs of car fenders and windshield sections could form themselves into a complete automobile, in which I could take his body in my hands, like that of some vagrant dog, and anneal its wounds within this arcade of possibilities. I visualized these sections of radiator grilles and instrument panels coalescing around Vaughan and myself, embracing us as I pulled the belt from its buckle and eased down his jeans, celebrating in the penetration of his rectum the most beautiful contours of a rear-fender assembly, a marriage of my penis with all the possibilities of a benevolent technology.

'Vaughan… '

He was looking down at a display photograph of the actress leaning against a motor-car. He had taken a pencil from my inkwell, and was shading in portions of the actress's body, ringing her armpits and cleavage. He stared almost sightlessly at the photographs, cigarette forgotten on the edge of an ashtray. A dank odour rose from his body, an amalgam of rectal mucus and engine coolant. His pencil cut heavier grooves in the picture. The shaded areas had begun to perforate under his more and more savage slashes, blows with the broken pencil point that punctured the cardboard backing. He marked in points of the motor-car interior, stabbing at the protruding areas of steering assembly and instrument panel.

'Vaughan!' I put my arm around his shoulder. His body was shaking towards an orgasm, the edge of his left hand against his groin in a karate-like hold, as if he were trying to injure himself, working away through the cloth at his erect penis as his right hand moved across the disfigured photographs.

With an effort, Vaughan straightened himself, leaning against my arm. He stared at the mutilated pictures of the screen actress, surrounded by the impact points and wound areas he had marked for her death.

Uneasily, I lowered my arm from Vaughan's shoulder. His hard stomach was marked by a fretwork of scars. On his right hip the scars formed a mould waiting for my fingers, the templates of a caress imprinted years earlier in some forgotten automobile pile-up.

Controlling the phlegm in my throat, I pointed to the scars, five notches that described a loose circle above his iliac crest. Vaughan watched me without comment as my fingers reached to within a few inches of his skin. A gallery of scars marked his thorax and abdomen. His right nipple had been severed and re-sectioned incorrectly, and was permanently erect.

We walked through the evening light towards the carpark. Along the northbound motorway embankment the sluggish traffic moved like blood in a dying artery. Two cars were parked in front of Vaughan's Lincoln in the empty parking lot: a police patrol car and Catherine's white sports saloon. One policeman was inspecting the Lincoln, peering through the dusty windows. The other stood beside Catherine's car, questioning her.

The policemen recognized Vaughan and signalled to him. Thinking that they had come to question me about my growing homo-erotic involvement with Vaughan, I turned away guiltily.

Catherine walked over to me as the policemen spoke to Vaughan.

'They want to question Vaughan about an accident near the airport. Some pedestrian – they think he was run over intentionally.'

'Vaughan isn't interested in pedestrians.'

As if taking their cue from this, the policemen walked back to their car. Vaughan watched them go, head raised like a periscope as if scanning something over the surface of their minds.

'You'd better drive him,' Catherine said as we walked towards Vaughan. 'I'll follow in my car. Where is yours?'

'At home. I couldn't face all this traffic.'

'I'd better come with you.' Catherine peered into my face, as if squinting through the window of a diving helmet. 'Are you sure you can drive?'

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