Dawn’s arms—no,
“You know it wasn’t your fault she died,” Silver whispered awkwardly, earnestly.
Jocelyn pushed a little away from Silver, reached down to touch the dirt, to ground herself. She drew in the smell of the fire, of the night. “I know. My head knows. But I could have been more careful.”
Silver sounded confused as she said, “But wasn’t magic new to Valdemar? Weren’t you still inside the borders, where magic hadn’t even worked just months before? How were you supposed to know?”
Jocelyn didn’t answer. Her head said the same thing, all the time. But . . . but Silver was so young. And
“Look,” Silver said, “I’m sure it doesn’t help to tell you Dawn died doing something she wanted to do. You must have heard that before. But you did the very best you could. And then you wrote her a song, and your song made a difference.”
“How? Dawn’s dead.”
“Right.” Silver’s voice was soft, musical. A Bard’s voice. Surer than Dawn’s had ever been. “But now, when kids are Chosen, now a lot of towns do something extra for the parents, or for the other family left behind.”
Jocelyn looked up. Was it true? Why hadn’t she noticed? “Really?”
Silver returned the smile. “Really.” Silver picked up her gittern, unwrapped it, and started the refrain for “Dawn of Sorrows:”
Jocelyn’s took a breath and opened her throat. She took up the first stanza, focusing on the notes, on her voice, on singing as strong as she could. By the end of the song, her voice sounded clear and steady.
This, she suddenly understood, was why Dennis wanted her to travel with someone. Maybe she’d write another song. It was too early to tell what that song might be, of course, but . . . maybe even a song about something that wasn’t quite so painful. There were, after all, happy moments in Valdemar.
She looked over at Silver. Tears glittered like gems on the younger woman’s smooth, pale cheeks but she sang through a wide smile, and her eyes were warm behind the wetness.
Warmth bloomed inside Jocelyn. It took her a moment to recognize it as happiness, to notice that she, too, smiled as she sang, even though tear tracks still stained her own cheeks.
HORSE OF AIR
Rosemary Edghill’s first professional sales were to the black & white comics of the late 1970s, so she can truthfully state on her resume that she once killed vampires for a living. She is also the author of over thirty novels and several dozen short stories in genres ranging from Regency Romance to Space Opera, making all local stops in between. In addition to her work with Mercedes Lackey, she has collaborated with authors such as the late Marion Zimmer Bradley and the late SF Grand Master Andre Norton, worked as an SF editor for a major New York publisher, as a freelance book designer, and as a professional book reviewer. Her hobbies include sleep, research for forthcoming projects, and her Cavalier King Charles Spaniels. Her website can be found at
http://www.sff.net/people/eluki
T
HERE are places in Valdemar where the Heralds can’t go.