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For a few distinct moments from the rest of the whole day, the sun dipped below the leaden clouds and shot its rays obliquely through the gaping windows and door hole.

The place had been looted, everything in shambles. All of it—too damned much for a simple man to absorb all at once.

The whispering feet of mice came alive in the rafters overhead and at the far walls. Perhaps not mice at all, but more so the whispering voices of someone or something that could tell him what went on here and where they had gone.

For the longest time Jonah had clung to the hope that Gritta had taken the children and left. But with Seth in the yard and some things took and more things left here in the cabin, belongings Gritta would never leave behind, Hook grew certain that something—or someone—had claimed his family.

A great weariness overtook him. With darkness coming on quickly as the foxes who came out to hunt the low places by the creeks at dusk, Hook decided he would stay the night here, although there was no food and nothing but a gaping despair threatening to swallow him. No matter, he wasn’t hungry. And in the morning when the gray light nudged him awake from their dusty, abandoned wedding bed, Jonah would push on up to Uncle Moser’s place. There to find some answers.

He could sleep here by the fire, he finally decided, going to the table and tipping it over, dishes and pots clattering to the plank floor. He dragged the table over by the fireplace for a windbreak. Jonah then brought the dusty blankets and the old tick prairie mattress into his windbreak and settled down to watch the flames dance in the stone fireplace.

And feed on bitter loneliness.

There was nothing else for him to eat.

Artus Moser was heading north along the rim of that same valley, while the sun sank from that same sodden, gray sky.

He was hoping to find some answers, some help, maybe a warm meal up at a neighbor’s place. Skirting past the farm where Jonah’s wife and children had evidently waited for his cousin’s return. Then given up and most like gone on back to Virginia, where the Mosers had put down some tough taproots. Gritta came from such stock.

But it was getting too late, Artus told himself, too late for him or anyone else to expect Jonah to be coming home from the war. Couldn’t blame Gritta for taking the children east. Any man coming home from the war or the Yankee prisons was already back among family by now. The rest was already laid in the ground, stacked three and four deep, most likely too. The ones blessed enough to have themselves a grave on so many of those unnamed battlefields.

Three days ago Artus had walked over here to Jonah’s place for the first time since he had himself come back home, to tell Gritta that his daddy had gone. But instead of Jonah’s family, he had found the place empty, and eerily silent. Artus had turned about and run most of the way home. Afraid of the ghosts that he was sure haunted that place now.

For two days now, he had been sitting inside the house where he had been born and raised, where he hoped one day to raise his own children. Waiting for what, he did not know. Only that this afternoon he had finally decided to start walking. To leave this tainted soil and start walking out of the valley. Find someone north of here who would have warm food for his belly and an ear to listen to his laments.

It had taken him months of walking to get home from the war to southern Missouri. Hiding out, stealing food where he could, getting arrested many a time for vagrancy. Even Southern folk didn’t take all that kindly to a lonely Rebel making his way back to his kin. Everybody all had their own problems.

Day after day on that long, barefoot walk Artus had hoped that each night he would find someone kind enough to offer him a half a loaf of old bread, perhaps a potato or an apple set by last fall.

And when he got home to his daddy’s place back there in the southern end of the valley after that long walk away from the war, Artus found a cross leaning like a stoop-shouldered old woman over a grave gone to weed out to the side of the house, finding his daddy terrible sick and taken to his bed inside the cold cabin. No telling how long the man had been in the musty bed reeking of age and sickness, his flesh going cold and his whole skinny body racked by a fluid-filled cough that reminded Artus of so many who had died of typhus or diphtheria or pneumonia during the war trying to drive the Yankees back out of the South.

His daddy had been such a strong, vital, filled-out, and fleshy man of a time.

Moser almost didn’t recognize his father, eyes half-lidded, black, and sunken, like the skin of his cheeks sinking away below the high cheekbones, sallow, waxlike skin like a rumpled tablecloth that rattled with each noisy breath the old man took.

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Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

Вестерн, про индейцев

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