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Darell stared at the monitor, reading over his strikeouts, struggling once more to settle into the story. He pictured the psychiatrist, his killer …

No use.

Face it, old man. You’ ll never write that hundredth book. You’ve been put out to pasture for good.

He wrenched his eyes from the screen and reached for his shiny black cane. With effort, he pushed himself out of his leather chair to unsteady feet. The broken bones in his left leg and ankle had long since healed, but the ligament damage had not. Despite painful physical therapy his foot had not regained its full flexibility. Amazing—the constant flexing of a foot to maintain equilibrium. He hadn’t realized the importance of those muscles and tendons until his were torn apart.

Darell shuffled across the hardwood floor of his thirty-foot-long office, repelled by his writing desk and computer. Every day they wooed, then shunned him. At the tall, mullioned window near the far corner he stopped and spread his feet wide. Hunched over, both hands on his cane, he brooded over the green rolling hills of his estate, the untamed and capricious Pacific Ocean in the distance.

He used to go to the beach to write a couple times a week, tapping his laptop keys as the surf pounded in rhythm to his pulse. Now he never left the house except for doctor’s appointments.

Darell Brooke had no use for a world that no longer had use for him.

His mouth puckered with disdain.

Characters’ faces in shadow, snippets of scenes filtered through his mind. Fredda Lee. Now there was a delectable killer. Or Alfred Stone with his black hair and eyebrows, an intimidating figure much as Darell had appeared in his younger days. Black Tie Affair, that was Alfred’s book.

No. Not that one.

Midnight Madness?

Darell shook his head. He used to know. Before the accident, he remembered every story he’d written, every character.

“You knocked your skull pretty badly,” the doctor had said as Darell watched the hospital room spiral from his bed. “The dizziness will pass, but you might find it hard to concentrate …”

Now here Darell stood, a shell of his former self. As the undisputed King of Suspense he’d reveled in playing the part. No longer was there a part to play. His once stern, confident countenance—now blank-faced. His black hair turned an unruly shock of white. The wild gray brows jutting over his deep-set, dark eyes no longer intimidating, merely strawlike. Oh, how he used to love to use those eyebrows! The muscular arms—even into his early seventies—sagging. Straight back now bent.

“Pshhh.” His lips curled.

Slowly, with defiance, Darell raised his chin.

He focused through the glass once more. At least the gnarled trees on his property still looked formidable. And his mansion looked just as severe from afar, with its black shutters and multiple wings and gables. From the outside looking in, people would never guess …

Darell glared at the phone near his computer. On impulse he clomped over to it and picked up the receiver. His gnarled forefinger hovered over the keys.

What was the number? The one he’d dialed countless times, year after year.

He lowered himself to the edge of his chair and flipped through his Rolodex. There.

Malcolm Featherling, agent to the country’s top writers, answered his private line on the third ring. Clipped tone, terse greeting. Malcolm was always pushed for time.

“Hello, Malcolm. Just checking in to give you an update.” Darell pushed the old confidence into his voice. After all, his agent worked for him.

“Well, Darell, nice to hear from you. It has been three days.”

Darell blinked. He’d called three days ago? Surely it was at least a month. Maybe two.

He cleared his throat. It sounded phlegmy, like an old man’s. He hated that. “I wrote some today. Almost a page. And another yesterday. You know what they say—write a page a day and you’ve got a novel in a year.”

He used to write at least two a year. All of them brilliant.

“That’s good, Darell, good …”

“Maybe I can get that contract back. Just think, Malcolm, fifteen percent of ten million is a lot of dough. I’ll make you rich. Again.”

“You do that, man, you do that. Keep up the good work.”

He could hear the disbelief in Malcolm’s response. The agent was patronizing him. Darell’s publisher had waited eight months after the accident, strung along on the promise that he would be able to write his one hundredth bestseller—the assumed milestone that had landed him on the cover of Time magazine. But a worldwide publishing conglomerate couldn’t wait forever, even for Darell Brooke. Not with half the contract—five million dollars—already paid up front, and doctors advising he may never write again. The deal was canceled. Darell had been forced to give the money back. Malcolm had to cough up his fifteen percent.

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В МИРЕ ПРОДАНО БОЛЕЕ 30 МИЛЛИОНОВ ЭКЗЕМПЛЯРОВ КНИГ ШАРЛОТТЫ ЛИНК.НАЦИОНАЛЬНЫЙ БЕСТСЕЛЛЕР ГЕРМАНИИ № 1.Шарлотта Линк – самый успешный современный автор Германии. Все ее книги, переведенные почти на 30 языков, стали национальными и международными бестселлерами. В 1999–2023 гг. снято более двух десятков фильмов и сериалов по мотивам ее романов.Несколько пропавших девушек, мертвое тело у горных болот – и ни единого следа… Этот роман – беспощадный, коварный, загадочный – продолжение мирового бестселлера Шарлотты Линк «Обманутая».Тело 14-летней Саскии Моррис, бесследно исчезнувшей год назад на севере Англии, обнаружено на пустоши у горных болот. Вскоре после этого пропадает еще одна девушка, по имени Амели. Полиция Скарборо поднята по тревоге. Что это – дело рук одного и того же серийного преступника? Становится известно еще об одном исчезновении девушки, еще раньше, – ее так и не нашли. СМИ тут же заговорили об Убийце с пустошей, что усилило давление на полицейских.Сержант Кейт Линвилл из Скотланд-Ярда также находится в этом районе, но не по службе – пытается продать дом своих родителей. Случайно она знакомится с отчаявшейся семьей Амели – и, не в силах остаться в стороне, начинает независимое расследование. Но Кейт еще не представляет, с какой жутью ей предстоит столкнуться. Под угрозой ее рассудок – и сама жизнь…«Линк вновь позволяет нам заглянуть глубоко в человеческие бездны». – Kronen Zeitung«И снова настоящий восторг из-под пера королевы криминального жанра Шарлотты Линк». – Hannoversche Allgemeine Zeitung«Шарлотта Линк – одна из немногих мировых литературных звезд из Германии». – Berliner Zeitung«Отличный, коварный, глубокий, сложный роман». – Brigitte«Шарлотте Линк снова удалось выстроить очень сложную, но связную историю, которая едва ли может быть превзойдена по уровню напряжения». – Hamburger Morgenpost«Королева саспенса». – BUNTE«Потрясающий тембр авторского голоса Линк одновременно чарует и заставляет стыть кровь». – The New York Times«Пробирает до дрожи». – People«Одна из лучших писательниц нашего времени». – Journal für die Frau«Мощные психологические хитросплетения». – Focus

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