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Darkside

In the closed Exmoor village of Shipcott, first encountered in Blacklands, the local bobby Jonas Holly is shocked by the death of Priddy. Knowing such a case is beyond his remit, Holly calls in the top guns and we observe the arrival of DCI Marvel from Taunton: a man who proves to be an extreme irritant to Holly’s well meaning efforts, rendering them hapless at every opportunity and sucking away at Holly’s self esteem.Soon, it becomes apparent that someone aims to remove from Shipcott all of its most vulnerable and dependent: the elderly and the ailing, or a combination of the both. Within this, Holly’s wife Lucy, a housebound sufferer of MS, seems a prime target.

Belinda Bauer

Триллер18+

About the Book

Call yourself a policeman?

Jonas had always felt the local police held him in warm regard. Now a small dagger of ice had pierced that warmth and everything had changed in an instant.

Shipcott in bleak midwinter: a close-knit community where no stranger goes unnoticed. So when an elderly woman is murdered in her bed, village policeman Jonas Holly is doubly shocked. How could someone have entered, and killed, and left no trace?

Jonas finds himself sidelined as the investigation is snatched away from him by an abrasive senior detective. Is his first murder investigation over before it’s begun?

But this isn’t the end of it for Jonas, because someone in the village blames him for the tragedy. Someone seems to know every move he makes. Someone thinks he’s not doing his job. And when the killer claims another vulnerable victim, these taunts turn into sinister threats.

Blinded by rising paranoia, relentless snow and fear for his own invalid wife, Jonas strikes out alone on a mystifying hunt. But the threats don’t stop – and neither do the murders …”

DARKSIDE

BELINDA BAUER

Forty-six Days

The sounds of the hospital came back to Lucy muffled and from far away. She became aware of a big hand holding hers – tough, dry and warm.

Jonas, she thought with a twist of guilt.

Stiffly she moved her head and opened her eyes, expecting to read worry, relief – even anger – in his eyes.

Instead, for one crazy moment, she found she had been sucked through a tear in time, and that she was married to a small boy wearing a look of such terror on his face that she flinched and clutched at his hand as if he were the one who was falling.

‘Jonas!’

Her throat burned and the word came out as a harsh caw, but it aged him like a slap in the face and immediately his eyes filled with all those emotions she’d expected to see when she first looked up at him – even the anger.

Lucy didn’t care. She brimmed with tears. Jonas held her in his arms – a man again – and she overflowed into the crook of his elbow while he bent over her and said quiet, tender things into her hair.

‘I didn’t mean it,’ she sobbed, but she couldn’t even understand her own muffled words.

And anyway, she wasn’t certain they were true.

Twenty-three Days

Margaret Priddy awoke to the brilliant beam of light she had been anticipating with fear and longing for years.

Finally, she thought, I’m dying. And tears of loss mingled with those of joy on her lined cheeks.

Ever since her fall she had lain here – or somewhere very like it – slack and immobile and dependent on other people for her most basic needs. Food, water, warmth. Toilet – which the nurses carried out as if her dignity were numbed, not her body. Company …

The nurses tried their best.

‘Morning, Margaret! Beautiful morning!’

‘Morning, Margaret! Sleep well?’

‘Morning, Margaret! Raining again!’

And then they would either run out of paltry inspiration or jabber on about their night out getting drunk, or their children’s seemingly endless achievements at school. A relentless rota of cheerful bustle with big busts and bingo wings. The break in silence was welcome at first but, in the face of inanity, Margaret quickly longed for solitude.

She was grateful. Of course she was. Grateful and polite – the way an English lady should be in the circumstances. They had no way of knowing about her gratitude, of course, but she tried to convey it in her eyes and she thought some of them understood. Peter did, but then Peter had always been a sensitive boy.

Now – as the light made her eyes burn – Margaret Priddy thought of her son and the tears of loss took precedence. Peter was forty-four years old but she still always thought of him first as a five-year-old in blue shorts and a Batman T-shirt, running down the shingle in Minehead on the first beach holiday they’d ever taken.

She was leaving her little boy alone.

She knew it was silly, but that’s how she felt about it.

She was dying and he’d be all alone.

But still she was dying. At last. And it was just as she’d imagined – white and wonderful and pain-free.

It was only when she sensed the press of weight on the bed that was her home that she realized this was not the start of her journey to the Hereafter, but someone in her room with a torch.

Someone uninvited, invading her home, her room, her bed, the very air in front of her face …

Every fibre of Margaret Priddy’s being screamed to respond to the danger.

Unfortunately, every fibre of her being below the neck had been permanently disconnected from her brain three years before when old Buster – the most reliable of horses – had stumbled to his knees on a patch of ice, throwing her head-first into a wooden telegraph pole.

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