Dead Man's Song

He stopped walking, stopped talking, stopped breathing. The world imploded down into one tiny quarter-acre of unreality; time and order and logic all were smashed into one chunk of madness. All sound in the world died; all movement failed; all that existed was the tableau that filled his eyes as Jimmy Castle saw the two things that occupied the clearing. His mouth sagged open as he stood there rooted to the spot, feeling all sensation and awareness evaporate into smoke as the seconds fell dead around him. All of his cop reflexes, all of his training in crisis management simply froze into stillness because nothing at the Academy, nothing he had seen on the streets of Pittsburgh, where he’d done his first years, and nothing since he’d moved to Crestville could have prepared him for what he saw there in the moonlight darkness of the Guthrie cornfield. His mind ground to a halt and he just stood there and stared.

Nels Cowan lay on the muddy ground, arms and legs spread in an ecstasy of agony, head thrown back and lolling on what little was left of his throat. Cowan’s mouth was open, but any scream he uttered echoed only in the dark vastness of death; his eyes were open as if beholding horror, but that look was frozen onto his face forever, like an expression carved onto a wax mask. Blood glistened as thick and black as oil in the moonlight. The ghastly wounds on Cowan’s throat were so savage that Castle could even see the taut gray cords of half-severed tendons and the sharp white edge of a cracked vertebra. The dark shape hunched over Nels Cowan raised its head and looked at him without expression for a long moment, and then the bloody mouth opened in a great smile full of immense darkness and hunger, lips parting to reveal hideous teeth that were grimed with pink-white tatters of flesh. The teeth gleamed white through the streaks of red as the smile broadened into a feral snarl; its features were a mask of lust and hate, the nose wrinkled like a dog’s, the black eyes became lost in pits of gristle. A tongue, impossibly long and purplish-gray, lolled from the mouth and licked drops of blood from the thing’s chin.

Jimmy Castle opened his mouth, mimicking the silent scream of Nels Cowan; however his scream escaped, ran shrieking out into the night air and soared disjointedly up into the night. The frozen moment of time melted and he sagged to his knees, still screaming as his fingers scrabbled at the butt of his gun, his fingernails making scratching sounds in the silence. He was only distantly aware that the gun was coming free of the holster. With no mindful awareness of his actions he racked the slide, flicked off the safety, held the gun out and up in both hands, pointed. Fired. Actions performed a thousand times in practice, performed now with absolutely no conscious control, machinelike and correct. The barrel of the heavy 9mm rose, sought its target, and screamed defiance at the man-shape that was rising, tensing, readying itself to spring.

He tried to say the word “Freeze!” and though his mouth worked at it he could not manage any sound. Then his hands, operating independently of his brain, squeezed the trigger.

Thunder boomed and lightning flashed in the clearing as Jimmy Castle tried to blast the thing back into nightmares.

He fired straight, aiming by instinct alone at the centerline of the creature’s body. He fired fast. He fired true. He fired nine times, each boom as loud as all the noise in the world, sending nine tumbling lead slugs directly into the thing, catching it as it rose, catching it in belly and groin and chest. He hit it every single time.

And it did him no damn good at all.

PART ONE

BLOOD HUNT

Dawn, October 1st, to Midnight, October 2nd

The hellhounds dogging my steps, everywhere I go The hellhounds following my tracks, everywhere I go; Caught my scent at the crossroads And chasing me through the corn Hellhounds dogging me everywhere I go.

—Oren Morse, Lost and Lonely Blues

I don’t mind them graveyards, and it ain’t ’cause I’m no kind of brave; Said I don’t mind no graveyard, but I ain’t no man that is brave. ’Cause the ghosts of the past, they are harder to face than anything comes from a grave.

—A. L. Sirois, Ghost Road Blues

Chapter 1

(1)

The morphine should have kept him out for hours, down there in the darkness where there was no pain, no terror. After the doctors had stitched up his mouth and lip and the nurses had inserted replacement IV needles in his hand and shot the narcotics into his blood, Malcolm Crow should have just gone into that dark nowhere where there are no memories, no dreams. But that didn’t happen.

He only slept for a few hours while Officer Jerry Head—on loan from the Philly PD and part of the combined task force that had been formed to hunt down Kenneth Boyd, Tony Macchio, and Karl Ruger—sat in a plastic visitor chair and watched.