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The decision made, he sauntered across the road to a pub free of misspelled chalked menus and entreaties to attend karaoke night. He took his pint to a window seat and let the lethargy of a Tuesday afternoon seep into him.

Time became some great warm blanket that he was trying to unfold, but that showed no signs of ever being fully spread. Pleased with the beer, he had another half, read the newspaper, and struck up a conversation with an old-timer who had a plaque above his stool at the bar which read David’s Seat. He even flirted mildly with a good-natured barmaid, who possessed none of the contemptuous dismissiveness of some of her southern counterparts.

Readying himself to leave, he heard one glottal moment from the adjoining pool room: Clew.

An arch provided the entrance to the pool room on the far side of the pub. It framed part of the table with its blue baize and cones of dusty yellow light. Two pairs of legs stretched out, one ending in a pair of plaster-spattered trainers, the other in soft, black leather boots.

There was a cigarette machine by the arch; although Sean didn’t smoke he pulled out a handful of change and walked over. Feeding coins into the slot, he chanced a look into the pool room. The men were on their own, leaning back on short stools, shrouded by the shadows. One of them, the man wearing the boots, was more animated than the other, who was a motionless mass of black.

Sean hurriedly returned to his car and parked across the street from the pub. Clew he had heard. He wouldn’t listen to the rational voice that told him he had misheard “clue”, or “cue”, or “I’m having a Strongbow, how about you?”. And what if he hadn’t? What if they were having a conversation about Naomi Clew, the poor woman who had lost her life thanks to the sterling work of the Met? So what? It had been all over the papers.

Sean recognised the shoes as they left the pub. The man with the boots was as animated as before, hastily gabbling to his unruffled friend, hands fluttering around his head like duelling birds. Sean recognised him as the young man with the candyfloss hair from the funeral. The other man was wrapped in expensive black: cargo trousers, a cashmere polo neck and a nubuck leather jacket. He wore a trimmed beard and little round frameless sunglasses. He wasn’t saying much, just nodding occasionally. As they parted, he laid a hand on the shoulder of his agitated colleague. Then he stepped into a night-black Shogun and roared away.

The other man, now getting into a battered white van with the words LORD DEMOLITION on the side, Sean followed. The O in LORD was a wrecking ball swinging into action. As they drove through town and into the countryside, Sean tried to convince himself that he should try to forget what had happened to Naomi. There were other, better men processing evidence and sniffing out her killer. It was half a lifetime away. Big distances. Wasn’t it enough that he was here in their home town?

The van took a succession of turns onto lesser roads until tarmac was replaced by dirt tracks. Five miles away from the town, Sean hung back as far as possible, without losing sight of his quarry, not wanting to give his ambition away. Still, he was considering a return to Warrington, worried that his pursuit would be spotted before long. There was nothing out here to offer an excuse behind which to hide. No post office or pub he could claim a visit to.

The van slowed and turned onto a lane that fed a driveway to a tired old farmhouse. Sean parked quickly and picked a parallel route through a ploughed field, his eyes never leaving the van as it pulled up outside the front door. The engine died; the driver got out. A figure appeared in one of the upstairs windows, emerging out of the net curtains like a face in a bad dream. Hunkering down by a frozen jut of earth, Sean watched as a bunch of keys was tossed to the driver. Once he was alone, Sean scooted up the side of the house, cursing as he tripped and slid over the solid ribs of earth pushing up through the frost.

“You wanted out of this job, dickbrains,” he muttered, as he hit shadow to the south side of the house and clung to the brickwork. “You stupid, stupid tit. Go home. Go on. Go home now.”

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Звездная месть
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Лихим 90-м посвящается...Фантастический роман-эпопея в пяти томах «Звёздная месть» (1990—1995), написанный в жанре «патриотической фантастики» — грандиозное эпическое полотно (полный текст 2500 страниц, общий тираж — свыше 10 миллионов экземпляров). События разворачиваются в ХХV-ХХХ веках будущего. Вместе с апогеем развития цивилизации наступает апогей её вырождения. Могущество Земной Цивилизации неизмеримо. Степень её духовной деградации ещё выше. Сверхкрутой сюжет, нетрадиционные повороты событий, десятки измерений, сотни пространств, три Вселенные, всепланетные и всепространственные войны. Герой романа, космодесантник, прошедший через все круги ада, после мучительных размышлений приходит к выводу – для спасения цивилизации необходимо свержение правящего на Земле режима. Он свергает его, захватывает власть во всей Звездной Федерации. А когда приходит победа в нашу Вселенную вторгаются полчища из иных миров (правители Земной Федерации готовили их вторжение). По необычности сюжета (фактически запретного для других авторов), накалу страстей, фантазии, философичности и психологизму "Звёздная Месть" не имеет ничего равного в отечественной и мировой литературе. Роман-эпопея состоит из пяти самостоятельных романов: "Ангел Возмездия", "Бунт Вурдалаков" ("вурдалаки" – биохимеры, которыми земляне населили "закрытые" миры), "Погружение во Мрак", "Вторжение из Ада" ("ад" – Иная Вселенная), "Меч Вседержителя". Также представлены популярные в среде читателей романы «Бойня» и «Сатанинское зелье».

Юрий Дмитриевич Петухов

Фантастика / Боевая фантастика / Научная Фантастика / Ужасы / Ужасы и мистика