Читаем Devil's Workshop полностью

THE LOCOMOTIVE ROCKED and bounced along the tracks, swaying from side to side and picking up speed as the last load of coal in its firebox burned away. The track approached the southwest corner of HM Prison Bridewell’s outer wall, then curved sharply to the east, but there was no driver to slow the engine and ease it around the bend. The train had accelerated to forty miles an hour by the time the prison hove into view and the engine slammed through the curve, dragging ten carriages behind it. The loose couplings between them contracted and then quickly stretched taut as the carriages moved forward and back to accommodate the sudden turn. Seven carriages from the front, the middle link in the chain snapped where it had been weakened. The back of the train tilted, then slammed down onto the rails. A forward wheel jumped the track and, unmoored and empty, the final three carriages left the rails and powered down the embankment toward the prison walls as the front half of the train continued through the curve and away.

Twenty minutes later, a few cautious prisoners left their ruined cells and began to explore. Among them, Griffin waved Napper back and squatted next to the warder’s motionless body. He watched him for a long moment, looking for any sign of life. But there was none. The warder’s head was split open and a large stone from the wall of the prison’s south wing lay nearby, soiled with blood and matted hair. Griffin shook his head and clicked his tongue in disappointment. Napper misunderstood, taking the sound as an opening for conversation.

“Serves him right, says I,” Napper said.

“Didn’t ask what you say,” Griffin said. “He wasn’t supposed to be over here at all. The warders were warned.”

“I’d’ve kilt ’im myself.”

“Well, the wall saved you the trouble.”

Prisoners were not allowed to speak. The walls of their cells were soundproofed, and when they were given exercise time, they were required to march silently abreast. Isolation was a part of the rehabilitation process. Griffin approved, despite feeling that rehabilitation was an impossible goal for most of the inmates of HM Prison Bridewell.

Griffin pulled the warder’s jacket off. He removed his own bloodstained shirt and draped it over the warder’s body, then put on the warder’s blue jacket. Its sleeves were an inch too short for Griffin’s arms and one shoulder was dotted with blood, but it was less conspicuous than his prison uniform, with its pattern of black darts on white canvas. He shrugged his shoulders up and stooped a bit and decided it looked passable in the dim light of the prison corridor. He snugged the warder’s small cap down over his unkempt hair and kept his face to the wall as he walked, leaving the warder’s body in the corner. Napper shut the door of his cell and followed a few yards behind Griffin, keeping to the shadows as best he could.

If it were possible to see Bridewell from above, it would look like the right half of a broken wheel, with four spokes radiating outward from a central hub. The rim of the half wheel was an outer wall that bordered a courtyard surrounding the prison. Each spoke was, in fact, a two-story double corridor, with cells spaced at equal intervals down the length of it. Each of the four spokes was meant to house a different class of criminal, all of them men. There was no exit at the end of any of these spoke-corridors, and a fire four years earlier had killed eleven prisoners, all of them driven by flames down the inescapable length of that wheel spoke. There had been no public outrage at the news of their deaths. The eleven prisoners had been convicted of murder or rape, and the prison had simply swept out the corridor, buried the remains, and quickly filled the vacant cells. Since the fire and the refurbishment of that spoke of the “wheel,” less attention had been paid to where any particular prisoner was housed, and now murderers were kept with thieves and dippers were kept with male prostitutes. To leave the prison from one of the spokes, one was required to pass down the length of the corridor and through a heavy oaken door, banded with steel and locked from the other side. At that point, on any ordinary day, one gained access to the hub of the wheel and there were several doors to the prison yard from there, provided one was authorized to be moving around outside a cell.

At the moment, however, there were no warders in sight, except the dead man on the floor, and the prison was experiencing a brief bubble of calm that had settled in after the runaway train sheared off the southwest corner of the outer wall, plowed through six cells on the lower level of the south wing, and deposited itself, wheels still spinning, within the prison’s hub, only two feet away from the next wing full of inmates. Rubble and the twisted mass of the train blocked the ruined walls of the cells. A massive cloud of dirt and smoke still swirled about, but had slowly begun to settle.

Перейти на страницу:

Все книги серии The Murder Squad

Похожие книги

1. Щит и меч. Книга первая
1. Щит и меч. Книга первая

В канун Отечественной войны советский разведчик Александр Белов пересекает не только географическую границу между двумя странами, но и тот незримый рубеж, который отделял мир социализма от фашистской Третьей империи. Советский человек должен был стать немцем Иоганном Вайсом. И не простым немцем. По долгу службы Белову пришлось принять облик врага своей родины, и образ жизни его и образ его мыслей внешне ничем уже не должны были отличаться от образа жизни и от морали мелких и крупных хищников гитлеровского рейха. Это было тяжким испытанием для Александра Белова, но с испытанием этим он сумел справиться, и в своем продвижении к источникам информации, имеющим важное значение для его родины, Вайс-Белов сумел пройти через все слои нацистского общества.«Щит и меч» — своеобразное произведение. Это и социальный роман и роман психологический, построенный на остром сюжете, на глубоко драматичных коллизиях, которые определяются острейшими противоречиями двух антагонистических миров.

Вадим Кожевников , Вадим Михайлович Кожевников

Детективы / Исторический детектив / Шпионский детектив / Проза / Проза о войне
Тень Эдгара По
Тень Эдгара По

Эдгар Аллан По. Величайший американский писатель, гений декаданса, создатель жанра детектива. В жизни По было много тайн, среди которых — обстоятельства его гибели. Как и почему умирающий писатель оказался в благотворительной больнице? Что привело его к трагическому концу?Версий гибели Эдгара По выдвигалось и выдвигается множество. Однако поклонник творчества По, молодой адвокат из Балтимора Квентин Кларк, уверен: писателя убили.Врагов у По хватало — завистники, мужья соблазненных женщин, собратья по перу, которых он беспощадно уничтожал в критических статьях.Кто же из них решился на преступление?В поисках ответов Кларк решает отыскать в Париже талантливого детектива-любителя, с которого По писал своего любимого героя Дюпена, — единственного, кто способен раскрыть загадку смерти писателя!..

Мэтью Перл

Детективы / Исторический детектив / Исторические детективы / Классические детективы