Glenn recognized the rusted shell: a 1953 Studebaker Commander. Seeing those curved lines, even half hidden in the trees, brought back childhood memories. Not of Sioux City, where Glenn spent the school year, but of his grandmother’s rural hometown of Pierce, Nebraska, where he had spent his summers. Pierce was a sleepy crossroads town of less than a thousand people, the kind of place where the men drove jalopies, the women baked pies, and the neighbor across the street from his grandmother’s house still mowed his lawn with a team of horses. From any room in his grandmother’s house, Glenn could hear the whistle of the steam train when it approached the intersection in the center of town, and he would run to watch it pass in a cloud of smoke. As much as he was Sioux City granite, Glenn Albertson was summers in Pierce: the long ride on his bike to the fishing hole; the rumble of the cars on the cobblestone streets; the town’s one big tree; the town’s one cop; the closeness of a people that knew each other (and were often related, if not by blood, then by their German heritage) and pulled through life together, working a neighbor’s farm one summer when the man fell sick and never asking for a dime.
His grandmother spent her days in the kitchen, talking to Glenn in a steady patter that mixed German and English the way her hands mixed flour and butter. She was never comfortable with English, so Glenn wrote her letters that she read over and over to study the language. The afternoons were spent waiting for his grandfather. Even in his sixties, the man worked long days as a carpenter, and if the first thing he did when he arrived home was grab a Salem cigarette and water the garden, Glenn knew he was worn out. If he left his 1941 Studebaker in the driveway instead of the garage, Glenn knew they were going fishing. Glenn would hold the poles, the ends sticking out the window and his dog, Spook, barking in the backseat as the gray Studebaker stormed down the dusty country roads.
When Glenn wasn’t in his grandmother’s kitchen, he was next door at the auto repair shop. Watching the mechanic there dismantle motors, Glenn fell in love with cars. By ten, he was driving his grandfather’s Studebaker. By twelve, he knew exactly how the car worked. Across the street from the repair shop was a salvage yard, owned by the mechanic’s brother, and Glenn would ride along on trips to tow tractors and trucks out of backfields and break them down for parts. One day, the tow truck passed a car lot and there, shining in the sun, was a 1953 Studebaker Commander.
It wasn’t just the idea of owning a sporty car, something that said “I’m a man” to every right-minded American boy. It was the idea of making it, of being successful, of living a life a boy would be proud of. But it was also, all those years later on a country road outside Sioux City, the idea of home. There was something about a 1953 Studebaker Commander that was tied up with memories of apple strudel and fishing holes and Spook the dog in his little wagon being pulled behind a young boy’s bike.
“I want that car,” Glenn told the driver of the flatbed truck.
“I don’t think so, friend,” the driver said. “That car is rusted through. Hasn’t run in years.”
“I still want it,” Glenn said. A few hours later, the Commander was sitting in a garage just down the street from Glenn’s mother’s house. That afternoon, Glenn must have circled it twenty times, just following the lines with his eyes. It was as bad as the flatbed driver had said. Maybe worse. Glenn knew he’d found the project of a lifetime.
The first thing he did was sand off the rust. There’s nothing like an outer layer of neglect, that old dead skin, to make a car seem beyond repair. Chip away the rust, and you know what you have left. Holes can be fixed easier than people imagine. You just have to take the time to figure out where they are and how deep they go. Glenn took the time. He ground every spot of rust, until he was staring at the metal below. Then he repaired the holes. The 1953 Studebaker Commander is a mid-century sportster, reminiscent of the cars Sean Connery drove in the old James Bond movies, and Glenn bonded and sanded the car until the body was smoothly curved and secret-agent sleek.