Dialogues of the Dead

ances. Time to forget about himself and ask about Rye, put some i detail on Wield's assurance that she was OK. He heard her screams and saw again her naked body being mauled by that i bastard Dee and wondered how much detail he was ready for. But he had to find out. • Not yet, though. Pascoe was still speaking. 'And the things you were shouting...' The DCI shook his ; head as if still unable to believe them. 'Like what?' 'Don't worry, we've got them all taken down so they can be used in evidence against you when you get back to work.' 'i:;! Comforting words. He was good, Pascoe. Nice bedside manner. Should have been a GP. But not a Georgie Porgie, no, couldn't.see him as that... j 'This morning Sergeant Wield said you were back with us. Said > you were asking about Ms Pomona.' ?' Wield. Knew what you were thinking before you thought it. He said, 'The sarge said she was OK, right?' | 'She's fine. A few bruises and scratches. Nothing else.' 'Nothing?' ^ 'Nothing,' said Pascoe emphatically. 'You got there in time,;' Hat. He didn't have time to do anything to her, believe me.' i,| He's telling me the bastard didn't rape her, thought Hat. Why ^ doesn't he just come out and say it? ' Maybe because I don't just come out and ask it. And what if Dee had raped her? What difference would it have ( made? To me? Or to her? he asked himself with angry revulsion. A , hell of a difference to her. And who gives a toss if it makes any ; difference to me? It's because I'm ill, he tried to reassure himself. Being sick makes you selfish. He said, 'Is she in hospital too?' ' 'No way. One night for observation. Then she discharged her self. She doesn't seem fond of hospitals.' 'No, I think she had a bad time once ... so she wouldn't want to hang around .. .' 'She's been in to see you every day,' said Pascoe, grinning. 'And I gather that the first thing she does every morning and last thing at night is ring to check you're OK. So you can get that neglected look off your face. Hat, that's some girl you've got yourself there. When you were rolling around with Dee she broke a bottle of wine over his head. He'd dropped his knife, we gather, and was trying to beat your brains in with this crystal dish that weighed a ton. She got it off him and started to give him some of what he was giving you. Some girl.' 'And I got the knife,' said Hat, frowning with the effort of memory. 'And I ... what's happened to Dee? Is he.. . ?' He wanted him dead, yet he wanted him alive, because if he were dead .. . He recalled the knife rising and plunging, rising and plunging. Minimum force. 'He's dead,' said Pascoe gently. 'Shit.' 'Saves the cost of a trial,' said Pascoe. 'And saves Rye the trauma of a trial.' 'Yeah.' 'There'll be an enquiry, of course,' Pascoe went on lightly. 'Always is when an officer is involved in a death. Nothing to worry about in the circs, just a formality.' 'Sure,' said Hat. He knows as well as I do that nowadays there's no such thing as a formality, thought Pascoe. Dead man, cop involved, sod the circumstances, there's a whole percussion band out there ranging from civil rights activists through religious nuts to fuck-you-all anarchists waiting to beat their different drums in the hope that when the cacophony stops, a cop's career will lie mortally wounded. With luck in this case the media would be blaring out the triumphant notes of celebration loud enough to drown the dissenters. The Wordman erased. The killer of at least seven people himself killed. Damsel in distress rescued by heroic young officer. Rumours of romance in the air. This boy deserves a medal! Pascoe hoped he'd get it. One thing none of the interested parties on either side had seen was that room in Stangcreek Cottage as he saw it when he'd finally burst through the door. Blood everywhere. Hat, wounded in his side and his head, lying unconscious on his back. The naked girl, stained with gore like an ancient pict with woad, kneeling by him, cradling his bleeding

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