Читаем Diamond Age or a Young Lady's Illustrated Primer полностью

"Nell," the Constable continued, indicating through his tone of voice that the lesson was concluding, "the difference between ignorant and educated people is that the latter know more facts. But that has nothing to do with whether they are stupid or intelligent. The difference between stupid and intelligent people-and this is true whether or not they are well-educated-is that intelligent people can handle subtlety. They are not baffled by ambiguous or even contradictory situations-in fact, they expect them and are apt to become suspicious when things seem overly straightforward.

"In your Primer you have a resource that will make you highly educated, but it will never make you intelligent. That comes from life. Your life up to this point has given you all of the experience you need to be intelligent, but you have to think about those experiences. If you don't think about them, you'll be psychologically unwell. If you do think about them, you will become not merely educated but intelligent, and then, a few years down the road, you will probably give me cause to wish I were several decades younger."

The Constable turned and walked back into his house, leaving Nell alone in the garden, pondering the meaning of that last statement. She supposed it was the sort of thing she might understand later, when she had become intelligent.

Carl Hollywood returns from abroad;

he and Miranda discuss the status and future of her racting career.

Carl Hollywood came back from a month-long trip to London, where he'd been visiting old friends, catching some live theatre, and making face-to-face contacts with some of the big ractive developers, hoping to swing some contracts in their direction. When he got back, the whole company threw a party for him in the theatre's little bar. Miranda thought she handled it pretty well.

But the next day he cornered her backstage. "What's up?" he said. "And I don't mean that in the usual offhanded way. I want to know what's going on with you. Why have you switched to the evening shift during my absence? And why were you acting so weird at the party?"

"Well, Nell and I have had an interesting few months."

Carl looked startled, stepped back half a pace, then sighed and rolled his eyes.

"Of course, her altercation with Burt was traumatic, but she seems to have dealt with it well."

"Who's Burt?"

"I have no idea. Someone who was physically abusing her. Apparently she managed to find some kind of new living situation in short order, probably with the assistance of her brother Harv, who has, however, not stayed with her-he's stuck in the same old bad situation, while Nell has moved on to something better."

"She has? That's good news," said Carl, only half sarcastically.

Miranda smiled at him. "See? That's exactly the kind of feedback I need. I don't talk about this stuff to anyone because I'm afraid they'll think I'm mad. Thank you. Keep it up."

"What is Nell's new situation?" Carl Hollywood asked contritely.

"I think she's in school somewhere. She appears to be learning new material that isn't explicitly covered in the Primer, and she's developing more sophisticated forms of social interaction, suggesting that she's spending more time around a higher class of people."

"Excellent."

"She's not as concerned with immediate issues of physical self-defense, so I gather that she's in a safe living situation. However, her new guardian must be an emotionally distant sort, because she frequently seeks solace under the wings of Duck."

Carl looked funny. "Duck?"

"One of four personages who accompanies and advises Princess Nell. Duck embodies domestic, maternal virtues. Actually, Peter and Dinosaur are now gone– both male figures who embodied survival skills."

"Who's the fourth one?"

"Purple. I think she'll become a lot more relevant to Nell's life around puberty."

"Puberty? You said Nell was between five and seven."

"So?"

"You think you'll still be doing this-" Carl's voice wound down to a stop as he worked out the implications.

"-for at least six or eight years. Oh yes, I should certainly think so. It's a very serious commitment, raising a child."

"Oh, god!" Carl Hollywood said, and collapsed into a big, tatty, overstuffed chair they kept backstage for such purposes.

"That's why I've switched to the evening shift. Ever since Nell started going to school, she's started using the Primer exclusively in the evening. Apparently she's in a time zone within one or two hours of this one."

"Good," Carl muttered, "that narrows it down to about half of the world's population."

"What's the problem here?" Miranda said. "It's not like I'm not getting paid for this."

Carl gave her a good, dispassionate, searching look. "Yes. It brings in adequate revenue."

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