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^{___. Notes of a Neolithic Conservative. New York: Random House, 1970.}

^{___. Utopian Essays and Practical Proposals . New York: Vintage, 1964.}

^{Gorer, Geoffrey. Hot Strip Tease. London: Graywells Press, 1934.}

^{Gurko, Leo. Heros, Highbrows and the Popular Mind.}

^{New York: Charter Books, 1962.}

^{Hofstadter, Richard. Anti-intellectualism in American Life.}

^{London: Jonathan Cape, 1964.}

^{Hofstadter, Richard, and Wallace, Michael. American Violence.}

^{New York: Knopf, 1970.}

^{Jacobs, Norman (ed.). Culture for the Millions? Boston: Beacon, 1964.}

^{Joad, C.E.M. Decadence. London: Faber, 1948.}

^{Kefauver, Estes. In a Few Hands: Monopoly Power in America.}

^{Middlesex: Penguin, 1966.}

^{Kerr, Walter. The Decline of Pleasure.}

^{New York: Simon & Schuster, 1964.}

^{Kronhausen, Dr. Phyllis, and Kronhausen, Dr. Eberhard. Erotic Art.}

^{London: W.H. Alien, 1971.}

^{___. The First International Exhibition of Erotic Art. Catalogue.}

^{Copenhagen, Denmark: Uniprint, 1968.}

^{___. The Second International Exhibition of Erotic Art. Catalogue.}

^{Copenhagen, Denmark: Uniprint, 1969.}

^{Kiinen, James Simon. The Strawberry Statement: Notes of a College}

^{Revolutionary. New York: Random House, 1969.}

^{Larrabee, Eric, and Meyersohn, Rolf (eds.). Mass Leisure.}

^{New York: Free Press, 1958.}

^{Legman, Gershon. The Fake Revolt.}

^{New York: The Breaking Point Press, 1966.}

^{___. Love and Death: A Study in Censorship .}

^{New York; The Breaking Point Press, 1949.}

^{___. (ed.). Neurotica: 1948-1951. New York: Hacker, 1963.}

^{___. Rationale of the Dirty Joke: An Analysis of Sexual Humour.}

^{London: Panther, 1972.}

^{Levy, Mervyn. The Moons of Paradise: Reflections on the Female Breast in Art.}

^{New York: Citadel, 1965.}

^{MacDonald, Dwight. Masscult and Midcult.}

^{New York: Random House, 1961.}

^{McLuhan, Marshall. Culture is Our Business. New York: McGraw-Hill, 1970.}

^{___. The Gutenberg Galaxy. London: Routledge & Kegan Paul, 1962.}

^{___. The Mechanical Bride. London: Routledge & Kegan Paul, 1967.398 Библиография}

^{___. Understanding Media. London: Routledge & Kegan Paul, 1964}

^{___. and Carpenter, Edmund. Explorations in Communication.}

^{London: Jonathan Cape, 1970.}

^{___. and Watson, Wilfred. From Cliche to Archetype. New York: Viking 1}

^{___. and Fiore, Quentin. The Medium Is the Message.}

^{Middlesex: Penguin, 1971.}

^{___. and Parker, Harley. Through the Vanishing Point.}

^{New York: Harper & Row, 1968.}

^{___. and Papanek, Victor). Verbi-voco- Visual Explorations.}

^{New York: Something Else Press, 1967.}

^{___. and Fiore, Quentin. War and Peace in the Global Village.}

^{New York: Bantam, 1968.}

^{Mannheim, Karl. Ideology and Utopia.}

^{London: Routledge & Kegan Paul, 1966.}