Дизайн для реального мира

^{M.I.T. Press, 1953.}

^{Willet, John. Art & Politics in the Weimar Period.}

^{New York: Pantheon, 1978.}

^{Wingler, Yans M. The Bauhaus.}

^{Cambridge, Massachusetts: M.I.T. Press, 1969.}

^{Youngblood, Gene. The Expanded Cinema . London: Studio Vista, 1971.}

^{Практика дизайна и его философия}

^{Albers, Anni. On Designing. New Haven, Connecticut: Pellango Press, 1959.}

^{Anderson, Donald M. Elements of Design.}

^{New York: Holt, Rinehart & Winston, 1961.}

^{Art Directors' Club of New York. Symbology.}

^{New York: Hastings House, i960.}

^{___. Visual Communication: International. New York: Hastings House, 1961.}

^{Baker, Stephen. Visual Persuasion. New York: McGraw-Hill, 1961.}

^{Bayer, Herbert. Visual Communication, Architecture, Painting.}

^{New York: Reinhold, 1967.}

^{Bill, Max. Form. Basel, Switzerland: Karl Werner, 1952. Text in German,}

^{English, French. Doxiadis, Constantinos. Architecture in Transition.}

^{London: Hutchinson, 1965.}

^{___. Between Dystopia and Utopia. London: Faber, 1966.}

^{___. Elastics. London: Hutchinson, 1968.}

^{Gropius, Walter. Scope of Total Architecture. New York: Harper, 1955.}

^{Itten, Johannes. The Art of Color. New York: Reinhold, 1961.}

^{___. Design and Form. New York: Reinhold, 1963.}

^{Kandinsky, Wassily. On the Spiritual in Art. New York: Wittenborn, 1948.}

^{___. Point to Line to Plane. New York: Guggenheim Museum, 1947.}

^{Kepes, Gyorgy. Language of Vision. Chicago: Paul Theobald, 1949.}

^{___. The New Landscape in Art and Science. Chicago: Paul Theobald,}

^{___. Vision-Value Series. Vol. I, Education of Vision. Vol. 2, Structure in Art}

^{and Science. Vol. 3, The Nature and Art of Motion. Vol. 4, Module}

^{Proportion Symmetry Rhythm. Vol. 5, The Man-made Object. Vol. 6, Sign}

^{Image, Symbol. New York: George Braziller, 1966.}

^{___. (ed.). The Visual Arts Today. Middletown, Connecticut: Wesleyan}

^{University Press, 1960.}

^{Klee, Paul. Pedagogical Sketch Book. London: Faber, 1968.}

^{___. The Thinking Eye. London: Lund Humphries, 1961.}

^{Kranz, Stewart, and Fisher, Robert. The Design Continuum.}

^{New York: Reinhold, 1966.}

^{Kuebler, George. The Shape of Time. New York: Schocken, 1967.}

^{Kumar, Satish (ed.). The Schumacher Lectures.}

^{London: Blond & Briggs, 1980.}

^{Larrabee, Eric, and Vignelli, Massimo. Knoll Design.}

^{New York: Abrams, 1981.}

^{Lethaby, W. R. A Continuing Presence: Essays from Form in Civilization.}

^{Manchester, England: British Thornton Ltd., 1982.}

^{___. Architecture, Mysticism and Myth. New York: George Braziller, 1975.}

^{___. Architecture, Nature & Magic. New York: George Braziller, 1956.}

^{Lovins, Amory B. Soft Energy Paths. New York: Harper & Row, 1979.}