It was the total eclipse of the sun on May 28, 1900, that started me on research problems, the solution of which might be considered as contributing to knowledge in the field of physical optics. What had gone on before was for the most part along the line of demonstrations and interpretations. The Naval Observatory at Washington had invited me to become a member of its eclipse expedition and I was stationed with the group “on location” at Pinehurst, North Carolina, near the center of the belt of totality where the duration of the total phase was at its maximum. Here I had my first view of the solar corona and the red hydrogen flames blazing up at various points on the rim of the sun. The “flash” spectrum was of especial interest to me. Just before totality, when the edge of the sun is about to disappear behind the moon, one sees for a second or two a thin crescent of fire, which, if viewed through a diffraction grating or prism, is spread out into a spectrum of colored crescents, of all the colors of the spectrum, separated by dark intervals of various widths. This is the so-called chromospheric or “flash” spectrum, the chromosphere being the atmosphere of luminous metallic vapors that surround the sun. It is the absorption by this atmosphere of glowing vapor of the far brighter light of the incandescent fluid surface of the sun that produces the dark lines in the sun’s spectrum shown by the spectroscope. These lines are not absolutely black but contain the less brilliant light of the luminous vapor.
On my return to Madison in the autumn I read in the October number of the
Here you have a beautiful example of the magnificent range of Wood’s field of physics. A man reproduces in the laboratory a model of something that is taking place ninety-two million miles away, and contributes to our knowledge of the nature of our prime source of light. The experiment is interesting in another way, for it shows an abiding characteristic of Wood’s experimental technique — his use of the simplest kind of equipment in the most daring way. You will see a lot more of this in the rest of the book: old iron pipes, abandoned bicycle parts, household bric-a-brac — all these play their parts in some of Wood’s most important work. The man has a genius for using the instrument closest to hand for his own purposes.
Wood’s work on sodium vapor and its optical properties, which began with this experiment, was to continue through most of his career. Maybe it was the small boy in Wood that made him attach himself to this substance, which has the unusual property of exploding violently when it comes in contact with water. At any rate, he set himself the task of making it yield all its secrets. In doing so he made basic contributions to our modern theories of the nature of all matter.