Theatricality as Estrangement of Art and Life in the Russian Avant-Garde // Substance. Special Issue (Treathricality). 2002. Vol. 31. No. 2/3.
Kalinin I.
Von der «Gemachtheit» des Textes zum «Literarischen Handwerk»: Viktor Schklovskij und der Sozialistische Formalismus // Schrift und Macht in der sowjetischen Kultur der 1920er und 1930er Jahre. Koln: Bohlau Verlag, 2011.
Kapterev S.
Dokumental'nyi ffliuzion: Otechestvennyi kinodokumental-izm – opyty sotsial'nogo tvorchestva, and: Poetika kino (2-e izdanie): Pere-chityvaia «Poetiku kino» and: Fenomen kino: Istoriia i teoriia [Review article] // Kritika: Explorations of Russian and Eurasian History. 2005. Vol. 6. No. 1.
Kearney R.
The Crisis of Narrative in Contemporary Culture // Metaphiloso-phy. 1997. No. 28 (3).
Kracauer Z.
The Mass Ornament. Weimar Essays. Cambridge, MA: Harvard Univ. Press, 1995.
Kujundzic D.
The Returns of History. Russian Nietzscheans After Modernity. Albany: State University of NY Press, 1997.
Lachmann R.
Die «Verfremdung» und das «Neue sehen» bei Viktor Sklovsky// Poetica (Munchen). 1970. Bd. 3. H. 1–2.
Laferriere D.
Potebnja, Sklovskij and the Familiarity/Strangeness paradox // Russian Literature. 1976. Vol. IV. No. 2.
Lalee-Waller M.
Les romans de V. Sklovskij, etapes dune evolution: 1914–1930. Paris: Universite de la Sorbonne; Ser.: Literatures, 1984.
Levaco R.
Eikhenbaum, Inner Speech and Film Stylistics // Screen. Journal of the Society for Education in Film and Television. 1974. Vol. 15. No. 4.
Leyda].
Kino. A History of the Russian and Soviet Film. N.Y.: Macmillan, 1960.
Matejka L.
The Roots of Russian Semiotics of Art // The Sign. Semiotics around the World. Ann Arbor: Michigan Slavic Publications, 1980.
Mayne].
Kino and the Woman Question. Feminism and Soviet Film. Columbus: Ohio Univ. Press, 1989.
Metz Ch.
Та Cinema: Tangue ou langage? // Communications (Paris). 1964. No. 4.
Mitchell S.
Marxism and Russian Formalism // Russian and Slavic Titerature / R. Freeborn, R.R. Milner-Gulland, C.A. Ward (eds). Tondon, Cambridge, MA: Slavica, Cambridge Univ. Press, 1976.
Monas S.
Introduction // V. Shklovsky. A Sentimental Journey: Memoirs 1917–1922. N.Y.: Cornell University Press, 1970.
The Heresiarch of Meta // PTT. Journal for Descriptive Poetics and Theory of Titerature. Tel Aviv. 1978. Vol. 3.
Morson G.S.
The Boundaries of Genre. Dostoevsky’s Diary of a Writer and The Traditions of Titerary Utopia. Austin: University of Texas Press, 1981.
Perisic V.R.
Ruski formalizam i knizevna istorija. Novi Beograd: Ideje, 1976.
Piper D.G.B.
Formalism and the Serapion Brothers // The Slavonic and East European Review (Eondon). 1969. Vol. XEVII. No. 108.
Pomorska K.
Russian Formalism and Its Poetic Ambiance. The Hague-Paris: Mouton, 1968.
Pomorska K.
Russian Formalism in retrospect // Readings in Russian Poetics: Formalist and Structuralist Views / E. Matejka, K. Pomorska (eds). Cambridge (Mass.): The MIT Press, 1971.
Pomorska K.
The Eegacy of Opoyaz // Russian Titerature. 1983. XIV-4.
Pratt S.
Eydia Ginzburg and the Fluidity of Genre // Autobiographical Statements in the XXth Century Russian Titerature / J.G. Harris (ed.). Princeton: Princeton Univ. Press, 1990.
Pujante Sanchez J.D.
Mimesis у siglo XX. Formalismo ruso, teoria del texto у del mundo, poetica de imaginario. Murcia: Universidad de Murcia, 1992.
Riffaterre M.
Text Production. N.Y.: Columbia Univ. Press, 1983.
The Spatiotemporal Dialectics of Estrangement // TDR. 2005. Vol. 51. No. 4.
Rosengrant S.
The Theoretical Criticism of Jurij Tynjanov // Comparative Eiterature. 1980. Vol. 32. No. 4.
Schefski H.K.
The Changing Focus of Ejekhenbaum’s Tolstoi Criticism // Russian Review. 1978. Vol. 37.
Schoenle A.
Authenticity and Fiction in The Russian Titerary Journey. 1790–1840. Cambridge, MA; Tondon: Harvard Univ. Press, 2000.
ScholesR.
Fabulation and Metafiction. Urbana-Champaign. Chicago: University of Illinois Press, 1979.
Segre C.
Viktor Shklovsky, or The Structures of Pity // Segre C. Semiotics and Titerary Criticism. The Hague: Mouton, 1973.
Shapovaloff L.
The Russian State Institute of Art History: Its contribution to literary scholarship and its liquidation // Transactions of the Association of Russian-American Scholars in the USA. 1972. Vol. VI.
Sheldon R.
Sklovskij, Gor’kij and the Serapion Brothers // The Slavic and East European Journal. 1968. Vol. XII. No. 1.