Duma Key

Elizabeth Eastlake was a demon when it came to focus; remember that she literally drew herself back into the world. And when the voice inhabiting Noveen told her about the treasure, she focused on that and drew pictures of it littered on the sandy floor of the Gulf. Once the storm had uncovered it, that entrancing strew was close enough to the surface so that the sun must have picked out gleams on it at midday - gleams that would have searched all the way to the surface.

She wanted to please her Daddy. All she wanted for herself was the china doll.

Daddy says Any doll is yours - fair salvage, and God help him for that.

She waded in beside him, up to her chubby knees, pointing, saying It's right out there. Swim n kick til I say stop.

He waded out farther while she stood there, and when he rolled forward, giving his body to the caldo, his flippers looked to her the size of small rowboats. Later she would draw them just that way. He spat in his mask, rinsed it, and put it on. Popped the mouthpiece of his snorkel behind his lips. Went fin-trudging out into the sunny blue with his face in the water, his body merging with the moving sun-sparks that turned the glassy rollers to gold.

I know all this. Elizabeth drew some and I drew some.

I win, you win.

She stood up to her knees in the water with Noveen tucked under her arm, watching, until Nan Melda, worried about the rip, hollered her back to what they called Shade Beach. Then they all stood together. Elizabeth shouted for John to stop. They saw his flippers go up as he made his first dive. He was down maybe forty seconds, then surfaced in a spray, spitting the snorkel's mouthpiece.

He says I'll be damned if there isn't something down there!

And when he came back to little Libbit, he hug her hug her hug her.

I knew it. I drew it. With the red picnic basket on a blanket nearby and the speargun sitting on top of the basket.

He went out again, and the next time he came in with an armload of antiquity held awkwardly against his chest. Later he would begin using Nan Melda's market basket, a lead weight in the bottom to pull it down more easily. Later still came a newspaper photo with much of the rescued rickrack - the "treasure" - spread out before a smiling John Eastlake and his talented, fiercely focused daughter. But no china doll in that picture.

Because the china doll was special. It belonged to Libbit. It was her fair salvage.

Was it the doll-thing that drove Tessie and Lo-Lo to their deaths? That created the big boy? Just how much did Elizabeth have to do with it by then? Who was the artist, who the blank surface?

Some questions I have never answered to my own satisfaction, but I have drawn my own pictures and I know that when it comes to art, it's perfectly okay to paraphrase Nietzsche: if you keep your focus, eventually your focus will keep you. Sometimes without parole.

11 - The View from Duma

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The next morning, early, Wireman and I stood in the Gulf - plenty cold enough to be an eye-popper - up to our shins. He had walked in, and I had followed without question. Without a single word. Both of us were holding coffee cups. He was wearing shorts; I had paused just long enough to roll my pants to my knees. Behind us, at the end of the boardwalk, Elizabeth slouched in her chair, looking grimly out at the horizon and grizzling down her chin. A large part of her breakfast still lay before her. She had eaten some, scattered the rest. Her hair was loose, blowing in a warm breeze from the south.

The water surged around us. Once I got used to it, I loved the silky feel of that surge: first the lift that made me feel as if I'd magically dieted off twelve pounds or so, then the backrun that pulled sand out from between my toes in small, tickling whirlpools. Seventy or eighty yards beyond us, two fat pelicans drew a line across the morning. Then they folded their wings and dropped like stones. One came up empty, but the other had breakfast in its bill. The small fish disappeared down the hatch even as the pelican rose. It was an ancient ballet, but no less pleasing for that. South and inland, where the green tangles rose, another bird cried "Oh-oh! Oh-oh!" over and over.

Wireman turned toward me. He didn't look twenty-five, but he looked younger than at any time since I'd met him. There was no redness at all in his left eye, and it had lost that disjointed, I'm-looking-my-own-way cast. I had no doubt that it was seeing me; that it was seeing me very well.

"Anything I can ever do for you," he said. "Ever. In my life. You call, I come. You ask, I do. It's a blank check. Are you clear on that?"

"Yes," I said. I was clear on something else, as well: when someone offers you a blank check, you must never, ever cash it. That wasn't a thing I thought out. Sometimes understanding bypasses the brain and proceeds directly from the heart.

"All right, then," he said. "It's all I'm going to say."