Dune

Halleck moved to place himself between the man and Paul, said: "This is Paul Atreides, the ducal heir."

"Why says he there were Fremen on our rumbler?" the man asked.

"They fit the description," Paul said.

Kynes snorted. "You can't tell Fremen just by looking at them!" He looked at the Dune man. "You. Who were those men?"

"Friends of one of the others," the Dune man said. "Just friends from a village who wanted to see the spice sands."

Kynes turned away. "Fremen!"

But he was remembering the words of the legend: "The Lisan al-Gaib shall see through all subterfuge ."

"They be dead now, most likely, young Soor," the Dune man said. "We should not speak unkindly on them."

But Paul heard the falsehood in their voices, felt the menace that had brought Halleck instinctively into guarding position.

Paul spoke dryly: "A terrible place for them to die."

Without turning, Kynes said; "When God hath ordained a creature to die in a particular place. He causeth that creature's wants to direct him to that place."

Leto turned a hard stare at Kynes.

And Kynes, returning the stare, found himself troubled by a fact he had observed here: This Duke was concerned more over the men that he was over the spice. He risked his own life and that of his son to save the men. He passed off the loss of a spice crawler with a gesture. The threat to men's lives had him in a rage. A leader such as that would command fanatic loyalty. He would be difficult to defeat .

Against his own will and all previous judgments, Kynes admitted to himself: I like this Duke .

Greatness is a transitory experience. It is never consistent. It depends in part upon the myth-making imagination of humankind. The person who experiences greatness must have a feeling for the myth he is in. He must reflect what is projected upon him. And he must have a strong sense of the sardonic. This is what uncouples him from belief in his own pretensions. The sardonic is all that permits him to move within himself. Without this quality, even occasional greatness will destroy a man.

—from "Collected Sayings of Muad'Dib" by the Princess Irulan

In the dining hall of the Arrakeen great house, suspensor lamps had been lighted against the early dark. They cast their yellow glows upward onto the black bull's head with its bloody horns, and onto the darkly glistening oil painting of the Old Duke.

Beneath these talismans, white linen shone around the burnished reflections of the Atreides silver, which had been placed in precise arrangements along the great table—little archipelagos of service waiting beside crystal glasses, each setting squared off before a heavy wooden chair. The classic central chandelier remained unlighted, and its chain twisted upward into shadows where the mechanism of the poison-snooper had been concealed.

Pausing in the doorway to inspect the arrangements, the Duke thought about the poison-snooper and what it signified in his society.

All of a pattern , he thought. You can plumb us by our language—the precise and delicate delineations for ways to administer treacherous death. Will someone try chaumurky tonight—poison in the drink? Or will it be chaumas—poison in the food?

He shook his head.

Beside each plate on the long table stood a flagon of water. There was enough water along the table, the Duke estimated, to keep a poor Arrakeen family for more than a year.

Flanking the doorway in which he stood were broad laving basins of ornate yellow and green tile. Each basin had its rack of towels. It was the custom, the housekeeper had explained, for guests as they entered to dip their hands ceremoniously into a basin, slop several cups of water onto the floor, dry their hands on a towel and fling the towel into the growing puddle at the door. After the dinner, beggars gathered outside to get the water squeezings from the towels.