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As she moved into the training room, Alia caught her own reflection multiplied thousands of times in the crystal prisms of a fencing mirror swinging in the heart of a target dummy. She saw the long sword waiting on its brackets against the target, and she thought: Yes! I'll work myself to exhaustion - drain the flesh and clear the mind.

The sword felt right in her hand. She slipped the crysknife from its sheath at her neck, held it sinister, tapped the activating stud with the sword tip. Resistance came alive as the aura of the target shield built up, pushing her weapon slowly and firmly away.

Prisms glittered. The target slipped to her left.

Alia followed with the tip of the long blade, thinking as she often did that the thing could almost be alive. But it was only servomotors and complex reflector circuits designed to lure the eyes away from danger, to confuse and teach. It was an instrument geared to react as she reacted, an anti-self which moved as she moved, balancing light on its prisms, shifting its target, offering its counter-blade.

Many blades appeared to lunge at her from the prisms, but only one was real. She countered the real one, slipped the sword past shield resistance to tap the target. A marker light came alive: red and glistening among the prisms... more distraction.

Again the thing attacked, moving at one-marker speed now, just a bit faster than it had at the beginning.

She parried and, against all caution, moved into the danger zone, scored with the crysknife.

Two lights glowed from the prisms.

Again, the thing increased speed, moving out on its rollers, drawn like a magnet to the motions of her body and the tip of her sword.

Attack - parry - counter.

Attack - parry - counter...

She had four lights alive in there now, and the thing was becoming more dangerous, moving faster with each light, offering more areas of confusion.

Five lights.

Sweat glistened on her naked skin. She existed now in a universe whose dimensions were outlined by the threatening blade, the target, bare feet against the practice floor, senses / nerves / muscles - motion against motion.

Attack - parry - counter.

Six lights... seven...

Eight!

She had never before risked eight.

In a recess of her mind there grew a sense of urgency, a crying out against such wildness as this. The instrument of prisms and target could not think, feel caution or remorse. And it carried a real blade. To go against less defeated the purpose of such training. That attacking blade could maim and it could kill. But the finest swordsmen in the Imperium never went against more than seven lights.

Nine!

Alia experienced a sense of supreme exaltation. Attacking blade and target became blurs among blurs. She felt that the sword in her hand had come alive. She was an anti-target. She did not move the blade; it moved her.

Ten!

Eleven!

Something flashed past her shoulder, slowed at the shield aura around the target, slid through and tripped the deactivating stud. The lights darkened. Prisms and target twisted their way to stillness.

Alia whirled, angered by the intrusion, but her reaction was thrown into tension by awareness of the supreme ability which had hurled that knife. It had been a throw timed to exquisite nicety - just fast enough to get through the shield zone and not too fast to be deflected.

And it had touched a one-millimeter spot within an eleven-light target.

Alia found her own emotions and tensions running down in a manner not unlike that of the target dummy. She was not at all surprised to see who had thrown the knife.

Paul stood just inside the training room doorway, Stilgar three steps behind him. Her brother's eyes were squinted in anger.

Alia, growing conscious of her nudity, thought to cover herself, found the idea amusing. What the eyes had seen could not be erased. Slowly, she replaced the crysknife in its sheath at her neck.

"I might've known," she said.

"I presume you know how dangerous that was," Paul said. He took his time reading the reactions on her face and body: the flush of her exertions coloring her skin, the wet fullness of her lips. There was a disquieting femaleness about her that he had never considered in his sister. He found it odd that he could look at a person who was this close to him and no longer recognize her in the identity framework which had seemed so fixed and familiar.

"That was madness," Stilgar rasped, coming up to stand beside Paul.

The words were angry, but Alia heard awe in his voice, saw it in his eyes.

"Eleven lights," Paul said, shaking his head.

"I'd have made it twelve if you hadn't interfered," she said. She began, to pale under his close regard, added: "And why do the damned things have that many lights if we're not supposed to try for them?"

"A Bene Gesserit should ask the reasoning behind an open-ended system?" Paul asked.

"I suppose you never tried for more than seven!" she said, anger returning. His attentive posture began to annoy her.

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 Те, кто помнит прежние времена, знают, что самой редкой книжкой в знаменитой «мировской» серии «Зарубежная фантастика» был сборник Роберта Шекли «Паломничество на Землю». За книгой охотились, платили спекулянтам немыслимые деньги, гордились обладанием ею, а неудачники, которых сборник обошел стороной, завидовали счастливцам. Одни считают, что дело в небольшом тираже, другие — что книга была изъята по цензурным причинам, но, думается, правда не в этом. Откройте издание 1966 года наугад на любой странице, и вас затянет водоворот фантазии, где весело, где ни тени скуки, где мудрость не рядится в строгую судейскую мантию, а хитрость, глупость и прочие житейские сорняки всегда остаются с носом. В этом весь Шекли — мудрый, светлый, веселый мастер, который и рассмешит, и подскажет самый простой ответ на любой из самых трудных вопросов, которые задает нам жизнь.

Александр Алексеевич Зиборов , Гарри Гаррисон , Илья Деревянко , Юрий Валерьевич Ершов , Юрий Ершов

Фантастика / Боевик / Детективы / Самиздат, сетевая литература / Социально-психологическая фантастика