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His grillwork of plasmeld looked onto the blazing light of noon across Arrakeen. Inward - there lay blackest night. A shower of sweet odors from a garden roof nibbled at his senses, but no floral perfume could roll back that fallen moon.

Paul swung his feet to the cold surface of the floor, peered through the grillwork. He could see directly across to the gentle arc of a footbridge constructed of crystal-stabilized gold and platinum. Fire jewels from far Cedon decorated the bridge. It led to the galleries of the inner city across a pool and fountain filled with waterflowers. If he stood, Paul knew, he could look down into petals as clean and red as fresh blood whirling, turning there - disks of ambient color tossed on an emerald freshet.

His eyes absorbed the scene without pulling him from spice thralldom.

That terrible vision of a lost moon.

The vision suggested a monstrous loss of individual security. Perhaps he'd seen his civilization fall, toppled by its own pretensions.

A moon... a moon... a falling moon.

It had taken a massive dose of the spice essence to penetrate the mud thrown up by the tarot. All it had shown him was a falling moon and the hateful way he'd known from the beginning. To buy an end for the Jihad, to silence the volcano of butchery, he must discredit himself.

Disengage... disengage... disengage...

Floral perfume from the garden roof reminded him of Chani. He longed for her arms now, for the clinging arms of love and forgetfulness. But even Chani could not exorcise this vision. What would Chani say if he went to her with the statement that he had a particular death in mind? Knowing it to be inevitable, why not choose an aristocrat's death, ending life on a secret flourish, squandering any years that might have been? To die before coming to the end of willpower, was that not an aristocrat's choice?

He stood, crossed to the lapped opening in the grillwork, went out onto a balcony which looked upward to flowers and vines trailing from the garden. His mouth held the dryness of a desert march.

Moon... moon - where is that moon?

He thought of Alia's description, the young woman's body found in the dunes. A Fremen addicted to semuta! Everything fitted the hateful pattern.

You do not take from this universe, he thought. It grants what it will.

The remains of a conch shell from the seas of Mother Earth lay on a low table beside the balcony rail. He took its lustrous smoothness into his hands, tried to feel backward in Time. The pearl surface reflected glittering moons of light. He tore his gaze from it, peered upward past the garden to a sky become a conflagration - trails of rainbow dust shining in the silver sun.

My Fremen call themselves "Children of the Moon," he thought.

He put down the conch, strode along the balcony. Did that terrifying moon hold out hope of escape? He probed for meaning in the region of mystic communion. He felt weak, shaken, still gripped by the spice.

At the north end of his plasmeld chasm, he came in sight of the lower buildings of the government warren. Foot traffic thronged the roof walks. He felt that the people moved there like a frieze against a background of doors, walls, tile designs. The people were tiles! When he blinked, he could hold them frozen in his mind. A frieze.

A moon falls and is gone.

A feeling came over him that the city out there had been translated into an odd symbol for his universe. The buildings he could see had been erected on the plain where his Fremen had obliterated the Sardaukar legions. Ground once trampled by battles rang now to the rushing clamor of business.

Keeping to the balcony's outer edge, Paul strode around the corner. Now, his vista was a suburb where city structures lost themselves in rocks and the blowing sand of the desert. Alia's temple dominated the foreground; green and black hangings along its two-thousand-meter sides displayed the moon symbol of Muad'dib.

A falling moon.

Paul passed a hand across his forehead and eyes. The symbol-metropolis oppressed him. He despised his own thoughts. Such vacillation in another would have aroused his anger.

He loathed his city!

Rage rooted in boredom flickered and simmered deep within him, nurtured by decisions that couldn't be avoided. He knew which path his feet must follow. He'd seen it enough times, hadn't he? Seen it! Once... long ago, he'd thought of himself as an inventor of government. But the invention had fallen into old patterns. It was like some hideous contrivance with plastic memory. Shape it any way you wanted, but relax for a moment, and it snapped into the ancient forms. Forces at work beyond his reach in human breasts eluded and defied him.

Paul stared out across the rooftops. What treasures of untrammeled life lay beneath those roofs? He glimpsed leaf-green places, open plantings amidst the chalk-red and gold of the roofs. Green, the gift of Muad'dib and his water. Orchards and groves lay within his view - open plantings to rival those of fabled Lebanon.

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 Те, кто помнит прежние времена, знают, что самой редкой книжкой в знаменитой «мировской» серии «Зарубежная фантастика» был сборник Роберта Шекли «Паломничество на Землю». За книгой охотились, платили спекулянтам немыслимые деньги, гордились обладанием ею, а неудачники, которых сборник обошел стороной, завидовали счастливцам. Одни считают, что дело в небольшом тираже, другие — что книга была изъята по цензурным причинам, но, думается, правда не в этом. Откройте издание 1966 года наугад на любой странице, и вас затянет водоворот фантазии, где весело, где ни тени скуки, где мудрость не рядится в строгую судейскую мантию, а хитрость, глупость и прочие житейские сорняки всегда остаются с носом. В этом весь Шекли — мудрый, светлый, веселый мастер, который и рассмешит, и подскажет самый простой ответ на любой из самых трудных вопросов, которые задает нам жизнь.

Александр Алексеевич Зиборов , Гарри Гаррисон , Илья Деревянко , Юрий Валерьевич Ершов , Юрий Ершов

Фантастика / Боевик / Детективы / Самиздат, сетевая литература / Социально-психологическая фантастика