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In the eighteen months they had been seeing each other, Janet had been careful of boundaries, as her mother would have said, not because Lucas was touchy, but because she was always careful of boundaries. As a result, though, she knew nothing about his boundaries. She, perhaps, didn’t have any, at least where he was concerned. He was three years younger than she was, but six inches taller, five years less educated, but 50 percent better-looking, 20 percent less self-confident, but twice as talented, half as well traveled but half again more experienced. Really, they were equal in no way, and her support of the civil-rights movement told her nothing about how to manage herself or him. She looked at her watch. It was after ten. Usually, they stayed up until midnight, but she said, “It’s cold. You want to go to bed?”

“What do you think?”

“About what?”

“You think I’m stupid?”

“Do I think that a person who can recite lines from a play after a single reading is stupid? Or who can do a drum solo that is actually worth listening to without having smoked six joints is stupid?”

He laughed, but then said, “They did use to put that dunce cap on my head. Sit me in the corner.”

“What were you doing that was bad?”

“My own thing. Looking out the window and thinking of songs. Refusing to pay attention. When the teacher called on me, I’d pretend not to hear her.”

“My cousin Tim really would have liked you.”

Lucas stripped down to his shorts and got under the covers. Janet finished straightening the room, then pulled down the two shades and got in with him. He took her in his arms, and that was enough.

<p><strong>1976</strong></p>

DEBBIE AND HUGH AGREED ON everything having to do with Carlie, who was now four months old, weighed sixteen pounds, and was twenty-four inches long. She had been born with plenty of reddish hair, though that had fallen out, and a darker fringe was growing in. They agreed that she would be breast-fed until she gave it up on her own; they agreed that, pacifier or thumb, it was her choice; they agreed no baby food and no table food until she seemed interested; breast milk was a complete nutrient for a baby. They agreed no hot peppers until she was eight months old. (But this was a joke. They had taken a visiting historian out for Chinese food, and Debbie, in her attentive way, had pointed out the dried peppers in the Kung Pao chicken. The historian, from Ghana, had picked one up and, with a smile, swallowed it down. Another man in their party, who had visited Ghana and was eager to demonstrate his worldly savoir-faire, had done the same thing and burst into tears. The Ghanaian man had then explained that where he was from, mothers introduced hot peppers at eight months.) They agreed no playpen. They agreed no crying herself to sleep. They agreed no pink or baby blue, and an equal number of girls’ toys and boys’ toys — Carlie could choose. They agreed on this partly because Hugh’s mother had taught her three sons to knit when they were eight or ten, and he had knitted Carlie a red baby hat with flaps and a pom-pom. If the baby had been a boy, they would not have agreed on circumcision, but they had avoided that conflict.

However, after four months, Debbie did not like getting up in the night to nurse. She had asked her mother about it, but Lillian, of course, had never nursed. Aunt Andy had—“smoking the whole time, and turning her head to keep the ash from dropping on the baby.” When the twins were babies, there were two nurses named Sally and Hallie who brought Richie and Michael to Aunt Andy in bed. What a pleasure that would be, Debbie thought. She lay on her back in the dark, wide awake. Hugh was snoring lightly, facing the wall. Carlie had not started crying yet, but she would any second now. Debbie often awakened before the crying began, and what could be the signal from the next room? Some biological connection? Carlie could move now, which made Debbie a little nervous. Her aunt Claire had always been told to lay the boys on their stomachs, and now you weren’t supposed to do that. Backs were worse, in case they threw up and aspirated the vomit. You were supposed to lay them on their sides and prop them with a rolled blanket. Debbie had been propping with extra punctiliousness lately, because what if? And then there was a woman she knew in her feminist reading group who said she had worn a sling over her shoulder with the baby in it for eight months, only putting him down when he was ready to crawl away. She wore long skirts to meetings and said that real feminism was not getting a better job but reclaiming the matriarchy and the Goddess. She was undecided about whether her son was going to be allowed to learn to read and write, because reading and writing privileged analytical, left-brain thinking. Debbie despised this woman, who, when she said the word “Goddess,” smiled slightly, as if she was thinking of her ample self.

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Early Warning
Early Warning

From the Pulitzer Prize winner: a journey through mid-century America, as lived by the extraordinary Langdon family we first met in Some Luck, a national best seller published to rave reviews from coast to coast.Early Warning opens in 1953 with the Langdons at a crossroads. Their stalwart patriarch Walter, who with his wife had sustained their Iowa farm for three decades, has suddenly died, leaving their five children looking to the future. Only one will remain to work the land, while the others scatter to Washington, DC, California, and everywhere in between. As the country moves out of postwar optimism through the Cold War, the social and sexual revolutions of the 1960s and '70s, and then into the unprecedented wealth — for some — of the early '80s, the Langdon children will have children of their own: twin boys who are best friends and vicious rivals; a girl whose rebellious spirit takes her to the notorious Peoples Temple in San Francisco; and a golden boy who drops out of college to fight in Vietnam — leaving behind a secret legacy that will send shockwaves through the Langdon family into the next generation. Capturing an indelible period in America through the lens of richly drawn characters we come to know and love, Early Warning is an engrossing, beautifully told story of the challenges — and rich rewards — of family and home, even in the most turbulent of times.

Джейн Смайли

Современная русская и зарубежная проза

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