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Janet also knew that right now, for Lucas, giving up what he possessed was more difficult than it was for her. She didn’t say a thing about it — she didn’t even let a facial expression about it cross her countenance. When he said that the drums were his, they were. When he said that his money was his, it was. When he said that his recordings of his favorite music were his, they were. Whatever pressure Lucas was to feel, it was not going to come from Janet. One night, when they had something of an argument about the Temple, Lucas said that he wasn’t going to sign anything and he expected Janet not to sign anything, either, even a blank piece of paper. If she wanted them to attend like all of their friends, then they had to be free to come and go; he had to be free to do his gigs. There would be no signing. Lucas said that one woman, Joyce someone, had told him that the papers were confessions of child molestation that the reverend would then use against you if you were disloyal and tried to leave the Temple, but Janet and Lucas agreed that this was such a ridiculous and paranoid idea that the woman must be making it up. People made a lot of things up about Reverend Jones — that he called himself God, that he said he could cure cancer, that he kept all the money for himself, that he threatened one woman in a service with a poisonous snake — but Janet had never seen any of this, and neither had Lucas. There was a lot of pressure to go to services more than one day a week, but, after all, her mother sometimes went to AA meetings three or four days a week, and what was the difference, really? The 25 percent tithe was difficult in a way, but when Janet looked around the congregation at the smiling faces of old folks and some others, like Jorge, who had nothing, she could not think of what else to spend her money on, so why not hand it over?

Today she was all right, too. Last night, it had been difficult to stand there and be shouted at by Cat, by Lena, and by Reverend Jones, told that she was vain and foolish and selfish, that she thought only of Janet Langdon and never of others, that she seemed unable to learn any of the lessons the reverend was trying to teach her. She was evasive or stupid, take your pick — which was worse in the end? If she was really looking for the truth, what was she waiting for? Where was her purse? Hand it over. What were these silly things she kept to herself? Just vanity and childishness. No one was asking her to walk down the street naked, just penniless. What would be so bad about that? People all over the world did it all the time, and their souls thrived on it. To give is to receive — how long would it take her to learn that? If her boyfriend, Lucas, was holding her back, get rid of the fellow; it would be better for the both of them. Go ahead and nod and say yes; no one believes you; we all know you; we all know how hard-hearted and selfish you are; you deserve nothing until you have nothing, and then something will come of it. And so on. Until after midnight. Lucas had sat quietly, looking on, and then left at some point. Finally, when she was really crying, down on her knees with her hands over her face, Reverend Jones came over, took her hand, lifted her up, and put his arms around her. He said to cry it out — every tear was a drop of selfishness pouring forth, making room for the humility that was the true grace of God. Surely she didn’t want to remain as she had begun, the corrupt child of a corrupt world? No, he could tell that she did not; he loved her; he could see the precious light dawning in her eyes.

It was Cat who led her home in the rain, took off her soaking clothes, helped her dry her hair, put her to bed, and kissed her good night, and though she cried for a while, she was so exhausted that she did fall asleep. Now she was wiped out, almost hungover in a way; she knew she ought to get up and go to work, but she could not make herself do it.

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Early Warning
Early Warning

From the Pulitzer Prize winner: a journey through mid-century America, as lived by the extraordinary Langdon family we first met in Some Luck, a national best seller published to rave reviews from coast to coast.Early Warning opens in 1953 with the Langdons at a crossroads. Their stalwart patriarch Walter, who with his wife had sustained their Iowa farm for three decades, has suddenly died, leaving their five children looking to the future. Only one will remain to work the land, while the others scatter to Washington, DC, California, and everywhere in between. As the country moves out of postwar optimism through the Cold War, the social and sexual revolutions of the 1960s and '70s, and then into the unprecedented wealth — for some — of the early '80s, the Langdon children will have children of their own: twin boys who are best friends and vicious rivals; a girl whose rebellious spirit takes her to the notorious Peoples Temple in San Francisco; and a golden boy who drops out of college to fight in Vietnam — leaving behind a secret legacy that will send shockwaves through the Langdon family into the next generation. Capturing an indelible period in America through the lens of richly drawn characters we come to know and love, Early Warning is an engrossing, beautifully told story of the challenges — and rich rewards — of family and home, even in the most turbulent of times.

Джейн Смайли

Современная русская и зарубежная проза

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