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The wedding was at four. The mission was a long, pale building set against a hillside not far from the ocean. Richie could smell the garden of flowers through the open doors all through the ceremony. The Langdons sat in four rows of pews on the groom’s side of the church, and when everyone had to kneel during parts of the Mass, they gave each other covert glances, leaned forward, and did not make the sign of the cross. Aunt Eloise sat through the whole thing and kept her mouth shut, as did Ivy, but Rosa and Lacey knelt and bowed their heads. After the ceremony, they took a bus along the winding, breezy roads back to the hotel, where the reception, for three hundred guests, was in a golden room with a huge set of windows that looked out onto the bay. Loretta, who Richie now understood was an only child, and therefore spoiled rotten, according to even her own father, wore her mother’s dress, updated slightly. It had a huge skirt and a twelve-foot train, and was covered with lace. Ivy kept whispering, “That dress is ridiculous!” All the bridesmaids were required to wear gloves to the middle of their upper arms, and black gowns. Once again, according to Ivy, ridiculous. Most of the men wore cowboy boots. Everyone was friendly. People kept coming up to him and saying, “Oh, you’re the twin! Are you the lefty?” There were two congressmen there, four state legislators, the mayor of Carmel-by-the-Sea, as well as Nancy Reagan, Clint Eastwood, Doris Day, and three other actors Richie only sort of recognized. They all stared at his mom, who was wearing a beautiful Chanel suit. But there were lots of other people, too, who weren’t dressed any better than Uncle Joe or Aunt Lois, and who ran around dancing and laughing, so much so that Ivy had to go upstairs and change out of her long skirt. The champagne was Veuve Clicquot, and Richie had plenty, but he saw Loretta stop Michael after one glass, and Michael was smiling. So a miracle had happened after all.

The next afternoon, once Michael and Loretta had gone on to Maui, everyone got into a bus that took them to the Angelina Ranch. It was a long ride, even after they entered the gate. A hundred thousand acres was ten times the size of Uncle Joe’s farm, 156 square miles, all contiguous, all running up and down hills, over fields, into arroyos. In the seat in front of him, Uncle Joe was staring out the window at the pale-golden hills and the occasional groups of cows and calves. Next to him, Ivy was reading a manuscript. Across the aisle, his mom and Janet were talking about Emily. His dad was sitting in the first row of the bus, hunched forward, listening to little Mr. Perroni and the bus driver. Aunt Eloise and Aunt Lillian had decided to “forgo” the trip to the ranch, Aunt Eloise to go to the beach with Rosa instead, Aunt Lillian because Uncle Arthur seemed very jet-lagged. Lacey’s boyfriend had shown up, so they had gone into Monterey, and Ross was sleeping off the party. Richie heard Rosa say to his mom, “No, no booze. But he hasn’t seen that many people all in one place since the last Dead concert he went to, in 1969. It sort of freaked him out.”

The weather, warm and sunny by the coast, was now hot. All the windows of the bus were open, and everyone’s hair was blowing in the breeze. Ivy had to hold her pages flat with two hands. She looked at him and said, “I prefer Central Park.” They drove.

At last they turned in past a tall gate, crossing a metal grate in the road. The bus went up a hill through some huge trees that twisted in startling shapes. When they crested the hill, they looked down on the most beautiful house Richie had ever seen. He poked Ivy with his elbow and pointed. She said, “Oh, nice,” and went back to reading. Spanish-style, long, two stories, a balcony running most of the length of the second story, painted a pinkish color, with dark beams and a tile roof. The main door, dark wood, was two stories high. An adobe wall extended from each end in a big oval, embracing a courtyard. Water bubbled out of a dish that the hands of a fountain statue were holding aloft, then flowed down its arms, around the laughing face, and over its body, to disappear again into a pool at the figure’s feet.

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Early Warning
Early Warning

From the Pulitzer Prize winner: a journey through mid-century America, as lived by the extraordinary Langdon family we first met in Some Luck, a national best seller published to rave reviews from coast to coast.Early Warning opens in 1953 with the Langdons at a crossroads. Their stalwart patriarch Walter, who with his wife had sustained their Iowa farm for three decades, has suddenly died, leaving their five children looking to the future. Only one will remain to work the land, while the others scatter to Washington, DC, California, and everywhere in between. As the country moves out of postwar optimism through the Cold War, the social and sexual revolutions of the 1960s and '70s, and then into the unprecedented wealth — for some — of the early '80s, the Langdon children will have children of their own: twin boys who are best friends and vicious rivals; a girl whose rebellious spirit takes her to the notorious Peoples Temple in San Francisco; and a golden boy who drops out of college to fight in Vietnam — leaving behind a secret legacy that will send shockwaves through the Langdon family into the next generation. Capturing an indelible period in America through the lens of richly drawn characters we come to know and love, Early Warning is an engrossing, beautifully told story of the challenges — and rich rewards — of family and home, even in the most turbulent of times.

Джейн Смайли

Современная русская и зарубежная проза

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