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In the kitchen, the last bagel was gone, but there was bread for toast and a piece of apple pie, always good for breakfast. He had adopted the safest course, given the friction between Ivy and Michael — he had not voted at all.

The phone rang — Loretta, who sounded happy, although she said nothing about the election, only, “You guys want to come over for dinner?”

Richie got along pretty well with Loretta, who had a better sense of humor than either Michael or Ivy. He said, “Well, we haven’t heard from you guys in a month. You going to rub our faces in the dirt?”

“Not right away.”

“When?”

“When you least expect it.”

“What are you serving?”

“Humble pie.”

“We don’t like that.”

“Okay. Lasagna.”

“Still in the Italian-cooking class?”

“Eighth week.”

“I need something more Tuscan than lasagna.”

Loretta was silent for a minute, then said, “Tagliolini with new olive oil and fresh herbs? Then some veal medallions with a walnut sauce?”

Richie said, “I’ll work on her.”

“You should know that I forgive her.”

“The question is whether she forgives you—” But then Ivy appeared in the doorway, and he said, “Bye,” and hung up. Ivy didn’t ask who it was, but he volunteered, “Mom says hi.”

“Hi, Andy,” said Ivy.

Richie went over and put his arms around her. He gave her a very good hug — she melted into him. He said, “You feel cold. Your feet are freezing.”

“I’ve been up since four. I should have gone to bed before the results were in. I might have at least gotten one last good night’s sleep.”

“You think he’s going to start a war right now? He doesn’t get inaugurated for another two months.”

“Stop joking.”

“Did you talk to your mom?”

“Mom and Dad. At about six.”

This was a bad sign. Ivy had met his aunt Eloise, so he did not criticize her parents, who, although very left, had never actually belonged to the CPUSA or been questioned by HUAC, and anyway were twenty years younger than Eloise. But they had both gone to City College, though they now lived on Long Island. They acted as if social programs like food stamps were automatically good and Wall Street was automatically bad. Like Aunt Eloise, they tossed around terms like “working class” and “bourgeoisie” and “capitalism.” Their messy house was littered with old copies of The Nation, Dissent, and Mother Jones. Both Alma and Marcus liked to finish every family dinner with a cigarette and a political discussion; they were aggressive about making everyone at the table, including Richie, define and refine their arguments, and Richie had to admit that, usually, his arguments boiled down to “mere instinct,” as Alma put it, shaking her head. They were fervent believers in rationality. Alma was harder on him than Marcus, who most often ended up saying, “Alma! Leave the boy alone! She likes him, then she likes him!”

“How can I leave him alone?” Alma would exclaim. “That’s his problem. He’s been left alone for all his life!”

He had to admit that, for all her eye rolling, Ivy agreed with her parents’ views. The problem was their style — Ivy thought they were loud, messy, and rude. She loved them in private, but would go nowhere with them in public, not even to a deli.

He kissed her on the forehead, then more slowly on the lips, then took the corner of a dish towel and dabbed lightly at her eyes to wipe the tears. He said, “The only reason Reagan got elected was because Carter was such an incompetent. My uncle Joe, who is the nicest guy in the world, thinks this grain embargo is going to bankrupt him. It’s like every single thing Carter did was wrong. That was Reagan’s point.”

“He’s too smooth! He’s just a mouthpiece for big business, like when he was on that show and then he was a governor! My God, he was awful in California.”

Richie said, “Give him a chance. Let him be the best of a bad lot, okay? Just let him be that for a while.” But he didn’t dare bring up the dinner invitation. For all her good nature, he knew that Loretta would, indeed, demand some humble pie — she was like that. And they couldn’t just put it off: Loretta never forgot, and she kept score. The election, say, gave her ten points, but not showing up for dinner and “taking your medicine” would give her a point, too.

When he called Ivy at lunchtime, she said, “Okay, we can go.”

He said, “Go where?”

“Their place.”

“They invited us?”

“Richie, I know she called you this morning and invited us for dinner. She called me at the office just to make sure you told me.”

“She really is like the CIA, isn’t she?”

Ivy laughed, which meant she was getting over the election.

Richie said, in a wheedling voice, “What difference does it make who won? They’re all the same, really.”

“You’re hopeless,” said Ivy.

“We only see them four or five times a year. It’s like a penance. Or maybe like interest payments. We may both hate to visit our families, but we owe something every so often, don’t we?”

Ivy said, “Oh, okay. Yeah, yeah, yeah. Four hours. I can take it.”

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Early Warning
Early Warning

From the Pulitzer Prize winner: a journey through mid-century America, as lived by the extraordinary Langdon family we first met in Some Luck, a national best seller published to rave reviews from coast to coast.Early Warning opens in 1953 with the Langdons at a crossroads. Their stalwart patriarch Walter, who with his wife had sustained their Iowa farm for three decades, has suddenly died, leaving their five children looking to the future. Only one will remain to work the land, while the others scatter to Washington, DC, California, and everywhere in between. As the country moves out of postwar optimism through the Cold War, the social and sexual revolutions of the 1960s and '70s, and then into the unprecedented wealth — for some — of the early '80s, the Langdon children will have children of their own: twin boys who are best friends and vicious rivals; a girl whose rebellious spirit takes her to the notorious Peoples Temple in San Francisco; and a golden boy who drops out of college to fight in Vietnam — leaving behind a secret legacy that will send shockwaves through the Langdon family into the next generation. Capturing an indelible period in America through the lens of richly drawn characters we come to know and love, Early Warning is an engrossing, beautifully told story of the challenges — and rich rewards — of family and home, even in the most turbulent of times.

Джейн Смайли

Современная русская и зарубежная проза

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