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Ivy turned and looked at him. “Where’s Michael?”

“Watching for the ambulance.”

“I can feel hair.”

He said, “What?”

“I can feel the baby’s hair. There’s a lot of it. It’s right there.” Loretta’s head fell back and she groaned. Ivy said, “Oh, shit!” and leaned forward. Richie stepped into the bathroom and stood on his tiptoes. Loretta said, “Ohhhh Goddddd helppp meee!” and here it came, dark hair, dark squinched face, little crossed arms, little chest, first slowly and then shooting out, completely under the surface of the water, and therefore ripply and strange. Ivy half rose, leaned way over, and slipped her hands under the baby, back and shoulders and head; then, very carefully, sort of hooking her thumbs under its armpits, she lifted it out of the water, hair, forehead, nose, mouth, chin. The water sluiced over closed eyelids, plump cheeks, and full lips; then the mouth opened, silently. Then it let out a cry. Without being asked, Richie opened one of the towels and held it toward the baby. But there was a problem that they hadn’t foreseen. Richie and Ivy exchanged a look, and then Ivy leaned forward and bit the umbilical cord in two, spitting out a little blood. Richie wrapped the baby in the towel. It was tiny, much tinier than he had expected. He opened the towel again, just for a look, and said, “Boy.”

Now Loretta, who had seemed to pass out, her arms spread over the rim of the tub and her head dropped back, sat up. She said, “Is he okay?”

As if in answer, the baby opened his mouth again and wailed, a healthy and not painful sound. Ivy said, “He seems fine.” She pulled the plug. The red, bloody water began to drain away. When it was all gone, she laid another of the towels across Loretta’s thighs, and handed her the wrapped-up baby. Richie had to admit that he was sorry to give him up: he wasn’t the mother or the father, but somehow that tiny face, with the dark hair and the bowed lips, was imprinted on him. Moments later, Michael burst through the door, saying, “They’re here, they’re coming up!” And then he stood there, his eyes wide, his arms dangling at his sides. Richie said, “What’s his name?”

Michael and Loretta, both now staring at the tiny wrapped thing, said, simultaneously, “Chance.”

Ivy said, “You are naming this baby ‘Chance’?”

Michael took a deep breath. “Loretta’s grandfather was named Chance. Jonathan Chance. He was a cattle rustler.”

“He was not!” exclaimed Loretta. “He was a perfectly respectable businessman.” But she was grinning from ear to ear. She said, “Chance Markham Langdon. What a boy.”

Michael stepped forward, and Richie stepped back to make way. Moments later, a medic appeared in the doorway. He called out, “Looks like we’re too late again, Benny!”

IT WAS HOT. The worst winter Henry could remember (worse even than the winter of ’78, which drove him out of town), fifty-nine inches of snow, into April — his daffodils had worn snow hats for three days — had given way to the hottest summer. All he was doing lately was sitting around in his shorts, drinking ice water with lime juice and trying not to look at the thermometer. But how could he help himself? He had never seen it hit 108 before, much less for three days running. And at his place, he had a little bit of a breeze off the lake. He was almost ready to keep his air conditioner on all day, though so far he had limited himself to nights, spending at least some of the day at the Lee Street Beach, under an umbrella, where he was now, or in the water. He had also given himself express permission to do absolutely nothing. In his entire life, Henry could not remember doing nothing. His present exile in Chicago was his own fault, since he was the one who had talked Philip (they had resumed their relationship, but only as friends) and Philip’s current lover, Yves, who taught at the university in Rennes, into taking their little tour in June, to avoid the August crowds. Two young men escorting a fifty-year-old all over Cathar country, Narbonne to Béziers to Mazamet to Carcassonne, then Tarascon to Montségur, to Foix to Mirepoix, one slaughter after another, rolling fields and vineyards giving way to precipitous mountains and perfectly groomed beaches. Philip, whose specialty was structuralist criticism, and Yves, whose specialty was Baudelaire, had been genuinely shocked at Henry’s tales — Simon de Montfort slaughtering all the inhabitants of Béziers, even the Catholics who were seeking sanctuary in the cathedral, which he burned to the ground, saying, “Kill them all, God will recognize His own.” Subsequently, Simon’s head was smashed to bits by a stone catapulted from inside the walls of Toulouse by “ladies and girls and women.” A fitting end, they all thought. It was admittedly strange to drive through such a beautiful landscape and contemplate decades of religiously inspired cruelty and horror, but Henry had enjoyed himself.

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Early Warning
Early Warning

From the Pulitzer Prize winner: a journey through mid-century America, as lived by the extraordinary Langdon family we first met in Some Luck, a national best seller published to rave reviews from coast to coast.Early Warning opens in 1953 with the Langdons at a crossroads. Their stalwart patriarch Walter, who with his wife had sustained their Iowa farm for three decades, has suddenly died, leaving their five children looking to the future. Only one will remain to work the land, while the others scatter to Washington, DC, California, and everywhere in between. As the country moves out of postwar optimism through the Cold War, the social and sexual revolutions of the 1960s and '70s, and then into the unprecedented wealth — for some — of the early '80s, the Langdon children will have children of their own: twin boys who are best friends and vicious rivals; a girl whose rebellious spirit takes her to the notorious Peoples Temple in San Francisco; and a golden boy who drops out of college to fight in Vietnam — leaving behind a secret legacy that will send shockwaves through the Langdon family into the next generation. Capturing an indelible period in America through the lens of richly drawn characters we come to know and love, Early Warning is an engrossing, beautifully told story of the challenges — and rich rewards — of family and home, even in the most turbulent of times.

Джейн Смайли

Современная русская и зарубежная проза

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