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It was no big deal to be without the car — she could rent her driveway for fifty dollars a month to her neighbor, who had three cars. She was a good walker, good enough to get to the co-op if she took her time and pushed a little trolley. And the co-op was next to the drugstore, and the drugstore was next to the clinic, and so on and so forth. It was manageable. But if she asked someone to drive her one more time to Drakes Bay, a couple of hours, the purest place in California, then could she walk the beach in her own time, and in total solitude make up her mind?

And what was she making up her mind about? And who cared? And why did she still care? Rosa had asked her this question this morning, when she called to report on conditions in Big Sur (Highway 1 was out again, but they were fine). Rosa was Eloise’s principal Buddhist, though she didn’t call herself that. If you asked in a mild tone of voice that didn’t imply a single thing (a tone of voice Eloise could rarely manage) how Rosa viewed her adult life, she would talk about phases, old mistaken desires that had been outgrown or shucked off. She “made no judgments” (except, of course, of Eloise), “had no desires” (except that Eloise stop harassing her), and “took things as they came” (except remarks by Eloise that sometimes caused them to be not on speaking terms for a month or two). But Eloise did make judgments, did have desires, and seemingly could not take things as they came, and she had this feeling that if she could just organize her self-contradictory thoughts she would come up with a program of why care and how to care, and, somehow, she would leave a record of this, and then her life wouldn’t be wasted. But she did not want to be someplace like Esalen, and have positive feelings and forgiveness cloud her mind. She wanted to figure out a way to get Rita Lavelle, Anne Gorsuch, and James Watt to denounce themselves, feel shame, feel regret, engage in sincere criticism and self-criticism, and then do penance.

And yet she knew at seventy-seven that it could not be done. And she also knew that James Watt, Anne Gorsuch, and Rita Lavelle would ask her, just as she asked them, was she ready to do penance for the slaughter of the Russian peasantry? For the Gulag? For the Great Leap Forward? For the takeover of Poland? For the Berlin Wall? For the Stasi? For the Khmer Rouge? For, indeed, Reverend Jones? And when they asked her this, she would squirm in her chair and say just what comrades had said year after year, decade after decade—“Mistakes were made.”

What if, Eloise thought, they were all nice people, as she herself was a nice person? What if, between gutting the Environmental Protection Agency and allowing PCBs to flood into the rivers, Anne Gorsuch worked in soup kitchens and nursed the poor? What if, between authorizations of the sale of every piece of public land in America, James Watt played with his grandchildren? Hadn’t Eloise been shocked at the murder of Lord Mountbatten, imperialist pig, whom she had detested ever since he sent Julius to his death at Dieppe? A few summers ago, when the IRA blew him up with his wife and his grandson and that poor local child, hadn’t Eloise thought first of how awful it was? Only later had she wondered whether at the final moment he’d had time for regret.

Was human nature inherently good? Eloise and Julius had disagreed on this one. Eloise had said yes, look at herself, look at her parents — if you showed people the way to do good, they would want to. Julius had said no, look at himself, look at his family — coercion was essential, eggs had to be broken. That was human nature. He thought she was naïve; she thought he was bad-tempered; neither of them saw the other one as the other one saw himself, herself.

Eloise went to the kitchen. Assam? Constant Comment? Mint? She made a cup of each and set them in a row on her coffee table. Finally, finally, finally, when she turned on the show, her show, Hill Street Blues, and saw that familiar attractive Sergeant Esterhaus starting the day’s shift at the mysterious precinct station (Eloise always imagined Chicago), she forgot, more or less, about Hobbes and Locke and her aches and pains and the rain that had been going on for days. Her brain remained a pleasant blank for the rest of the night — while she put her cups in the sink, while she made sure the doors were locked and checked the windows in the sunporch, while she brushed her teeth and put on her nightgown and straightened her bedclothes, which hadn’t been made by anyone that morning after she got up. By her, that was. Her book was by her bed—Memoirs of Hecate County. Hard to believe it had been censored, but it had. She was having a little trouble getting through it, though. She decided not to disturb her blankness by trying again tonight. She got into bed.

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Early Warning
Early Warning

From the Pulitzer Prize winner: a journey through mid-century America, as lived by the extraordinary Langdon family we first met in Some Luck, a national best seller published to rave reviews from coast to coast.Early Warning opens in 1953 with the Langdons at a crossroads. Their stalwart patriarch Walter, who with his wife had sustained their Iowa farm for three decades, has suddenly died, leaving their five children looking to the future. Only one will remain to work the land, while the others scatter to Washington, DC, California, and everywhere in between. As the country moves out of postwar optimism through the Cold War, the social and sexual revolutions of the 1960s and '70s, and then into the unprecedented wealth — for some — of the early '80s, the Langdon children will have children of their own: twin boys who are best friends and vicious rivals; a girl whose rebellious spirit takes her to the notorious Peoples Temple in San Francisco; and a golden boy who drops out of college to fight in Vietnam — leaving behind a secret legacy that will send shockwaves through the Langdon family into the next generation. Capturing an indelible period in America through the lens of richly drawn characters we come to know and love, Early Warning is an engrossing, beautifully told story of the challenges — and rich rewards — of family and home, even in the most turbulent of times.

Джейн Смайли

Современная русская и зарубежная проза

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