Early Warning

And so in spite of the suicides and foreclosures they kept hearing about, it wasn’t exactly like the thirties — there was the FDIC — but Joe had no idea how long it would take for their accounts to be repaid, or, indeed, whether there might be some snafu there, too. And the farm, well, in the thirties it had been worth fifteen or was it ten dollars an acre — Rosanna had told him that. Now it was worth maybe a thousand, a third of what Frank had paid Gary, and sliding. Would Walter have considered him a success or a failure? He was getting so many bushels per acre that the government was going to subsidize the farmers to take acreage out of cultivation, but no one in the Denby Café was going to take his best land out of cultivation — only the parts that had some slope or were swampy or ran along the river or were, frankly, exhausted. And that’s what Joe was going to do, too, and he expected to get 175 bushels an acre of corn and forty of beans and not to be able to pay his bills and to get a little check in a Christmas card from Frank to cover the shortfall. Dave Crest and Russ Pinckard and Rudy Jenkins always seemed to give him the eyeball, as if they knew he had a rich relative, and of course they did know it. It was an embarrassment to have a rich relative, and Joe knew perfectly well how specific knowledge of the shortfall got to Frank — Jesse’s correspondence with him was pretty regular. He probably told Frank all sorts of things he didn’t tell Joe or Lois. Wasn’t that always the way? Joe felt a stab of jealousy.

He pulled into the drive beside John’s old house, which he and Lois had moved into, leaving the big house to Jesse, Jenny, and Minnie. Jesse called it “the Maze”—it was more spacious than it looked, seven rooms. Back in the 1880s, the builder had marked out a forty-two-foot square, divided it into nine parts, designated the two parts across the right front as the parlor, and two parts along the east side in the back as the kitchen, and the other five parts, square rooms, you could do with as you pleased, so it did have a mazelike quality and Joe liked it. But there was none of the elegance of Roland Frederick’s kit house, with its oak paneling and sliding French doors and wide-planked floors. The Fredericks’ barn was just as rough and simple, but it was big and sturdy. Since they had pulled down Walter’s barn, the only trace of the place he’d grown up on was the Osage-orange hedge, which was thriving and, as always, a pain in the neck.

When he turned off the truck and opened the door, he was hit with a blast of heat. He went up the steps of the porch and looked at the thermometer — over a hundred, but the porch faced south. Might be ninety-eight in the shade. The weather had been doomfully good, and you really could hear the corn grow this time of year, if you could stand it. Chest-high by the Fourth of July.

The farm was still peculiar to him from this vantage point: It spread to the south and west of where he was standing, rather than to the north and east. The house was on a long gentle hill with a view, where John had kept cattle until he died, and which Joe had tried in hay and in beans — that was the part he would take out of cultivation. But the house wasn’t on the hill. For an Iowa farmer, there was nothing desirable about a long sweeping driveway or a grand vista. John had planted a few apple trees; the apples from one of the trees were red streaked with green, not like any of the others, but they made a wonderful pie. And so, yes, all of his dreams had come true.

Joe crossed the road. The roof of the big house was just visible over the ridge, and inside it were the precious ones, Joseph Guthrie, two years old, and Franklin Perkins, ten months. They were another dream come true — they’d sit on the carpet, stacking colorful blocks, knocking them over, laughing, while across the room Lois and Jenny compared notes on how to bake zwieback. But he could see it, looking south — he could see all the layers lift off — the roof of the house, the second floor, the first floor. He could see the children and Jesse and Jenny and Lois and Minnie being lifted out on a fountain of debt and scattered to the winds; then he could see the corn and beans scoured away, and the topsoil, once twelve inches thick, now six inches thick, and below that, the silty clay loam, more gray than black, then the subsoil, brownish clay all the way down, down, down to the yellow layer, mostly, again, clay, all of it exposed, all of it flying into the atmosphere like money, burning up in the hot sunshine, disappearing. He shook his head, closed his eyes, took his cap off, and put it back on. The vista re-formed itself: blue sky, green corn, brown roof.

1986