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They went out of the bar and through the lobby; he put his hand on the back of her waist and guided her away from the elevator and toward the staircase, which was shabbily elaborate, with a faded green silk rope and tassels looped along the pink-satin-papered wall. He pressed her up the stairs. He heard her say, “I guess it isn’t enough to work all day, can’t even take the elevator.” She probably didn’t know that she had a magnificent ass, perfectly heart-shaped and outlined by the shiny material of her burgundy-colored skirt. He kept her in front of him, and handed her the key. When she unlocked the door, he pushed it open and pushed her through so that she stumbled, though she didn’t fall. She said, “Hey! Nein! Nein with the rough stuff, Herr Schulz!”

Frank smiled and nodded.

He was gentle after that, but quick — he had a huge erection, hard and upright, throbbing against the belt of his pants. As soon as he was inside the room with the door shut, he stepped out of his shoes and dropped his trousers. Her eyes widened.

She set down her purse, stepped out of her own shoes. Her skirt had a side zipper, and it took her a moment to get out of it. She was wearing a pretty tight girdle, which was arousing, and after she took off her stockings (carefully, so as not to run them), it took her some effort to slip out of it. She kept her eyes on him, though — alternating between looking at his cock, which he was stroking and then slipping into the condom he had brought along, and his face.

He didn’t give her time to take off her blouse, just sat her firmly on the end of the bed and then pushed her back. He was so excited that he had to close his eyes as soon as he entered her and think of Andy to calm himself down, Andy smoothing Pond’s cold cream all over her face. Then he opened his eyes, and his face was right beside the face of this whore; her eyes were greenish gray, and you could see the bottom arc of the pupils above her darkly mascaraed lower lids. He had his hands on her perfect ass and he was tearing her apart.

Or so it seemed, but of course not. He finished thrusting and she gave an unconscious little sigh, waited a polite few moments, and then eased him off her and went into the bathroom.

When she came out, he almost forgot that he couldn’t speak English, but he remembered at the last moment, and just took two twenties out of his billfold and held them out to her. He threw the twenties on the bed and shrugged. She paused, then reached out and took them, putting them in her handbag without finding her own wallet. Then she pulled out a pack of Kents and a Zippo lighter and went over to the window, which she opened three inches. She said, “You know, stupid me, I gotta have a smoke first, even before I put my clothes back on. I been smoking since I was thirteen — can you believe that? — my brother got me going. He used to swipe my dad’s Viceroys. My dad thought he was smoking four packs a day!” She laughed.

Frank couldn’t stand this woman. She was perfect.

He was out of there by six and home by six-forty-five. It was still light, and Janny was playing with another girl from down the street — what was her name? — they were tossing Janny’s Pluto Platter back and forth. Frank was in a good mood, so he didn’t let their clumsiness bother him. He went through the gate, set down his briefcase, and said, “Hey, girls. Let me show you a trick.”

Janny approached him more suspiciously than the neighbor girl, who walked right over and handed him the disc. Janny stood off a step or two. He knelt on one knee and put the girl’s hand on the front of the disc, then put his head next to hers and his hand over hers. Then he said, “Okay, now, you keep your hand flat and your thumb up and you watch the top of the Pluto Platter the whole time you’re throwing it. You look at where you want to throw it until you let go. You want to throw it right where your thumb is, okay?” Then they tossed it toward the gate, and it landed on the walk right there, in front of the gate. The girl jumped away from him and said, “That was good!” She ran to get it.

Janny said, “I want to try it.”

“Okay, then. Come over here.” She nestled against him suddenly, as if her usual reserve had collapsed. The neighbor girl brought them the Pluto Platter. He kept his mouth shut, but Janny had been listening, and she arranged herself the way the other girl had and tossed the disc. It went right over the gate and into the street. He squeezed her shoulder and said, “Good for you, Janny,” then gently, ever so gently, pushed her away.

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Early Warning
Early Warning

From the Pulitzer Prize winner: a journey through mid-century America, as lived by the extraordinary Langdon family we first met in Some Luck, a national best seller published to rave reviews from coast to coast.Early Warning opens in 1953 with the Langdons at a crossroads. Their stalwart patriarch Walter, who with his wife had sustained their Iowa farm for three decades, has suddenly died, leaving their five children looking to the future. Only one will remain to work the land, while the others scatter to Washington, DC, California, and everywhere in between. As the country moves out of postwar optimism through the Cold War, the social and sexual revolutions of the 1960s and '70s, and then into the unprecedented wealth — for some — of the early '80s, the Langdon children will have children of their own: twin boys who are best friends and vicious rivals; a girl whose rebellious spirit takes her to the notorious Peoples Temple in San Francisco; and a golden boy who drops out of college to fight in Vietnam — leaving behind a secret legacy that will send shockwaves through the Langdon family into the next generation. Capturing an indelible period in America through the lens of richly drawn characters we come to know and love, Early Warning is an engrossing, beautifully told story of the challenges — and rich rewards — of family and home, even in the most turbulent of times.

Джейн Смайли

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