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Jim Upjohn had led him to believe that Dave Courtland would be buying property somewhere nearby — if not Manhattan or New Jersey, then a place in Southampton. But Dave Courtland hated the East as much as he hated the North. His favorite places were Caracas and Galveston. Frank did not mind not seeing him, because he and Jim Upjohn were in complete agreement about developing the Venezuelan oil fields to their most attractive potential, and then allowing a hostile takeover by Jersey or Getty. When Frank expressed a bit of nervousness about Dave Courtland’s reaction, Jim laughed and said, “Oh hell. Millions of bucks are a good tranquilizer. He’ll have a tantrum and then, no doubt, decide to use that money to do a little more exploring. And that will rejuvenate the old coot. We’ll buy him a nice donkey. The fellow who started a company can’t run it when it’s going strong. They get bored and cranky, so you have to send them out to start something new. Maybe he’ll get remorse, like Carnegie did, and build something for the workers.” Jim Upjohn was the only man Frank regularly spoke with who pronounced it like Eloise did, “the workers.”

Frank said, “What about Hal and Friskie?”

“They’re both engaged, as you know. Hal’s marrying into the Corneliuses, and Friskie’s got himself a Sulzberger cousin. First cousin. The fate of the company is a problem for them, not a project. The way I see it, we’re pointing them all toward a form of family happiness they’ve never experienced before.” Then he laughed. Jim Upjohn was the most casually self-confident person Frank had ever met.

BILLY WESTON, who lived down the street from Richie and Michael (for now, but Mommy said that they would be moving soon, and to a much nicer neighborhood), had gotten a tent for his eighth birthday, and had invited Richie and Michael to help him set it up; Billy’s dad had shown him how to pound in the stakes and said that he could work on it on his own. As far as Richie was concerned, there was only one thing wrong with Billy Weston, and that was that he didn’t have a twin. Richie had to watch very carefully to see whether Billy, who had lots of good stuff, seemed to be playing more with Michael or with him. If Billy had had a twin, then he and Michael would each have had a friend, but Billy had four sisters, who ran into the house every time Richie and Michael came over.

The tent was not a tepee. It was long, and each end was a triangle with flaps that hung down, and the flaps had four ties. There was a floor in the tent, and Billy said that you could take it into the woods when it was cold or rainy and zip up the flaps and have a lantern inside and sleep all night, even if a bear showed up. They were not taking it into the woods; they were setting it up in Billy’s backyard.

What you did was, you spread the tent out on the grass, and made sure that the floor was smooth and that the edges were straight. Then Billy, who was inside the tent, gave Richie four stakes and Michael four stakes. A stake was a pointed piece of iron with an L-shaped bend at the top. Richie did what he was told, which was to go along the long edge of the tent on one side and pull out the loops, then set a stake beside each loop. Michael did the same thing on the other side.

Billy had one hammer. The three of them took turns. Billy pounded a stake on Richie’s side and a stake on Michael’s side; then he gave the hammer to Richie, and Richie started to pound the stake. It was easier than a nail, because the L-shape wasn’t as small as the head of a nail. Richie hit the L-shape twice, and it went in a little. Michael said, “I want to do it.” Richie didn’t pay any attention to him, and pounded twice more. It got in a little ways farther, but still not halfway. Richie stopped and took a deep breath. Michael stuck out his tongue. Richie hit the stake twice more.

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Early Warning
Early Warning

From the Pulitzer Prize winner: a journey through mid-century America, as lived by the extraordinary Langdon family we first met in Some Luck, a national best seller published to rave reviews from coast to coast.Early Warning opens in 1953 with the Langdons at a crossroads. Their stalwart patriarch Walter, who with his wife had sustained their Iowa farm for three decades, has suddenly died, leaving their five children looking to the future. Only one will remain to work the land, while the others scatter to Washington, DC, California, and everywhere in between. As the country moves out of postwar optimism through the Cold War, the social and sexual revolutions of the 1960s and '70s, and then into the unprecedented wealth — for some — of the early '80s, the Langdon children will have children of their own: twin boys who are best friends and vicious rivals; a girl whose rebellious spirit takes her to the notorious Peoples Temple in San Francisco; and a golden boy who drops out of college to fight in Vietnam — leaving behind a secret legacy that will send shockwaves through the Langdon family into the next generation. Capturing an indelible period in America through the lens of richly drawn characters we come to know and love, Early Warning is an engrossing, beautifully told story of the challenges — and rich rewards — of family and home, even in the most turbulent of times.

Джейн Смайли

Современная русская и зарубежная проза

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