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Once she had broken through the crust and eaten most of that, the potpie was pretty bad, Claire thought. The pieces of chicken and carrot were tiny and flavorless, and the peas were strange, too. Suddenly, almost surprising herself, Claire said, “Lillian told me that Elizabeth—”

“Mary Elizabeth.”

“Mary Elizabeth was struck by lightning.”

“Oh goodness!” said Rosanna, setting down her fork with a ding on the plate. “Does she think that? Heavens, no. Lightning did strike. But she fell. Maybe the thunder startled her. It was bang-bang, like that, the lightning so close. The back of her head hit the corner of an egg crate. She died without a mark on her.” Rosanna shook her head. “I’m amazed to this day I can say any of that aloud. What is today?”

“May 1.”

“You know, she was born forty-one years ago. January 28. And she was no trouble, just like this one.”

But Claire didn’t want there to be any resemblance between that ill-fated child and this one, destined for greatness. Rosanna offered Gray the spoon again, and this time he curled his fist around it. Rosanna said, “I think that’s advanced.”

“Of course it is!” Claire laughed.

It was the ice cream that was good — it had been made by Lois, who was going through an ice-cream phase. It was peppermint, sweet and sharp. They ate it while Claire nursed Gray, and then Rosanna quietly washed the dishes (including the aluminum pie holders, for some reason). Then she went into the living room and turned her show on low. Sitting in the kitchen, gently rocking back and forth in her chair, feeling Gray draw the milk out of her and the ache subsiding, Claire thought that maybe, maybe she would forgive Rosanna, but she couldn’t remember what for.

LILLIAN TOOK the Mustang. Tim didn’t know she was coming, but she knew where he lived, and she could wait for him if she had to. She left a note for Arthur in the middle of his desk, where he might see it if he was not too distracted, and as she drove away — got farther and farther from the note — she began to feel freer and less anxious. She would have expected it to be different — closer to Tim, more worried. But there it was — farther from Arthur, less worried.

The road was one of the most beautiful Lillian knew of, much more romantic and rolling than any road in Iowa. As Arthur invariably pointed out when they went for a drive, the Land Ordinance of 1785 was way too late for Virginia, and so it was not laid out in a grid, but according to chance and convenience. This meant that Lillian drove through this town and that town, around this curve and over that hill, in the shadow of mountains, past farms and fences and thick stands of trees. Horses and cows grazed in green pastures and there weren’t many houses. Once she was past Culpeper, the few she saw looked like ones she knew back home — the plantations seemed to have been hidden away. Lillian liked the sweep of it, and the names of towns like Haymarket and Ruckersville.

When Bundy got back from Vietnam (and Arthur had almost gone with him, only kept home at the last minute by a bout of the flu), Bundy was a different man. The sight of the bodies at Pleiku had literally changed his appearance — whereas before he had been sharp but a tad removed, as if always calculating, when he got back he was sure of one thing — the Viet Cong had to be repaid. Sure, he phrased this in terms of strategy — yes, it could be done, a harder push, more bombs, take off the brakes and apply the gas, if they feel our resolve they will back off — but really his blood had boiled, his wrath had burned. At first, Arthur laughed and said, “Well, if they’d let me belt him in a nice straitjacket for a few days, just take him to a suite at the Hay-Adams and give him a shower ten times a day, I might have saved him.” But then Bundy had convinced Arthur, and the spring had been calm with conviction — the bombing was unfortunate, but necessary; it would soon be over; sometimes a wound had to be cauterized. The calm had been pleasant. Arthur had been more his old, pre-JFK self, bringing home flowers and lingerie, eating, going to Dean’s baseball games, not only admiring Tina’s paintings but discussing them with her. JFK had driven everyone crazy — he said this, then he said that, and never the twain should meet, but that was over, had been over for a year and a half. Thinking of JFK made her think of Mary Meyer, gunned down by the canal. (Had she really been his mistress? These days, the rumor mill was strangely silent.) Lillian shook that thought out of her mind and made herself pay attention to the scenery.

She drove through Gordonsville, and soon after that turned off 29 and onto Ivy Road, gazing over the fields to her right in hopes that she would see Tim. Two F’s! The lowest grade he had ever gotten before (though there had been several of them) was a C. She did a careful U-turn and headed toward the center of town, to find a Coke and maybe a sandwich.

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Early Warning
Early Warning

From the Pulitzer Prize winner: a journey through mid-century America, as lived by the extraordinary Langdon family we first met in Some Luck, a national best seller published to rave reviews from coast to coast.Early Warning opens in 1953 with the Langdons at a crossroads. Their stalwart patriarch Walter, who with his wife had sustained their Iowa farm for three decades, has suddenly died, leaving their five children looking to the future. Only one will remain to work the land, while the others scatter to Washington, DC, California, and everywhere in between. As the country moves out of postwar optimism through the Cold War, the social and sexual revolutions of the 1960s and '70s, and then into the unprecedented wealth — for some — of the early '80s, the Langdon children will have children of their own: twin boys who are best friends and vicious rivals; a girl whose rebellious spirit takes her to the notorious Peoples Temple in San Francisco; and a golden boy who drops out of college to fight in Vietnam — leaving behind a secret legacy that will send shockwaves through the Langdon family into the next generation. Capturing an indelible period in America through the lens of richly drawn characters we come to know and love, Early Warning is an engrossing, beautifully told story of the challenges — and rich rewards — of family and home, even in the most turbulent of times.

Джейн Смайли

Современная русская и зарубежная проза

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