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FRANK WAS SUPPOSED TO be in Palm Springs, looking at the renovations Rubino had authorized at the hotel, but he had stayed late in Malibu, at Hughes, so he was driving along Wilshire, past the Ambassador Hotel, about nine. The traffic was a nightmare, and Frank could feel his temper rising, but then he remembered Jim Upjohn’s stories about going to the Cocoanut Grove there in the forties, with Howard Hughes. Hughes was on his mind even though he, Frank, would never meet him (wasn’t the guy holed up in Las Vegas somewhere now?). He turned off Wilshire onto Mariposa, drove up two blocks, and walked back. The hotel was seething with people, and almost as soon as he walked through the door, Frank felt himself get edgy. As a man with nothing to lose, Frank was almost never edgy. What offended him was not the crowd, but some acoustic quality of the hotel lobby. The chaos was not of a uniform loudness and incomprehensibility — words popped out of the noise and impressed themselves upon his consciousness: “red,” “fountain,” “hola,” “I said,” “Nixon,” “Pittsburgh.” He went into the bar, but he got the same feeling there — he could not hear the man standing next to him saying to the bartender, “Gimme a highball,” but he could hear an unknown female voice saying very clearly, “Don’t touch that.” The word that rose on the din was “Bobby, Bobby, Bobby.”

Frank didn’t care who won the nomination or the election. Kennedy was of interest to him as a young man still, a man the age of Lillian, a man who had lost many things and had plenty to lose. Bobby Kennedy had been transforming before his eyes lately — getting younger and younger, even as Frank and everyone he knew was getting older and older. Maybe that’s why Arthur’s colleagues hated him. Look at his recent pictures: he had never been as handsome, as tousled, as brilliant. Every so often, when an old picture popped up of Bobby and JFK, JFK looked exhausted in comparison.

Jim Upjohn liked Bobby Kennedy, both politically and personally. Jim had come around since JFK’s assassination, mostly because he thought Johnson was a Texas roughneck and Eugene McCarthy was wheels within wheels. Within wheels. He said that RFK might be too short to win the election, but he kept urging Frank to contribute — it would be good moral experience for Frank, such a tightwad. The thing Frank didn’t like about Kennedy was that he didn’t seem to be able to keep his feelings to himself, no matter what he actually said. When he worked for Joe McCarthy, when he went after Hoffa, when he walked beside his brother Jack, you could see him almost trembling with intention that was eating him alive. Several times over the years, Arthur and Frank had talked about Bobby the way you did about strange younger men, and not only because the Kennedys also lived in McLean and seemed to follow the Arthur Manning laissez-faire child-rearing program (once, Arthur heard through the grapevine that the daughter Kathleen had hired her own nanny when she was walking down the beach in Hyannis Port, and Ethel had interviewed her through the door while she, Ethel, was going to the bathroom). Arthur’s co-workers hated Kennedy, said that he made their skin crawl, that they recoiled from him as from anything small and poisonous.

In the crowded lobby, Frank felt edgy. His eye could not help going to the anomalous figures in the busy roomscape — a man here and a man across the room who were utterly still and utterly observant, who seemed unhappy amidst the rising zest of the crowd. They wore suits as if they were used to wearing suits; they were Frank’s age, and they knew too much to be swept up in the enthusiasm around them. Their eyes flickered sideways before they turned their heads, as if they were waiting for something. The crowd, by contrast, was moving in a kind of coordinated exuberance, heads tossed backward, mouths wide open in talk or in smiles, arms lifted, bodies lifted. Just the sort of crowd that thought it knew what was coming. Frank shivered and moved away from the bar. Probably, he thought, he would always be that kid he’d been in college, living in a tent beside the river, shooting rabbits to make a little money, that kid he’d been in the army, comfortable on a quiet morning, focusing his telescopic sight on a figure in the distance, watching it come to a halt, waiting for the quarry to stretch a little bit and yawn. That was when Frank had liked best to make a kill, at that moment of confidence and comfort. It was a mercy killing, in a way, and he’d done it carefully, so that a single shot finished the deed. The sniper units were trained never to fire a second time, never to give away their position, so Frank had made sure that no second shots were needed. He hadn’t thought about that in years.

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Early Warning
Early Warning

From the Pulitzer Prize winner: a journey through mid-century America, as lived by the extraordinary Langdon family we first met in Some Luck, a national best seller published to rave reviews from coast to coast.Early Warning opens in 1953 with the Langdons at a crossroads. Their stalwart patriarch Walter, who with his wife had sustained their Iowa farm for three decades, has suddenly died, leaving their five children looking to the future. Only one will remain to work the land, while the others scatter to Washington, DC, California, and everywhere in between. As the country moves out of postwar optimism through the Cold War, the social and sexual revolutions of the 1960s and '70s, and then into the unprecedented wealth — for some — of the early '80s, the Langdon children will have children of their own: twin boys who are best friends and vicious rivals; a girl whose rebellious spirit takes her to the notorious Peoples Temple in San Francisco; and a golden boy who drops out of college to fight in Vietnam — leaving behind a secret legacy that will send shockwaves through the Langdon family into the next generation. Capturing an indelible period in America through the lens of richly drawn characters we come to know and love, Early Warning is an engrossing, beautifully told story of the challenges — and rich rewards — of family and home, even in the most turbulent of times.

Джейн Смайли

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