Читаем Eight Million Ways To Die полностью

"That you're letting it lay."

"That might not be true, Danny Boy."

"Matt—"

"You remember Jack Benny?"

"Do I remember Jack Benny? Of course I remember Jack Benny."

"Remember that bit with the stickup man? The guy says, 'Your money or your life,' and there's a long pause, a really long pause, and Benny says, 'I'm thinking it over.' "

"That's the answer? You're thinking it over?"

"That's the answer."

Outside on Seventy-second Street I stood in the shadows in the doorway of a stationery store, waiting to see if anyone would follow me out of Poogan's. I stood there for a full five minutes and thought about what Danny Boy had said. A couple of people left Poogan's while I was standing there but they didn't look like anything I had to worry about.

I went to the curb to hail a cab, then decided I might as well walk half a block to Columbus and get one going in the right direction. By the time I got to the corner I decided it was a nice night and I was in no hurry, and an easy stroll fifteen blocks down Columbus Avenue would probably do me good, make sleep come that much easier. I crossed the street and headed downtown and before I'd covered a block I noticed that my hand was in my coat pocket and I was holding onto the little gun.

Funny. No one had followed me. What the hell was I afraid of?

Just something in the air.

I kept walking, displaying all the street smarts I hadn't shown Saturday night. I stayed at the edge of the sidewalk near the curb, keeping my distance from buildings and doorways. I looked left and right, and now and then I turned to see if anyone was moving up behind me. And I went on clutching the gun, my finger resting lightly alongside the trigger.

I crossed Broadway, walked on past Lincoln Center and O'Neal's. I was on the dark block between Sixtieth and Sixty-first, across the street from Fordham, when I heard the car behind me and spun around. It was slanting across the wide avenue toward me and had cut off a cab. Maybe it was his brakes I heard, maybe that's what made me turn.

I threw myself down on the pavement, rolled away from the street toward the buildings, came up with the .32 in my hand. The car was even with me now, its wheels straightened out. I'd thought it was going to vault the curb but it wasn't. And the windows were open and someone was leaning out the rear window, looking my way, and he had something in his hand—

I had the gun pointed at him. I was prone, elbows braced in front of me, holding the gun in both hands. I had my finger on the trigger.

The man leaning out the window threw something, tossed it underhand. I thought, Jesus, a bomb, and I aimed at him and felt the trigger beneath my finger, felt it tremble like some little live thing, and I froze, I froze, I couldn't pull the fucking trigger.

Time froze, too, like a stop-frame sequence in a film. Eight or ten yards from me a bottle struck the brick wall of a building and smashed.

There was no explosion beyond the shattering of the glass. It was just an empty bottle.

And the car was just a car. I watched now as it went on careening south on Ninth Avenue, six kids in it, six drunken kids, and they might well kill somebody, they were drunk enough to do it, but when they did it would be an accident. They weren't professional killers, hitmen dispatched to murder me. They were just a bunch of kids who'd had more to drink than they could handle. Maybe they'd cripple someone, maybe they'd total their car, maybe they'd make it home without bending a fender.

I got up slowly, looked at the gun in my hand. Thank God I hadn't fired it. I could have shot them, I could have killed them.

God knows I'd wanted to. I'd tried to, thinking logically enough that they were trying to kill me.

But I'd been unable to do it. And if it had been pros, if the object I'd seen had been not a whiskey bottle but the gun or bomb I'd thought it was, I'd have been no more able to pull the trigger. They'd have killed me and I'd have died with an unfired revolver in my hands.

Jesus.

I dropped the useless gun in my pocket. I held out my hand, surprised that it wasn't shaking. I didn't even feel particularly shaky inside, and I was damned if I could figure out why not.

I went over to examine the broken bottle, if only to make sure it was just that and not a Molotov cocktail that had providentially failed to ignite. But there was no puddle, no reek of gasoline. There was a slight whiskey smell, unless I imagined it, and a label attached to one chunk of glass indicated that the bottle had contained J & B Scotch. Other fragments of green glass sparkled like jewels in the light of the streetlamp.

I bent over and picked up a little cube of glass. I placed it in the palm of my hand and stared at it like a gypsy at a crystal. I thought of Donna's poem and Sunny's note and my own slip of the tongue.

I started walking. It was all I could do to keep from running.

Chapter 27

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Она легко шагала по коридорам управления, на ходу читая последние новости и едва ли реагируя на приветствия. Длинные прямые черные волосы доходили до края коротких кожаных шортиков, до них же не доходили филигранно порванные чулки в пошлую черную сетку, как не касался последних короткий, едва прикрывающий грудь вульгарный латексный алый топ. Но подобный наряд ничуть не смущал самого капитана Сейли Эринс, как не мешала ее свободной походке и пятнадцати сантиметровая шпилька на дизайнерских босоножках. Впрочем, нет, как раз босоножки помешали и значительно, именно поэтому Сейли была вынуждена читать о «Самом громком аресте столетия!», «Неудержимой службе разведки!» и «Наглом плевке в лицо преступной общественности».  «Шеф уроет», - мрачно подумала она, входя в лифт, и не глядя, нажимая кнопку верхнего этажа.

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