“Yes,” inspector Appleby said as we strolled to the far end of his study, “I do keep a bit of a museum in this room. A sign of old age and the reminiscent mood, no doubt.”
He pointed to a range of well-ordered shelves. “You may find them depressing. For these things connect up, one way or another, with every sort of wickedness under the sun.”
“All of them?”
“Well, no. One or two recall affairs that would have to be termed bizarre, I suppose, rather than nefarious. For example, that photograph. What do you make of it?”
I found myself studying a formal, three-quarter length portrait of a young man, taken full face and looking straight at the camera. A professional job, I thought, but of rather an old-fashioned sort.
“Attract you?” No comment had occurred to me, and Appleby appeared to feel I needed prompting. “Or do you prefer a man to be handsome in a more regular way?”
“The features are certainly irregular enough,” I said. “But they have vitality. For what it is worth, then, your specimen
Appleby smiled. “That was the question which confronted us. Did you ever hear of Leonard Morton?”
“Never. Is this his photograph?”
Appleby smiled. “Sit down, my dear chap, and I’ll tell you the tale.”
“It is sometimes said that if the whole population was fingerprinted the police and the law courts would be saved some pretty large headaches. And Morton is a case in point.
“His parents had been wealthy folk who lost their lives in some accident when he was a baby. There were no near relatives, and young Leonard was brought up in a careful enough, but rather impersonal, way. Nobody had much occasion to be interested in him, and he seems to have had no talent for impressing himself upon the world.
“You spoke of vitality. I suspect he shoved most of that into a rugger scrum. And by his companions there, I suppose, he was remembered only as so much heave and shove. He made no
“He took off into the skies one day — it was for the purpose of bombing Berlin — and ceased to be a recognizable physical object some hours later.”
I was horrified. “Do you mean,” I asked Appleby, “that he was charred to a cinder?”
“Nothing so drastic. But he was abominably burned. Or that was the story the world was asked to believe later. At the time, Morton was posted as missing, believed killed. No word of him came through, you see, as a P.O.W. or anything else. Then the war ended, and suddenly there was this mutilated man with his story — his story of being Leonard Morton.
“There was nothing out of the way in it. He had baled out; every rag had been blasted or burned off him; and for a long time he had suffered a complete loss of memory. And now here he was back in England, proposing to claim quite a substantial fortune. But was he Morton?
“If he wasn’t, he had certainly
Appleby paused at this to stare thoughtfully at the photograph, and a question occurred to me. “At which point did you come into the affair?”
“In the first few days. There was, you see, an important time element in the matter. For a reason I’ll presently explain, it was essential that the truth be got at quickly.
“Sooner or later, of course, it was
“But meanwhile there was this important time element?”
“Precisely. Nearly everybody’s relations with Morton had been impersonal, as I’ve said. Or, if not impersonal, say professional. Schoolmasters, holiday tutors, trustees, executors, bankers — and so on. They could none of them be confident, one way or the other. Quite early they got together and held a sort of committee of inquiry on the young man, with a fellow called Firth, who was senior trustee, in the chair.
“Well, the claimant did pretty well. When he realized that they conceived it their duty to question his identity, he behaved very much as the genuine man might have been expected to do — if the genuine man was a pretty decent and forbearing sort of fellow. The committee was impressed, but by no means convinced.