The parts which should have come first, leading to the climax where the Detail appeared, now crept in. He recalled bits of his past life and waited patiently for them to go away because they were irrelevant. He recalled snatches of conversations with Arden and Gaetano, his five days in the Signing Room, his meetings with
Snatches of words. And his inner obsessions, the themes shaped by his solitude, slid between and through and over the words, leaving a silver surface slime that glistened on them and illuminated them. Containers and contents. Surface and substance. Outside and inside. Private names, immersion holograms, books. Theatre Masks. Identity Soul Body.Containers Contents.
Levin. Her almost-recognition/almost-understanding. But, “Go back and kill it. Make sure it’s dead. Shoot it, in the head.”
Gaetano went back. Anwar heard him empty his gun, shot after shot after shot.
If they’d done that to Levin, they...
He saw The Detail again. Not Arden’s Detail, that was dealt with for now, but
He woke in the early morning of October 22. He knew the dream had come because it had left him exhausted; but he couldn’t remember it.
Olivia was there, sitting at his bedside.
“Ihavetogoforafewhours”shesaid.“AppointmentsI’ve been putting off. I do have...”
“An organisation to run,” he completed for her. “That’s alright, I’ll see you later.”
She smiled briefly and left, and he promptly fell asleep again.
The dream returned. But this time, like Levin bursting out of the wall, it returned as a monster.
Random phrases he’d heard since coming to Brighton, dancing in front of his face. Then swirling coquettishly away.If the phrases had been
He couldn’t take his attention off the words, just as he couldn’t take his gaze off
And then they came back, with music. With his dream-memory of the Congolese big band music he’d heard a few days ago, distorted by the random subconscious tides of his dream into something less pleasant: minor key, not major, with blaring dissonant brass and singers’ voices, not melodious but harsh and mocking like seagulls’. The music massaged the words, stressing alternate syllables regularly and masturbating them until their rhythms and inflexions and cadences spilled out.
“I’m Miles ahead of you, Anwar.”
“Goodbye, old friend.”
Reith Lecture. Room For God. Small sharp-featured figure on his screen.
Greed, for food and sex.
Better than the best prostitutes.
Old greeting Muslim filth Jewish scum.