Читаем Everything's Eventual полностью

   You probably think that's weird, but it's not. I mean, I had a long and sucky school career which ended three months short of graduation. I had teachers I liked as well as teachers I hated, but never one I entirely trusted. I was the kind of kid who always sat in the back of the room if the teacher's seating-chart wasn't alphabetical, and never took part in class discussions. I mostly said "Huh?" when I was called on, and wild horses wouldn't have dragged a question out of me. Mr. Sharpton was the only guy I ever met who was able to get into where I lived, and ole Doc Wentworth with his bald head and sharp eyes behind his little rimless glasses was no Mr. Sharpton. I could imagine pigs flying south for the winter before I could imagine opening up to that dude, let alone crying on his shoulder.


   And fuck, I didn't know what else to ask, anyway. A lot of the time I liked it in Peoria, and I was excited by the prospects ahead—new job, new house, new town. People were great to me in Peoria. Even the food was great—meatloaf, fried chicken, milkshakes, everything I liked. Okay, I didn't like the diagnostic tests, those boogersnots you have to do with an IBM pencil, and sometimes I'd feel dopey, as if someone had put something in my mashed potatoes (or hyper, sometimes I'd feel that way, too), and there were other times—at least two—when I was pretty sure I'd been hypnotized again. But so what? I mean, was any of it a big deal after you'd been chased around a supermarket parking lot by a maniac who was laughing and making race-car noises and trying to run you over with a shopping cart?





XIII




I had one more talk on the phone with Mr. Sharpton that I suppose I should mention. That was just a day before my second airplane ride, the one that took me to Columbia City, where a guy was waiting with the keys to my new house. By then I knew about the cleaners, and the basic money-rule—start every week broke, end every week broke— and I knew who to call locally if I had a problem. (Any big problem and I call Mr. Sharpton, who is technically my "control.") I had maps, a list of restaurants, directions to the cinema complex and the mall. I had a line on everything but the most important thing of all.

   "Mr. Sharpton, I don't know what to do," I said. I was talking to him on the phone just outside the caff. There was a phone in my room, but by then I was too nervous to sit down, let alone lie on my bed. If they were still putting shit in my food, it sure wasn't working that day.


   "I can't help you there, Dink," he said, calm as ever. "So solly, Cholly."


   "What do you mean? You've got to help me! You recruited me, for jeepers' sake!"


   "Let me give you a hypothetical case. Suppose I'm the President of a well-endowed college. Do you know what well-endowed means?"


   "Lots of bucks. I'm not stupid, I told you that."


   "So you did—I apologize. Anyhow, let's say that I, President Sharpton, use some of my school's plentiful bucks to hire a great novelist as the writer-in-residence, or a great pianist to teach music. Would that entitle me to tell the novelist what to write, or the pianist what to compose?"


   "Probably not."


   "Absolutely not. But let's say it did. If I told the novelist, 'Write a comedy about Betsy Ross screwing around with George Washington in Gay Paree,' do you think he could do it?"


   I got laughing. I couldn't help it. Mr. Sharpton's just got a vibe about him, somehow.


"Maybe," I said. "Especially if you whipped a bonus on the guy."

   "Okay, but even if he held his nose and cranked it out, it would likely be a very bad novel. Because creative people aren't always in charge. And when they do their best work, they're hardly ever in charge. They're just sort of rolling along with their eyes shut, yelling Wheeeee."


   "What's all that got to do with me? Listen, Mr. Sharpton—when I try to imagine what I'm going to do in Columbia City, all I see is a great big blank. Help people, you said. Make the world a better place. Get rid of the Skippers. All that sounds great, except I don't know how to do it!"


"You will," he said. "When the time comes, you will."

   "You said Wentworth and his guys would focus my talent. Sharpen it. Mostly what they did was give me a bunch of stupid tests and make me feel like I was back in school. Is it all in my subconscious? Is it all on the hard disk?"


   "Trust me, Dink," he said. "Trust me, and trust yourself."


   So I did. I have. But just lately, things haven't been so good. Not so good at all.


   That goddam Neff—all the bad stuff started with him. I wish I'd never seen his picture. And if I had to see a picture, I wish I'd seen one where he wasn't smiling.





XIV




Перейти на страницу:

Все книги серии Stephen King Short Story Collection

Похожие книги

Восход ночи
Восход ночи

Подземелье.Таинственный мир, в катакомбах которого обретают новую жизнь голливудские звезды и рок-идолы, превращенные в вампиров загадочным доктором Вечность.Время от времени эти звезды-вампиры возвращаются в шоу-бизнес под новыми именами. Сходство с кумирами прошлых лет идет им только на пользу.А маленькие странности типа ночного образа жизни и упорного нестарения Лос-Анджелес и за настоящие причуды-то никогда не считал! Но однажды мальчишка-киноактер отказался принимать новое имя и новую легенду — и ему все равно, что со дня его «гибели» прошло двадцать три года.Ползут слухи. Неистовствует желтая пресса — однако кто и когда принимал ее всерьез? Уж точно не полиция!И тогда за расследование берется частное детективное агентство, чьи сотрудники — латиноамериканская ведьма необыкновенной красоты, карлик-ясновидящий и юная каскадерша Доун Мэдисон — привыкли к ЛЮБЫМ неожиданностям…

Крис Мари Грин

Фантастика / Ужасы / Ужасы и мистика