Читаем Evolution полностью

"You know what they do, Dr. Joan Useb, these genetic engineers? They stuff a whole extra chromosome into their kids, an extra chromosome full of desirable genes. But, aside from the hair and the teeth, do you know what that extra chromosome does? It stops those perfect kids breeding with us old-style unenhanced Homo sapiens. Now, what higher exclusion barrier can you imagine than that? Today, the rich even set themselves up as a separate species." As if absently, like pulling a fruit from its branch, he pulled Bex away from her mother’s grasp. One of the female terrorists held back Scott. Elisha ripped open the girl’s blouse, exposing her light, lacy brassiere. Bex closed her eyes; she was muttering to herself, a song or a rhyme.

"Elisha, please—" Now there was another stab of pain in Joan’s belly, a liquid surge. She found herself bent double. Oh, Christ, not now, she thought. Not now.

Suddenly Alyce was here. "Take it easy. Sit down."

The wall images were changing, Joan saw. Her vision was misted, but there seemed to be a lot more orange, black, gray.

Alyce was grinning, a humorless grimace, like a skull’s. "That’s Rabaul going up. Great timing."

Elisha had gotten hold of the girl’s wrists and pushed her arms over her head.

Joan said quickly, "Come on, Elisha. You aren’t here for this."

"Aren’t I?"

Scott said grimly, "If all you want is something to fuck, take me."

"Oh, but there would be no point," Elisha said. "It’s not the act but the symbolism, you see. This is the first time since the extinction of the Neandertals that there have been two distinct human species in the world." He stared down at the girl. "Is it rape, if the act occurs between different species?"

The doors blew in.

There was screaming, running, the crackle of gunfire. Small black pellets were hurled through the open doors and burst. White smoke began to fill the air.

Joan looked for the terrorists, trying to count. Two of them had fallen when the doors were charged. Another two, running and firing, fell as she watched, suddenly turned into tumbling puppets. Most of her delegates were on the floor or cowering under the furniture. Two, three, four looked as if they might be hurt: She saw inert shapes in the smoke, splashes of bloodred in the gray murk.

A new ripple of pain passed over Joan’s abdomen.

Elisha stood before her. He was smiling. He had hold of a length of black cord that extended from his waistband.

At least Bex had been released; the girl, in the arms of her mother, was backing away.

"Elisha. You don’t have to die."

His smile broadened. "All over the planet, five hundred of us are poised to make the same statement."

Alyce half reached for him. "Don’t do it, for God’s sake—"

"You won’t be harmed," he said. He pulled his balaclava back over his head. "I die as I lived. Faceless."

Joan screamed, "Elisha!"

He tugged on the cord, as if starting a gasoline engine. There was a flash around his waist, a belt of transient light. Then the upper half of his body tipped away from the lower. As the pieces of him fell, neatly bisected, there was a stink of blood, the acid stench of stomach contents.

Alyce clung to Joan. "Oh, God, oh, God."

The smoke was thickening, blinding, and Joan was coughing like a lifelong smoker. Now the pain came again, washing through her abdomen and back. She held on to Alyce. "Has it ever struck you how maladaptive group suicide is?"

"For God’s sake, Joan—"

"I mean, individual suicide can sometimes be justified, from a biological point of view. Perhaps a suicide is removing a burden from her kin. But what biological rationale can group suicide ever have? The capacity to believe in cultural dictates has been adaptive. It must have been or we wouldn’t have it. But sometimes the mechanism goes wrong—"

"We’re crazy. Is that what you’re trying to say? We’re all crazy. I agree."

"Ma’am, please come with me." A shadow before her. It looked like a soldier in a space suit, reaching for her.

Pain rippled through her again, an extinction of purposeful thought. She crumpled against Alyce Sigurdardottir. She heard another explosion. She thought it was just another part of the military or police operation.

She was wrong, as it happened. That had been Rabaul.

Once the sea had penetrated the magma chamber, the explosion became inevitable.

Shreds of molten magma flew into the air faster than sound, reaching heights of fifty kilometers. They broke up into solidifying fragments, ranging from tiny ash particles to chunks a meter wide. Mixed in with all of this were chunks of the shattered mountain itself. These bits of rock had been hurled far above the weather, far above aircraft and balloons, above even the ozone layer, fragments of Rabaul mingling with the meteorites, burning brightly and briefly. It was a sky full of rock.

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После ядерной войны человечество было отброшено в темные века. Не желая возвращаться к былым опасностям, на просторах гиблого мира строит свой мир. Сталкиваясь с множество трудностей на своем пути (желающих вернуть былое могущество и технологии, орды мутантов) люди входят в золотой век. Но все это рушится когда наш мир сливается с другим. В него приходят иномерцы (расы населявшие другой мир). И снова бедствия окутывает человеческий род. Цепи рабства сковывает их. Действия книги происходят в средневековые времена. После великого сражения когда люди с помощью верных союзников (не все пришедшие из вне оказались врагами) сбрасывают рабские кандалы и вновь встают на ноги. Образовывая государства. Обе стороны поделившиеся на два союза уходят с тропы войны зализывая раны. Но мирное время не может продолжаться вечно. Повествования рассказывает о детях попавших в рабство, в момент когда кровопролитные стычки начинают возрождать былое противостояние. Бегство из плена, становление обоями ногами на земле. Взросление. И преследование одной единственной цели. Добиться мира. Опрокинуть врага и заставить исчезнуть страх перед ненавистными разорителями из каждого разума.

Александр Михайлович Буряк , Алексей Игоревич Рокин , Вельвич Максим , Денис Русс , Сергей Александрович Иномеров , Татьяна Кирилловна Назарова

Фантастика / Советская классическая проза / Научная Фантастика / Попаданцы / Постапокалипсис / Славянское фэнтези / Фэнтези