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He missed the noise, he found, though that was harder to pin down: TV and the web and music, movies and ads, the logos and jingles and news. The one thing about the new world that would drive him crazy in the end, he suspected, was the silence, the huge, inhuman, vegetable silence. It gave him the shivers to imagine how it must have been in the last days, when all the machines had died, the winking logos and neon tubes and screens flickering and dying, one by one.

And he missed Clara. Of course he did. He had never known his kid, never even seen him, or her.

At the beginning he had been plagued by spasms of guilt: guilt that he was still alive where so many had gone into the dark, guilt that there was nothing he could do for Clara, guilt that he was eating and breathing and pissing and taking shits and covertly studying Moon’s butt while everybody he had ever known was dead. But that, mercifully, was fading. He had always been blessed, as Sidewise had once told him, by a lack of imagination.

Or maybe it was more than that.

In the clear light of this new time it seemed like it was his old life, in the crowded, murky England of the twenty-first century, which was the dream. As if he were dissolving into the green.

There was a rustle in the waist-high foliage, a dozen paces away. He turned that way, still and silent. A single grass stem, laden with seeds, nodded gracefully. He had set a snare over there. Was there something in the foliage — a curve of shoulder, a bright, staring eye?

He put down the bow and spindle. He stood, stretched, and casually walked toward the place he had seen the rustle. He slid his bow from his back, scooped an arrow from his rabbit-skin quiver, notched it carefully.

There was no movement in the foliage — not until he was almost on it — and then there was a sudden blur, a lunge away from his approach. He glimpsed pale skin flecked with brown, long limbs. A fox? But it was big, bigger than anything he’d seen here so far.

Without hesitating further he ran up to the thing, lodged his boot in the small of its back, and raised his arrow toward its head. The creature squirmed onto its back. It yowled like a cat, put its hands over its face.

He lowered the bow. Hands. It had hands, like a human, or an ape.

His heart thumping, he dropped the bow. He knelt over the creature, trapping its torso, and got hold of its wrists. It was spindly, lithe, but very strong; it took all of his power to force those hands away from the face. Still the creature spat and hissed at him.

But its face — no, her face — was no chimp’s, no ape’s. It was unmistakably human.

For long seconds Snowy sat there, astounded, astride the girl.

She was naked, and though her pale skin showed through, she was covered by a loose fur of straggling orange-brown hairs. The hair on her head was darker, a tangle of filthy curls that looked as if they had never been cut. She was not tall, but she had breasts, sagging little sacks with hard nipples protruding from the hair, and beneath the triangle of darker fur at her crotch there was a smear of what might be menstrual blood. And she had stretch marks.

Not only that, she stank like a monkey cage.

But that face was no ape’s. Her nose was small but protruding. Her mouth was small, her chin V-shaped with a distinct notch. Over blue eyes, her brow was smooth. Was it a little lower than his?

She looked human, despite her hairy belly. But her eyes were — cloudy. Frightened. Bewildered.

His throat tight, he spoke to her. "Do you speak English?"

She screeched and thrashed.

And suddenly Snowy had an erection like an iron rod. Holy shit, he thought. Quickly he rolled off the girl, reaching for his bow and his knife.

The girl couldn’t get up. Her right foot was trapped by his snare. She scrabbled over the moist ground until she was hunched over her foot. She rocked back and forth, crooning, obviously scared out of whatever wits she had.

Snowy’s spasm of lust faded. Now she looked like a chimp in her gestures, in her mindless misery, even though her body had felt like a woman’s under his. (Clara, forgive me, it’s been a long time…) The scrapings of shit on her legs, the puddles of droppings where she had been lying, put him off even more.

He rummaged in a pocket of his flight suit, and pulled out the remains of a ration pack. It still contained a handful of nuts, a bit of beef jerky, some dried banana. He pulled out the banana and held it out, a handful of curling flakes, toward the girl.

She shied back, pulling as far as she could on the wire.

He tried miming, putting a flake or two into his own mouth and exaggeratedly devouring it with every expression of enjoyment. "Yum, yum. Delicious."

But still she wouldn’t take the food from his hand. Then again, neither would a deer or a rabbit, he thought. So he put the flakes on the ground between them and backed away.

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После ядерной войны человечество было отброшено в темные века. Не желая возвращаться к былым опасностям, на просторах гиблого мира строит свой мир. Сталкиваясь с множество трудностей на своем пути (желающих вернуть былое могущество и технологии, орды мутантов) люди входят в золотой век. Но все это рушится когда наш мир сливается с другим. В него приходят иномерцы (расы населявшие другой мир). И снова бедствия окутывает человеческий род. Цепи рабства сковывает их. Действия книги происходят в средневековые времена. После великого сражения когда люди с помощью верных союзников (не все пришедшие из вне оказались врагами) сбрасывают рабские кандалы и вновь встают на ноги. Образовывая государства. Обе стороны поделившиеся на два союза уходят с тропы войны зализывая раны. Но мирное время не может продолжаться вечно. Повествования рассказывает о детях попавших в рабство, в момент когда кровопролитные стычки начинают возрождать былое противостояние. Бегство из плена, становление обоями ногами на земле. Взросление. И преследование одной единственной цели. Добиться мира. Опрокинуть врага и заставить исчезнуть страх перед ненавистными разорителями из каждого разума.

Александр Михайлович Буряк , Алексей Игоревич Рокин , Вельвич Максим , Денис Русс , Сергей Александрович Иномеров , Татьяна Кирилловна Назарова

Фантастика / Советская классическая проза / Научная Фантастика / Попаданцы / Постапокалипсис / Славянское фэнтези / Фэнтези