The man's body displayed a proud masculinity. Though the woman was clothed, there was no doubt as to her femininity. They both reflected a love of the human form as sensuous, noble, and pure. The evil all around seemed as if it was recoiling in terror of that noble purity.
More than that, though, Richard's statue existed without conflict; the figures showed awareness, rationality, and purpose. This was a manifestation of human power, ability, intent. This was life lived for its own sake. This was mankind standing proudly of his own free will.
This was exactly what the single word at the bottom named it:
LIFE
That it existed was proof of the validity of the concept.
This was life as it should be lived-proud, reasoned, and a slave to no other man. This was the rightful exaltation of the individual, the nobility of the human spirit.
Everything on the walls all around offered death as its answer.
This offered life.
Victor and Ishaq were on their knees, weeping.
The blacksmith lifted his arms up toward the statue before him, laughing as tears ran down his face.
"He did it. He has done as he said he would. Flesh in stone. Nobility.
Beauty."
People who had come to see the other carvings, now began gathering to see what stood in the center of the plaza. They stared with wide eyes, many seeing for the first time the concept of man as virtuous in his own right.
The statement was so powerful that it alone invalidated everything up on the walls. That it had been carved by man underscored its veracity.
Many of them saw it with the same understanding Nicci had.
The carvers wandered away from their work to come see what stood in the plaza. The masons came down from the scaffolding. The tenders set down their mortar buckets. The carpenters climbed down from their work at setting beams. The tilers laid aside their chisels. The drivers picketed their horses. Men digging and planting the surrounding grounds set down their shovels. They came from all directions toward the statue in the plaza.
People flowed up the steps in ever expanding ranks. They flooded around the statue, gazing in awe. Many fell to their knees weeping, not in misery as they had before, but with joy. Many, like the blacksmith, laughed, as tears of delight ran down their happy faces. A few covered their eyes in fear.
As people took it in, they began to run off to get others. Soon, men were coming down from the shops on the hill to see what stood in the plaza.
Men and women who had come to watch the construction now ran off home to get loved ones, to bring them to see what stood at the emperor's palace.
It was something the like of which most of these people had never in their lives seen.
It was vision to the blind.
It was water to the thirsty.
It was life to the dying.
CHAPTER 66
Kahlan pulled her map out and took a quick look. It was hard to tell for sure. She glanced up and down the road and noted that the other buildings were not quite as well kept.
"What do you think?" Cara asked in a low voice.
Kahlan slipped the map back inside her mantle. She snugged the fur up over her shoulders a little, making sure it covered the hilt of Richard's sword she wore strapped behind her shoulder. Her own sword was hidden under her cloak. At least the sun had just gone down.
"I don't know. We don't have much light left. I guess there's only one way to be sure."
Cara eyed the people who looked their way. For the most part, everyone in the city seemed remarkably incurious. With their horses stabled outside of the city, there would not be any swift escape if they needed to get away.
The general indifference of people, though, somewhat eased Kahlan's concern.
They had decided to simply be as aloof and casual as possible. She had thought they looked pretty simple in their traveling clothes, but in a place as drab as Altur'Rang, the two of them had a hard time being inconspicuous.
In retrospect, she wished they would have had the time to find something shabby to wear. Kahlan felt they were about as inconspicuous as a pair of painted whores at a country farm fair.
She climbed the stairs to the place as if she knew where she was going and belonged there. Inside, the hallway was clean. It had the smell of freshly scrubbed wood floors. With Cara close at her heels, Kahlan moved down to the first door on the right. She could see the stairway farther down the hall. If this was the correct building, this would be the proper door.
Looking both ways, Kahlan gently rapped on the door. No answer came.
She knocked again, a little louder. She tried the knob, but it was locked.
After checking the hall again, she pulled a knife from her belt and worked it under the molding, springing it out until the door popped open. She grabbed Cara's sleeve and pulled the woman in with her.
Inside, they both struck a pose prepared to fight. There was no one in the room. In the light coming in from two windows, Kahlan saw first that there were two sleeping pallets. What she saw next was Richard's pack.