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Gus was with the American Expeditionary Force at the Chateauvillain training area south of Paris on May 30 when the Third Division was ordered to help with the defense of the river Marne. Most of the division began to entrain, even though the battered French railway system might take several days to move them. However, Gus and Chuck and the machine guns set off by road immediately.

Gus was excited and fearful. This was not like boxing, where there was a referee to enforce the rules and stop the fight if it got dangerous. How would he act when someone actually fired a weapon at him? Would he turn and run away? What would prevent him? He generally did the logical thing.

Cars were as unreliable as trains, and numerous vehicles broke down or ran out of gas. In addition they were delayed by civilians traveling in the opposite direction, fleeing the battle, some driving herds of cows, others with their possessions in handcarts and wheelbarrows.

Seventeen machine guns arrived at the leafy small town of Château-Thierry, fifty miles east of Paris, at six P.M. on Friday. It was a pretty little place in the evening sunshine. It straddled the Marne, with two bridges linking the southern suburb with the northern town center. The French held both banks, but the leading edge of the German advance had reached the northern city limits.

Gus’s battalion was ordered to set up its armament along the south bank, commanding the bridges. Their crews were equipped with M1914 Hotchkiss heavy machine guns, each mounted on a sturdy tripod, fed by articulated metal cartridge belts holding 250 rounds. They also had rifle grenades, fired at a forty-five-degree angle from a bipod, and a few trench mortars of the British “Stokes” pattern.

As the sun set, Gus and Chuck were supervising the emplacement of their platoons between the two bridges. No training had prepared them to make these decisions: they just had to use their common sense. Gus picked a three-story building with a shuttered café on the ground floor. He broke in through the back door and climbed the stairs. There was a clear view from an attic window across the river and along a northward-leading street on the far side. He ordered a heavy machine-gun squad to set up there. He waited for the sergeant to tell him that was a stupid idea, but the man nodded approval and set about the task.

Gus placed three more machine guns in similar locations.

Looking for suitable cover for mortars, he found a brick boathouse on the riverbank, but was not sure whether it was in his sector or Chuck’s, so he went looking for his friend to check. He spotted Chuck a hundred yards along the bank, near the east bridge, peering across the water through field glasses. He took two steps that way, then there was a terrific bang.

He turned in the direction of the noise, and in the next second there were several more deafening crashes. He realized the German artillery had opened up when a shell burst in the river, sending up a plume of water.

He looked again to where Chuck stood, just in time to see his friend disappear in an explosion of earth.

“Jesus Christ!” he said, and he ran toward the spot.

Shells and mortars burst all along the south bank. The men threw themselves flat. Gus reached the place where he had last seen Chuck and looked around in bewilderment. He saw nothing but piles of earth and stone. Then he spotted an arm poking out from the rubble. He moved a stone aside and found, to his horror, that the arm was not attached to a body.

Was it Chuck’s arm? There had to be a way to tell, but Gus was too shocked to think how. He used the toe of his boot to push some loose earth aside ineffectually. Then he went down on his knees and began to dig with his hands. He saw a tan collar with a metal disc marked “US” and he groaned: “Oh, God.” He quickly uncovered Chuck’s face. There was no movement, no breath, no heartbeat.

He tried to remember what he was supposed to do next. Whom should he contact about a death? Something had to be done with the body, but what? Normally you would summon an undertaker.

He looked up to see a sergeant and two corporals staring at him. A mortar exploded on the street behind them, and they all ducked their heads reflexively, then looked at him again. They were waiting for his orders.

He stood up abruptly, and some of the training came back. It was not his job to deal with dead comrades, or even wounded ones. He was alive and well, and his duty was to fight. He felt a surge of irrational anger against the Germans who had killed Chuck. Hell, he thought, I’m going to fight back. He remembered what he had been doing: deploying the guns. He should get on with that. He would now have to take charge of Chuck’s platoon as well.

He pointed at the sergeant in charge of the mortars. “Forget the boathouse, it’s too exposed,” he said. He pointed across the street to a narrow alleyway between a winery and livery stables. “Set up three mortars in that alley.”

“Yes, sir.” The sergeant hurried off.

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Fall of Giants
Fall of Giants

Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."– The Denver Post on World Without EndKen Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

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