The BMW wasn’t moving as fast as it had been on the ranch road, though it was still going too fast for the terrain. Encountering a bad pothole, the car bounced hard; the muffler and the gas tank scraped on the down side of the bounce, and they were jolted again.
Because neither the redhead nor Martie was wearing a seat belt, they were lifted and rocked forward.
She seized the opportunity, reached behind herself, and slid her right hand up under her coat and sweater. She pulled the pistol from her belt while they were being pitched around.
As the car settled down, Martie held the gun at her side, on the seat, against her thigh, letting her unbuttoned jacket trail over it. Her body also blocked the redhead’s view of the Colt.
The driver’s pistol was probably on the seat at his side, within easy reach.
Beside Martie, the redhead was still gripping his gun in his right hand, between his knees, muzzle aimed at the floor.
Action. Action informed by intelligence and a moral perspective. She trusted her intelligence. Murder wasn’t moral, of course, though killing in self-defense surely was.
But the time wasn’t right.
Timing. Timing was equally important in ballet and gunplay.
She’d heard that somewhere. Unfortunately, in spite of her visits to the shooting range, having shot at nothing more than paper silhouettes of the human form, she knew nothing about
“You’ll never get away with this,” she said, letting them hear the genuine terror in her voice, because it would reinforce their conviction that she was helpless.
The driver was amused. To his partner, he said, with a mock tremor of doubt in his voice, “Zachary, you think we’ll get away with this?”
“Yeah,” said the redhead. He raised his eyebrows again and shrugged.
“Zachary,” the driver said, “what do we call an operation like this?”
“A simple hump and dump,” said Zachary.
“You hear that, girl? With the emphasis on
“You know, Kevin, for me,” Zachary said, “the emphasis is on
Kevin laughed. “Girl, since you’re the humpee and you and your husband are the dumpees, it’s naturally a big deal to you. But it’s no big deal to us, is it, Zachary?”
"No."
“And it won’t be to the cops, either. Tell her where she’s going, Zachary.”
“With me, to Orgasmo City.”
“Man, you’re delusional but fun. And after Orgasmo City?”
“You’re going down an old Indian well,” Zachary told Martie, “and God knows how deep into the aquifer under it.”
“Been no Indians living there or using it for more than three hundred years,” Kevin explained.
“Wouldn’t want to contaminate anybody’s drinking water,” said Zachary. “Federal offense.”
“Nobody’ll ever find your bodies. Maybe after your car crash, you just wandered off into the desert, got disoriented and lost in the storm, and froze to death.”
As the speed of the car dropped, eerie shapes appeared in the snow on both sides. They were low and undulant, pale formations reflecting the headlights, gliding past like ghost ships in a fog. Weathered ruins. Fragments of buildings, the stacked-stone and adobe walls of a long-abandoned settlement.
When Kevin braked to a stop and put the car in park, Martie turned toward Zachary and jammed the
His eyes revealed a man who was both fearless and pitiless, but not a stupid man. Without her saying a word, he dropped the machine pistol onto the floor between his feet.
“What?” Kevin asked, instinct serving him well.
As the driver sought Martie in the rearview mirror, she said, “Reach behind and put your hands on the headrest, you son of a bitch.”
Kevin hesitated.
“We have a situation here,” Zachary confirmed.
Kevin’s right shoulder dropped slightly, as he started to reach for the machine pistol on the front seat.
“HANDS ON THE HEADREST NOW, YOU FUCKER!” she roared, and she was shocked to hear how totally psychotic she sounded, not like a woman merely playing at being tough, but like a genuine crazy person, and in fact she probably was crazy right now, totally psychotic with raw fear.
Sitting up straight again, Kevin reached behind himself with both hands and gripped the headrest.
With the Colt jammed into his gut, Zachary was going to behave, because she could pull the trigger faster than he could move.
“You got off that plane with nothing but carry-ons,” Kevin said.
“Shut up. I’m thinking.”
Martie didn’t want to kill anyone, not even human garbage like this, not if it could be avoided. But how to avoid it? How could she get out of the car and get them out of the car, too, without giving them a chance to try anything?
Kevin wouldn’t leave it alone. “Nothing but carry-ons, so where did you get a gun?”
Two of them to watch. All that movement getting out. Moments of imbalance, vulnerability.
“Where did you get the gun?” Kevin persisted.