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Standing there, watching, Douglas realized that if he visited here night after night and spoke to Grandpa, Grandpa, asleep, would be his teacher and that if he spent six months or a year or two years coming to this special long-after-midnight school, he would have an education that nobody else in the world would have. Grandpa would give his knowledge as a teacher, without knowing it, and Doug would drink it in and not tell Tom or his parents or anybody.

"That's it,"whispered Doug. "Thank you, Grandpa, for all you say, asleep or awake. And thanks again for today and your advice on the purloineds. I don't want to say any more. I don't want to wake you up."

So Douglas, his ears full up and his mind full brimmed, left his grandpa sleeping there and crept toward the stairs and the tower room because he wanted to have one more encounter with the night town and the moon.

Just then the great clock across town, an immense moon, a full moon of stunned sound and round illumination, cleared its ratchety throat and let free a midnight sound.

One.

Douglas climbed the stairs.

Four. Five.

Reaching the tower window, Douglas looked out upon an ocean of rooftops and the great monster clock tower as time summed itself up.

Six. Seven.

His heart floundered.

Eight. Nine.

His flesh turned to snow.

Ten. Eleven.

A shower of dark leaves fell from a thousand

Twelve!

Oh my God, yes, he thought.

The clock! Why hadn't he thought of that?

The clockl

CHAPTER TWENTY-ONE

THE LAST VIBRATION OF THE GREAT CLOCK BELL faded.

A wind swayed the trees outside and the pekoe curtain hung out on the air, a pale ghost.

Douglas felt his breath siphon.

You, he thought. How come I never noticed?

The great and terrible courthouse clock.

Just last year, hadn't Grandpa laid out the machinery's blueprint, lecturing?

The huge round lunar clock was a gristmill, he'd said. Shake down all the grains of Time-the big grains

of centuries, and the small grains of years, and the tiny grains of hours and minutes-and the clock pulverized them, slid Time silently out in all directions in a fine pollen, carried by cold winds to blanket the town like dust, everywhere. Spores from that clock lodged in your flesh to wrinkle it, to grow bones to monstrous size, to burst feet from shoes like turnips. Oh, how that great machine at the town's center dispensed Time in blowing weathers.

The clock!

That was the thing that bleached and ruined life, jerked people out of bed, hounded them to schools and graves! Not Quartermain and his band of old men, or Braling and his metronome; it was the clock that ran this town like a church.

Even on the clearest of nights it was misted, glowing, luminous, and old. It rose above town like a great dark burial mound, drawn to the skies by the summoning of the moon, calling out in a grieved voice of days long gone, and days that would come no more, whispering of other autumns when the town was young and all was beginning and there was no end.

"So it's you," whispered Douglas.

Midnight, said the clock. Time, it said, Darkness. Flights

of night birds flew up to carry the final peal away, out over the lake and into the night country, gone.

Doug yanked down the shade so Time could not blow through the screen.

The clock light shone on the sidings of the house like a mist breathing on the windows.

CHAPTER TWENTY-TWO

"BOY, I JUST HEARD THE CRAZIEST THINGS." Charlie strolled up, chewing on a clover-blossom. "I got me a secret report from some girls."

"Girls!"

Charlie smiled at how his ten-inch firecracker had blown the laziness off his pals' faces. "My sister said way back last July they got old lady Bentley to admit she never was young. I thought you'd like that news."

"Charlie, Charlie!"

"Burden of proof," said Charlie. "The girls told me that old lady Bentley showed some pictures, junk and stuff, which didn't prove nothin'. Fact is, when you think on it, fellas, none of these old ginks look like they were ever young."

"Why didn't you think of that, Doug?" said Tom.

"Why don't you shut up?" said Douglas.

"I guess this makes me a lieutenant," said Charlie.

"You just moved up to sergeant yesterday!"

Charlie stared hard at Douglas for a long moment."

"Okay, okay, you're a lieutenant," said Douglas.

"Thanks," said Charlie. "What'll we do about my sister? She wants to be part of our army-a special spy."

"To heck with her!"

"You got to admit that's great secret stuff she turned in."

"Boy, Charlie, you sure think of things," said Tom. "Doug, why don't you think of things?"

"Darn it!" cried Douglas. "Whose idea was the graveyard tour, the candy, the food, the chess pieces, all that?"

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Я не знаю, где кончается придуманный сюжет и начинается жизнь. Вопрос этот для меня мучителен. Никогда не сумею на него ответить, но постоянно ищу ответ. Возможно, то и другое одинаково реально, просто кто-то живет внутри чужих навязанных сюжетов, а кто-то выдумывает свои собственные. Повести "Салюки" и "Теория вероятности" написаны по материалам уголовных дел. Имена персонажей изменены. Их поступки реальны. Их чувства, переживания, подробности личной жизни я, конечно, придумала. Документально-приключенческая повесть "Точка невозврата" представляет собой путевые заметки. Когда я писала трилогию "Источник счастья", мне пришлось погрузиться в таинственный мир исторических фальсификаций. Попытка отличить мифы от реальности обернулась фантастическим путешествием во времени. Все приведенные в ней документы подлинные. Тут я ничего не придумала. Я просто изменила угол зрения на общеизвестные события и факты. В сборник также вошли рассказы, эссе и стихи разных лет. Все они обо мне, о моей жизни. Впрочем, за достоверность не ручаюсь, поскольку не знаю, где кончается придуманный сюжет и начинается жизнь.

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