Читаем Farewell Summer полностью

"It ain't enough. I mean, look what you've done. You've pushed the fellas too far, got 'em scared. Keep on with this sort of talk you're going to lose your army. You've got to do something that will put everything back together again. Find something for us to do or else everyone will go home and stay there, or go lie down with the dogs and sleep it off. Think of something, Doug. It's important."

Doug put his hands on his hips and stared at Tom. "Why do I got this feeling you're the general and I'm just a buck private?"

"WTiat do you mean, Doug?"

"I mean here I am, almost fourteen, and you're twelve going on a hundred and ordering me around and telling me what to do. Are things so bad?"

"Bad, Doug? They're terrible. Look at all those guys running away. You better catch up and think of something between here and the middle of town. Re-carving jack-o'-lanterns. Think, Doug, think."

"I'm thinking," said Doug, eyes shut.

"Well then, get going! Run, Doug, I'll catch up."

And Doug ran on.

CHAPTER ELEVEN

ON THE WAY INTO TOWN, ON A STREET NEAR THE school stood the nickel emporium where all the sweet poisons hid in luscious traps.

Doug stopped, stared, and waited for Tom to catch up and then yelled, "Okay, gang, this way. In!"

Around him all the boys came to a halt because he said the name of the shop, which was pure magic.

Doug beckoned and they all gathered and followed, orderly, like a good army, into the shop.

Tom came last, smiling at Doug as if he knew something that nobody else knew.

Inside, honey lay sheathed in warm African chocolate. Plunged and captured in the amber treasure lay fresh Brazil nuts, almonds, and glazed clusters of snowy coconut. June butter and August wheat were clothed in dark sugars. All were crinkled in folded tin foil, then wrapped in red and blue papers that told the weight, ingredients, and manufacturer. In bright bouquets the candies lay, caramels to glue the teeth, licorice to blacken the heart, chewy wax bottles filled with sickening mint and strawberry sap, Tootsie Rolls to hold like cigars, red-tipped chalk-mint cigarettes for chill mornings when your breath smoked on the air.

The boys, in the middle of the shop, saw diamonds to crunch, fabulous liquors to swig. Persimmon-colored pop bottles swam, clinking softly, in the Nile waters of the refrigerated box, its water cold enough to cut your skin. Above, on glass shelves, lay cordwood piles of gingersnaps, macaroons, chocolate bits, vanilla wafers shaped like moons, and marshmallow dips, white surprises under black masquerades. All of this to coat the tongue, plaster the palate.

Doug pulled some nickels from his pocket and nodded at the boys.

One by one they chose from the sweet treasure, noses pressed against glass, breath misting the crystal vault.

Moments later, down the middle of the street they ran and soon stood on the edge of the ravine with the pop and candy.

Once they were all assembled, Doug nodded again and they started the trek down into the ravine. Above them, on the other side, stood the looming homes of the old men, casting dark shadows into the bright day. And above those, Doug saw, as he shielded his eyes, was the hulking carapace of the haunted house.

"I brought you here on purpose," said Doug.

Tom winked at him as he flipped the lid off his pop.

"You must learn to resist, so you can fight the good fight. Now," he cried, holding his bottle out. "Don't look so surprised. Pour!"

"My gosh!" Charlie Woodman slapped his brow. "That's good root beer, Doug. Mine's good Orange Crush!"

Doug turned his bottle upside down. The root beer froth hissed out to join the clear stream rushing away to the lake. The others stared, the spectacle mirrored in each pair of eyes.

"You want to sweat Orange Crush?" Douglas grabbed Charlie's drink. "You want root beer spit, to be poisoned forever, to never get well? Once you're tall, you can't un-grow back, can't stab yourself with a pin and let the air out."

Solemnly, the martyrs tilted their bottles.

"Lucky crawfish." Charlie Woodman slung his bottle at a rock. They all threw their bottles, like Germans after a toast, the glass crashing in bright splin-

They unwrapped the melting chocolate and butter chip and almond frivolities. Their teeth parted, their mouths watered. But their eyes looked to their general.

"I solemnly pledge from now on: no candy, no pop, no poison."

Douglas let his chocolate chunk drop like a corpse into the water, like a burial at sea.

Douglas wouldn't even let them lick their fingers.

Walking out of the ravine, they met a girl eating a vanilla ice cream cone. The boys stared, their tongues lolling. She took a cold dollop with her tongue. The boys blinked. She licked the cone and smiled. Perspiration broke out on a half dozen faces. One more lick,

one more jut of that rare pink tongue, one more hint of cool vanilla ice cream and his army would revolt. Sucking in a deep breath, Douglas cried: "Git!"

The girl spun around and ran.

Перейти на страницу:

Похожие книги

Салюки
Салюки

Я не знаю, где кончается придуманный сюжет и начинается жизнь. Вопрос этот для меня мучителен. Никогда не сумею на него ответить, но постоянно ищу ответ. Возможно, то и другое одинаково реально, просто кто-то живет внутри чужих навязанных сюжетов, а кто-то выдумывает свои собственные. Повести "Салюки" и "Теория вероятности" написаны по материалам уголовных дел. Имена персонажей изменены. Их поступки реальны. Их чувства, переживания, подробности личной жизни я, конечно, придумала. Документально-приключенческая повесть "Точка невозврата" представляет собой путевые заметки. Когда я писала трилогию "Источник счастья", мне пришлось погрузиться в таинственный мир исторических фальсификаций. Попытка отличить мифы от реальности обернулась фантастическим путешествием во времени. Все приведенные в ней документы подлинные. Тут я ничего не придумала. Я просто изменила угол зрения на общеизвестные события и факты. В сборник также вошли рассказы, эссе и стихи разных лет. Все они обо мне, о моей жизни. Впрочем, за достоверность не ручаюсь, поскольку не знаю, где кончается придуманный сюжет и начинается жизнь.

Полина Дашкова

Современная русская и зарубежная проза