What a diviner sees is probability. In one future you go left; in another you go right; in a third, you stop and ask for directions. A hundred branches, each branching again and again to create thousands, for every one of the millions of people living on this earth. Billions and trillions of futures, branching in every way through four dimensions like a river delta the size of a galaxy.
You can’t look at all that at once. If you opened your sight to all the possible futures of everything around you, even for an instant, the knowledge would destroy you, wipe away your mind like an ocean wave rolling over a drop of water. Seeing into the future is a constant discipline, always keeping your guard up, always focused. The real reason there are so few diviners is that most of them either go crazy or block their power off so that they don’t have to deal with it any more.
The diviners who
In ninety-nine out of a hundred futures, opening the door and walking in led to me being spotted by the security guards. I searched for the future in which I
To anyone watching, it looks like pure fluke. One guard points at something, and the other turns just as I open the door and close it behind me. They carry on talking and I stand quietly in the shadow of the doorway. One looks away briefly and I walk out across the floor as the second bends down to fumble in a drawer. I walk past, staying behind the first one as he turns back, and pass through the exit at the other side just before the second one looks up again.
Afterwards, when the balloon goes up, both guards will swear they never took their eyes off the door.
The Great Court of the British Museum is massive, more than fifty feet high with the huge cylinder of the Reading Room running from floor to ceiling at the centre. Floor and walls are painted white, reflecting the light and emphasising the empty space, and the ceiling is slightly domed. An equestrian statue stood to the right; to the left, a stone lion snarled down upon an information desk covered with pamphlets. I crossed the floor, half my mind on keeping my footsteps silent and the other half searching the possible futures for more guards, noting as I did that a patrol was due in about three minutes. I picked a map off the desk and glanced at it. The bulk of the ground floor was taken up by the west wing, mostly filled with permanent exhibits from Ancient Greece and Rome. Somehow I couldn’t see Lyle’s relic being one of those; if the Rosetta Stone or the Elgin Marbles were magical, I was pretty sure someone would have noticed by now. At the back, around the third floor, were some rooms marked in brown as ‘exhibitions and changing displays’. That sounded hopeful. I slipped the map into my pocket and started for the stairs.
As I climbed the curving staircase around the Reading Room and mapped out my path through the museum, the back of my mind was puzzling about why any kind of magical item would be here. Mages, as a whole, are not the most public-spirited of people. If they find something they want, they take it. They don’t leave it on display.
Unless in this case they
I’d just reached Ethiopia and Coptic Egypt when something pinged on my precognition. Two guards were ahead. I paused until I knew neither was looking in my direction, then peeked my head around the corner. The men were about thirty feet away, standing in front of a staircase leading up, and they were carrying …