Читаем Figure it Out For Yourself полностью

I gum-shoed up the stone steps and peered into a long, dark passage. Facing me was a flight of stairs, several of them crushed flat as if some heavy foot had been too much for the wormrotten timber. There were no banisters, and the stains looked unpleasantly suicidal. I decided to leave them alone, and investigate the passage.

The floor creaked and groaned under my feet as I walked slowly and cautiously into the stalesmelling darkness. Ahead of me I heard a sudden rustle and a scamper of rats. The sound brought me to a standstill, and the hair at the back of my neck stiffened. To be on the safe side, and probably to bolster up my courage, I eased out my gun.

There was an open door at the end of the passage. I paused before it and peered in. There wasn't much to see except dark- ness. I was in no hurry to go in, and after a few seconds I made out tiny chinks of light coming in through the boarded walls. Even at that, it was much, much too dark in there.

I took a couple of very cautious steps forward, and paused just inside the doorway. There seemed no point in going far- ther, and no point in staying longer. If someone was hiding in there, I couldn't see him, and I doubted if he could see me, but in this I was wrong.

A board creaked suddenly close to me. The swish of a descending sap churned the air. I threw myself forward and sideways.

Something very hard and that hurt hit my shoulder, driving the gun out of my hand: a blow aimed at my head, and which would have sent me to sleep for a long, long time if it had landed.

I fell on my hands and knees. Legs brushed against my side, fingers groped up my arm, touched my face and shifted to my throat: lean, strong fingers, damp against my skin, and cold.

I shoved my chin into my collar so he couldn't get a prom grip, straightened, groped in my turn for a hold. My hand touched a coat, went up a powerful bicep. That gave me an idea where his face was. I slammed in a short, hard punch that connected with what felt like an ear.

There was a grunt, then a weight that could have been around fourteen stone dropped on top of me, driving me flat on to the floor. The fingers dug into my neck; hot, hurried breathing fanned my face.

But this time he wasn't dealing with a girl. Probably he hadn't had a great deal of trouble in handling Gracie, but he was going to have some trouble handling me.

I caught hold of his thumbs and bent them back. I heard him catch his breath in a gasp of pain. He jerked his thumbs out of my grip only because I let him, and as he straightened up I clouted him on the side of the head with a round-house swing that sent him away from me with a grunt of anguish.

I was half up, with my fingers touching the floor, as he launched himself at me again. I could just make out his dim form in the darkness as he came, and I lurched towards him. We met with a crash like a couple of charging bulls. He reeled back, and I socked him in the belly: a goingaway punch that hadn't the beef to put him down, but that brought the wind out of him like the hiss of a punctured tyre.

At the back of my mind I could see that screwed-up figure in the soiled blue nightdress hanging on the back of the bathroom door, and it made me mad. I kept moving in, belting him with right and left punches, not always landing, but taking good care when they did land they'd hurt. I took one bang on the side of the jaw that sent my head back, but it wasn't hard enough to stop me.

He was gasping for breath now, and backing away as fast as he could. I had to stop throwing punches, because I lost sight of him. I could only hear his heavy breathing, and guess he was somewhere just ahead of me. For a moment or so we stood in the darkness, trying to see each other, listening and watching for any sudden move.

I thought I could just make out a shadow in the darkness about a yard to my left, but I wasn't sure. I stamped my foot, and the shadow swerved away like a scared cat. Before he could cover his balance, I jumped in, and my fist caught him on the side of his neck. The impact sounded like a cleaver driving into a hunk of beef.

He gave a wheezing gasp, fell over on his back, scrambled up and backed away. He now seemed very anxious to break up the meeting and go home. I dived forward to finish him, in- stead, my foot landed on a rotten plank that gave under me and I came down with a crash that shook the breath out of me.

He had me cold then, but he wasn't interested. All he could think of was getting home.

He bolted for the door.

I struggled to get up, but my foot was firmly held in the rotten flooring. I caught a glimpse of a tall, broad-shouldered figure outlined in the dimness of the doorway; then it vanish-ed.

By the time I got my foot free I knew it would be useless to go after him. There were too many bolt-holes in Coral Gables to find him after such a start.

I limped to the door, swearing to myself. Something white lying in the passage caught my eye. I bent to pick it up.

It was a white felt hat.

III

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Канун 1990 года. Военного полицейского Джека Ричера неожиданно переводят из Панамы, где он участвовал в операции по поимке диктатора Норьеги, в тишину кабинета американской военной базы в Северной Каролине. Ричер откровенно мается от безделья, пока в новогоднюю ночь ему не поступает сообщение, что в местном мотеле найден мертвый генерал. Смерть от сердечного приступа помешала ему исполнить какую-то сверхсекретную миссию. Когда Ричер прибывает в дом генерала, чтобы сообщить его жене о трагедии, он обнаруживает, что женщина убита. Портфель генерала исчез, и Ричер подозревает, что именно содержащиеся в нем бумаги стали причиной убийства.

Александр Валерьевич Аралкин , Джулиан Мэй , Калина Гор , Ли Чайлд , Максим Викторович Гунькин

Фантастика / Крутой детектив / Триллер / Журналы, газеты / Триллеры / Любовно-фантастические романы / Детективы