Читаем First Love полностью

(Translator: Constance Garnett)

The party had long ago broken up. The clock struck half-past twelve. There was left in the room only the master of the house and Sergei Nikolaevitch and Vladimir Petrovitch.

The master of the house rang and ordered the remains of the supper to be cleared away. ‘And so it’s settled,’ he observed, sitting back farther in his easy-chair and lighting a cigar; ‘each of us is to tell the story of his first love. It’s your turn, Sergei Nikolaevitch.’

Sergei Nikolaevitch, a round little man with a plump, light-complexioned face, gazed first at the master of the house, then raised his eyes to the ceiling. ‘I had no first love,’ he said at last; ‘I began with the second.’

‘How was that?’

‘It’s very simple. I was eighteen when I had my first flirtation with a charming young lady, but I courted her just as though it were nothing new to me; just as I courted others later on. To speak accurately, the first and last time I was in love was with my nurse when I was six years old; but that’s in the remote past. The details of our relations have slipped out of my memory, and even if I remembered them, whom could they interest?’

‘Then how’s it to be?’ began the master of the house. ‘There was nothing much of interest about my first love either; I never fell in love with any one till I met Anna Nikolaevna, now my wife, – and everything went as smoothly as possible with us; our parents arranged the match, we were very soon in love with each other, and got married without loss of time. My story can be told in a couple of words. I must confess, gentlemen, in bringing up the subject of first love, I reckoned upon you, I won’t say old, but no longer young, bachelors. Can’t you enliven us with something, Vladimir Petrovitch?’

‘My first love, certainly, was not quite an ordinary one,’ responded, with some reluctance, Vladimir Petrovitch, a man of forty, with black hair turning grey.

‘Ah!’ said the master of the house and Sergei Nikolaevitch with one voice: ‘So much the better… . Tell us about it.’

‘If you wish it … or no; I won’t tell the story; I’m no hand at telling a story; I make it dry and brief, or spun out and affected. If you’ll allow me, I’ll write out all I remember and read it you.’

His friends at first would not agree, but Vladimir Petrovitch insisted on his own way. A fortnight later they were together again, and Vladimir Petrovitch kept his word.

His manuscript contained the following story: –

I

I was sixteen then. It happened in the summer of 1833.

I lived in Moscow with my parents. They had taken a country house for the summer near the Kalouga gate, facing the Neskutchny gardens. I was preparing for the university, but did not work much and was in no hurry.

No one interfered with my freedom. I did what I liked, especially after parting with my last tutor, a Frenchman who had never been able to get used to the idea that he had fallen ‘like a bomb’ (comme une bombe) into Russia, and would lie sluggishly in bed with an expression of exasperation on his face for days together. My father treated me with careless kindness; my mother scarcely noticed me, though she had no children except me; other cares completely absorbed her. My father, a man still young and very handsome, had married her from mercenary considerations; she was ten years older than he. My mother led a melancholy life; she was for ever agitated, jealous and angry, but not in my father’s presence; she was very much afraid of him, and he was severe, cold, and distant in his behaviour… . I have never seen a man more elaborately serene, self-confident, and commanding.

I shall never forget the first weeks I spent at the country house. The weather was magnificent; we left town on the 9th of May, on St. Nicholas’s day. I used to walk about in our garden, in the Neskutchny gardens, and beyond the town gates; I would take some book with me – Keidanov’s Course, for instance – but I rarely looked into it, and more often than anything declaimed verses aloud; I knew a great deal of poetry by heart; my blood was in a ferment and my heart ached – so sweetly and absurdly; I was all hope and anticipation, was a little frightened of something, and full of wonder at everything, and was on the tiptoe of expectation; my imagination played continually, fluttering rapidly about the same fancies, like martins about a bell-tower at dawn; I dreamed, was sad, even wept; but through the tears and through the sadness, inspired by a musical verse, or the beauty of evening, shot up like grass in spring the delicious sense of youth and effervescent life.

I had a horse to ride; I used to saddle it myself and set off alone for long rides, break into a rapid gallop and fancy myself a knight at a tournament. How gaily the wind whistled in my ears! or turning my face towards the sky, I would absorb its shining radiance and blue into my soul, that opened wide to welcome it.

Перейти на страницу:

Похожие книги

Сочинения
Сочинения

Иммануил Кант – самый влиятельный философ Европы, создатель грандиозной метафизической системы, основоположник немецкой классической философии.Книга содержит три фундаментальные работы Канта, затрагивающие философскую, эстетическую и нравственную проблематику.В «Критике способности суждения» Кант разрабатывает вопросы, посвященные сущности искусства, исследует темы прекрасного и возвышенного, изучает феномен творческой деятельности.«Критика чистого разума» является основополагающей работой Канта, ставшей поворотным событием в истории философской мысли.Труд «Основы метафизики нравственности» включает исследование, посвященное основным вопросам этики.Знакомство с наследием Канта является общеобязательным для людей, осваивающих гуманитарные, обществоведческие и технические специальности.

Иммануил Кант

Философия / Проза / Классическая проза ХIX века / Русская классическая проза / Прочая справочная литература / Образование и наука / Словари и Энциклопедии