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‘Meredith Blake went down to a clearing with a seat just above the Battery garden. He could just see Miss Greer as she posed on the battlements and could hear her voice and Crale’s as they talked. He sat there and thought over the coniine business. He was still very worried about it and didn’t know quite what to do. Elsa Greer saw him and waved her hand to him. When the bell went for lunch he came down to the Battery and Elsa Greer and he went back to the house together. He noticed then that Crale was looking, as he put it, very queer, but he didn’t really think anything of it at the time. Crale was the kind of man who is never ill – and so one didn’t imagine he would be. On the other hand, he did have moods of fury and despondency according as to whether his painting was not going as he liked it. On those occasions one left him alone and said as little as possible to him. That’s what these two did on this occasion.

‘As to the others, the servants were busy with housework and cooking lunch. Miss Williams was in the schoolroom part of the morning correcting some exercise books. Afterwards she took some household mending to the terrace. Angela Warren spent most of the morning wandering about the garden, climbing trees and eating things – you know what a girl of fifteen is! Plums, sour apples, hard pears, etc. After she came back to the house and, as I say, went down with Philip Blake to the beach and had a bathe before lunch.’

Superintendent Hale paused:

‘Now then,’ he said belligerently, ‘do you find anything phoney about that?’

Poirot said: ‘Nothing at all.’

‘Well, then!’

The two words expressed volumes.

‘But all the same,’ said Hercule Poirot. ‘I am going to satisfy myself. I-’

‘What are you going to do?’

‘I am going to visit these five people – and from each one I am going to get his or her own story.’

Superintendent Hale sighed with a deep melancholy.

He said:

‘Man, you’re nuts! None of their stories are going to agree! Don’t you grasp that elementary fact? No two people remember a thing in the same order anyway. And after all this time! Why, you’ll hear five accounts of five separate murders!’

‘That,’ said Poirot, ‘is what I am counting upon. It will be very instructive.’



Chapter 6. This Little Pig Went to Market…

Philip Blake was recognizably like the description given of him by Montague Depleach. A prosperous, shrewd, jovial-looking man – slightly running to fat.

Hercule Poirot had timed his appointment for half-past six on a Saturday afternoon. Philip Blake had just finished his eighteen holes, and he had been on his game – winning a fiver from his opponent. He was in the mood to be friendly and expansive.

Hercule Poirot explained himself and his errand. On this occasion at least he showed no undue passion for unsullied truth. It was a question, Blake gathered, of a series of books dealing with famous crimes.

Philip Blake frowned. He said:

‘Good Lord, why make up these things?’

Hercule Poirot shrugged his shoulders. He was at his most foreign today. He was out to be despised but patronized.

He murmured:

‘It is the public. They eat it up – yes, eat it up.’

‘Ghouls,’ said Philip Blake.

But he said it good-humouredly – not with the fastidiousness and the distaste that a more sensitive man might have displayed.

Hercule Poirot said with a shrug of the shoulders:

‘It is human nature. You and I, Mr Blake, who know the world, have no illusions about our fellow human beings. Not bad people, most of them, but certainly not to be idealized.’

Blake said heartily:

‘I’ve parted with my illusions long ago.’

‘Instead, you tell a very good story, so I have been told.’

‘Ah!’ Blake’s eyes twinkled. ‘Heard this one?’

Poirot’s laugh came at the right place. It was not an edifying story, but it was funny.

Philip Blake lay back in his chair, his muscles relaxed, his eyes creased with good humour.

Hercule Poirot thought suddenly that he looked rather like a contented pig.

A pig.This little pig went to market…

What was he like, this man, this Philip Blake? A man, it would seem, without cares. Prosperous, contented. No remorseful thoughts, no uneasy twinges of conscience from the past, no haunting memories here. No, a well-fed pig who had gone to market – and fetched the full market price…

But once, perhaps, there had been more to Philip Blake. He must have been, when young, a handsome man. Eyes always a shade too small, a fraction too near together, perhaps – but otherwise a well made, well set up young man. How old was he now? At a guess between fifty and sixty. Nearing forty, then, at the time of Crale’s death. Less stultified, then, less sunk in the gratifications of the minute. Asking more of life, perhaps, and receiving less…

Poirot murmured as a mere catch-phrase:

‘You comprehend my position.’

‘No, really, you know, I’m hanged if I do.’ The stockbroker sat upright again, his glance was once more shrewd. ‘Why you? You’re not a writer?’

‘Not precisely – no. Actually I am a detective.’

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Английская писательница Марджори Эллингем и ее герой частный детектив Алберт Кэмпион доселе не были широко известны русскому читателю. Мистер Кэмпион сильно отличается от своих американских коллег, например Майкла Шейна из романов Б. Холлидея. Молодой детектив умён и благороден, как настоящий английский джентльмен, в то же время ему свойственны лукавство и способность в любой среде — будь то аристократическая гостиная или бандитский притон — чувствовать себя уверенно и свободно.Книги Марджори Эллингем не относятся к детективам, называемым «крутыми». Расследования и преступления описаны в стиле романов о доброй старой Англии, что является их несомненным достоинством.

Галина Владимировна Горячева , Марджери Аллингем , Марджори Эллингем

Детективы / Классический детектив / Современные любовные романы / Прочее / Классические детективы / Классическая литература